Combining Texts

All the ideas for 'The Case for Closure', 'The Artworld' and 'Letter to Pythocles'

unexpand these ideas     |    start again     |     specify just one area for these texts


8 ideas

11. Knowledge Aims / B. Certain Knowledge / 2. Common Sense Certainty
Commitment to 'I have a hand' only makes sense in a context where it has been doubted [Hawthorne]
     Full Idea: If I utter 'I know I have a hand' then I can only be reckoned a cooperative conversant by my interlocutors on the assumption that there was a real question as to whether I have a hand.
     From: John Hawthorne (The Case for Closure [2005], 2)
     A reaction: This seems to point to the contextualist approach to global scepticism, which concerns whether we are setting the bar high or low for 'knowledge'.
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / c. Knowledge closure
How can we know the heavyweight implications of normal knowledge? Must we distort 'knowledge'? [Hawthorne]
     Full Idea: Those who deny skepticism but accept closure will have to explain how we know the various 'heavyweight' skeptical hypotheses to be false. Do we then twist the concept of knowledge to fit the twin desiderata of closue and anti-skepticism?
     From: John Hawthorne (The Case for Closure [2005], Intro)
     A reaction: [He is giving Dretske's view; Dretske says we do twist knowledge] Thus if I remember yesterday, that has the heavyweight implication that the past is real. Hawthorne nicely summarises why closure produces a philosophical problem.
We wouldn't know the logical implications of our knowledge if small risks added up to big risks [Hawthorne]
     Full Idea: Maybe one cannot know the logical consequences of the proposition that one knows, on account of the fact that small risks add up to big risks.
     From: John Hawthorne (The Case for Closure [2005], 1)
     A reaction: The idea of closure is that the new knowledge has the certainty of logic, and each step is accepted. An array of receding propositions can lose reliability, but that shouldn't apply to logic implications. Assuming monotonic logic, of course.
Denying closure is denying we know P when we know P and Q, which is absurd in simple cases [Hawthorne]
     Full Idea: How could we know that P and Q but not be in a position to know that P (as deniers of closure must say)? If my glass is full of wine, we know 'g is full of wine, and not full of non-wine'. How can we deny that we know it is not full of non-wine?
     From: John Hawthorne (The Case for Closure [2005], 2)
     A reaction: Hawthorne merely raises this doubt. Dretske is concerned with heavyweight implications, but how do you accept lightweight implications like this one, and then suddenly reject them when they become too heavy? [see p.49]
14. Science / D. Explanation / 3. Best Explanation / c. Against best explanation
We should accept as explanations all the plausible ways in which something could come about [Epicurus]
     Full Idea: The phases of the Moon could happen in all the ways [at least four] which the phenomena in our experience suggest for the explanation of this kind of thing - as long as one is not so enamoured of unique explanations as to groundlessly reject the others.
     From: Epicurus (Letter to Pythocles [c.292 BCE], 94)
     A reaction: Very interesting, for IBE. While you want to embrace the 'best', it is irrational to reject all of the other candidates, simply because you want a single explanation, if there are no good grounds for the rejection.
21. Aesthetics / B. Nature of Art / 6. Art as Institution
A thing is only seen as art in an 'artworld', which has a theory and a history [Danto]
     Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld.
     From: Arthur C. Danto (The Artworld [1964], II)
     A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop.
27. Natural Reality / E. Cosmology / 1. Cosmology
A cosmos is a collection of stars and an earth, with some sort of boundary, movement and shape [Epicurus]
     Full Idea: A cosmos is a circumscribed portion of the heavens containing stars and an earth; it is separated from the unlimited, with a boundary which is rare or dense; it is revolving or stationary; it is round or triangular, or some shape. All these are possible.
     From: Epicurus (Letter to Pythocles [c.292 BCE], 88)
     A reaction: Notice that there seem to exist the 'heavens' which extend beyond the cosmos. See Idea 14036, saying that there are many other cosmoi in the heavens.
28. God / C. Attitudes to God / 3. Deism
God does not intervene in heavenly movements, but is beyond all action and perfectly happy [Epicurus]
     Full Idea: Let us beware of making the Deity interpose in heavenly movements, for that being we ought to suppose exempt from all occupation and perfectly happy.
     From: Epicurus (Letter to Pythocles [c.292 BCE]), quoted by Diogenes Laertius - Lives of Eminent Philosophers 10.25