8 ideas
| 5504 | Maybe we should see persons in four dimensions, with stages or time-slices at an instant [Martin/Barresi] |
| Full Idea: Some recent philosophers have argued that we should replace the three-dimensional view of persons with a four-dimensional view according to which only time-slices, or 'stages', of persons exist at short intervals of time. | |
| From: R Martin / J Barresi (Introduction to 'Personal Identity' [2003], p.3) | |
| A reaction: At first glance this seems to neatly eliminate lots of traditional worries. But why would I want to retain my identity, if someone threatened to brainwash me. I also want to disown my inadequate earlier selves. Interesting, though. Lewis. |
| 5503 | Maybe personal identity is not vital in survival, and other continuations would suffice [Martin/Barresi] |
| Full Idea: A modern question is whether personal identity is primarily what matters in survival; that is, people might cease and be continued by others whose continuation the original people would value as much. | |
| From: R Martin / J Barresi (Introduction to 'Personal Identity' [2003], p.3) | |
| A reaction: When put like this, the proposal seems hard to grasp. It only makes sense if you don't really believe in a thing called 'personal identity'. I don't see how you can believe in it without also believing that for you it has central importance. |
| 5502 | Locke's intrinsic view of personal identity has been replaced by an externalist view [Martin/Barresi] |
| Full Idea: In modern times the Lockean intrinsic relations view of personal identity has been superseded by an extrinsic relations view (also called the 'closest-continuer' or 'externalist' view). | |
| From: R Martin / J Barresi (Introduction to 'Personal Identity' [2003], p.1) | |
| A reaction: Sounds sweeping. My suspicion is that there is a raging fashion for externalist views of everything (justification, content etc.), but this will pass. I take Parfit to be the source of the modern views. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 18681 | The base for values has grounds, catalysts and intensifiers [Dancy,J, by Orsi] |
| Full Idea: Dancy distinguishes three parts of the supervenience base of values: 1) those which ground the value ('resultance base'); 2) those which enable the ground to make something good ('enabling conditions'); 3) those which intensify or diminish value. | |
| From: report of Jonathan Dancy (Ethics without Principles [2004], p. 170-181) by Francesco Orsi - Value Theory 5.2 | |
| A reaction: I really like and admire this. Dancy has focused on what really matters about values (and hence about the whole of ethics), and begun the work of getting a bit of clarity and increased understanding. |
| 5505 | For Aristotle the psyche perishes with the body (except possibly 'nous') [Martin/Barresi] |
| Full Idea: In Aristotle's view, with the possible exception of 'nous' the psyche and all its parts come into being at the same time as its associated body; it is inseparable from the body, and perishes along with it. | |
| From: R Martin / J Barresi (Introduction to 'Personal Identity' [2003], p.8) | |
| A reaction: It is suggested that he thought there was only one 'nous', which all humans share (p.9). If he wants to claim that one part is immortal, he doesn't have much evidence. If psyche is the form of the body, it is bound to perish. |