Combining Texts

All the ideas for 'Two Problems of Epistemology', 'Aesthetica' and 'Introduction to Philosophical Papers I'

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5 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
I tried to be unsystematic and piecemeal, but failed; my papers presuppose my other views [Lewis]
     Full Idea: I should have like to be a piecemeal, unsystematic philosopher, offering independent proposals on a variety of topics. It was not be. I succumbed too often to the temptation to presuppose my views on one topic when writing on another.
     From: David Lewis (Introduction to Philosophical Papers I [1983], p.1)
     A reaction: He particularly mentions his possible worlds realism as a doctrine which coloured all his other work. A charming insight into the mind of a systematic thinker (called by someone 'the most systematic metaphysician since Leibniz').
14. Science / A. Basis of Science / 6. Falsification
Particulars can be verified or falsified, but general statements can only be falsified (conclusively) [Popper]
     Full Idea: Whereas particular reality statements are in principle completely verifiable or falsifiable, things are different for general reality statements: they can indeed be conclusively falsified, they can acquire a negative truth value, but not a positive one.
     From: Karl Popper (Two Problems of Epistemology [1932], p.256), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 18 'Laws'
     A reaction: This sounds like a logician's approach to science, but I prefer to look at coherence, where very little is actually conclusive, and one tinkers with the theory instead.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy]
     Full Idea: Baumgarten founded aesthetics in the year 1750.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2
     A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy]
     Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged.
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy]
     Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them.