Combining Texts

All the ideas for 'A Puzzle Concerning Matter and Form', 'Aesthetica' and 'A New Kind of Science'

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6 ideas

6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / g. Applying mathematics
At one level maths and nature are very similar, suggesting some deeper origin [Wolfram]
     Full Idea: At some rather abstract level one can immediately recognise one basic similarity between nature and mathematics ...this suggests that the overall similarity between mathematics and nature must have a deeper origin.
     From: Stephen Wolfram (A New Kind of Science [2002], p.772), quoted by Peter Watson - Convergence 17 'Philosophy'
     A reaction: Personally I think mathematics has been derived by abstracting from the patterns in nature, and then further extrapolating from those abstractions. So the puzzle in nature is not the correspondence with mathematics, but the patterns.
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
The possible Aristotelian view that forms are real and active principles is clearly wrong [Fine,K, by Pasnau]
     Full Idea: Aristotle seems to have a possible basis for the belief [in individual forms], namely that forms are real and active principles in the world, which is denied by any right-minded modern.
     From: report of Kit Fine (A Puzzle Concerning Matter and Form [1994], p.19) by Robert Pasnau - Metaphysical Themes 1274-1671 24.3 n8
     A reaction: Pasnau says this is the view of forms promoted by the scholastics, whereas Aristotle's own view should be understood as 'metaphysical'.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy]
     Full Idea: Baumgarten founded aesthetics in the year 1750.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2
     A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy]
     Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged.
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy]
     Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them.
27. Natural Reality / C. Space / 4. Substantival Space
Space and its contents seem to be one stuff - so space is the only existing thing [Wolfram]
     Full Idea: It seems plausible that both space and its contents should somehow be made of the same stuff - so that in a sense space becomes the only thing in the universe.
     From: Stephen Wolfram (A New Kind of Science [2002], p.474), quoted by Peter Watson - Convergence 17 'Philosophy'
     A reaction: I presume the concept of a 'field' is what makes this idea possible.