12 ideas
| 10528 | Definitions concern how we should speak, not how things are [Fine,K] |
| Full Idea: Our concern in giving a definition is not to say how things are by to say how we wish to speak | |
| From: Kit Fine (Precis of 'Limits of Abstraction' [2005], p.310) | |
| A reaction: This sounds like an acceptable piece of wisdom which arises out of analytical and linguistic philosophy. It puts a damper on the Socratic dream of using definition of reveal the nature of reality. |
| 10529 | If Hume's Principle can define numbers, we needn't worry about its truth [Fine,K] |
| Full Idea: Neo-Fregeans have thought that Hume's Principle, and the like, might be definitive of number and therefore not subject to the usual epistemological worries over its truth. | |
| From: Kit Fine (Precis of 'Limits of Abstraction' [2005], p.310) | |
| A reaction: This seems to be the underlying dream of logicism - that arithmetic is actually brought into existence by definitions, rather than by truths derived from elsewhere. But we must be able to count physical objects, as well as just counting numbers. |
| 10530 | Hume's Principle is either adequate for number but fails to define properly, or vice versa [Fine,K] |
| Full Idea: The fundamental difficulty facing the neo-Fregean is to either adopt the predicative reading of Hume's Principle, defining numbers, but inadequate, or the impredicative reading, which is adequate, but not really a definition. | |
| From: Kit Fine (Precis of 'Limits of Abstraction' [2005], p.312) | |
| A reaction: I'm not sure I understand this, but the general drift is the difficulty of building a system which has been brought into existence just by definition. |
| 15642 | If kinds depend only on what can be observed, many underlying essences might produce the same kind [Eagle] |
| Full Idea: If the kinds there are depend not on the essences of the objects but on their observed distinguishing particulars, ...then for any kind that we think there is, it is possible that there are many underlying essences which are observably indistinguishable. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: Eagle is commenting on Locke's reliance on nominal essences. This seems to be the genuine problem with jadeite and nephrite (both taken to be 'jade'), or with 'fool's gold'. This isn't an objection to Locke; it just explains the role of science. |
| 15645 | Nominal essence are the observable properties of things [Eagle] |
| Full Idea: It is clear the nominal essences really are the properties of the things which have them: they are (a subset of) the observable properties of the things. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: I think this is wrong. The surface characteristics are all that is available to us, so our classifications must be based on those, but it is on the ideas of them, not their intrinsic natures. That is empiricsm! What makes the properties 'essential'? |
| 15643 | Nominal essence mistakenly gives equal weight to all underlying properties that produce appearances [Eagle] |
| Full Idea: Nominal essence does not allow for gradations in significance for the underlying properties. Those are all essential for the object behaving as it observably does, and they must all be given equal weight when deciding what the object does. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: This is where 'scientific' essentialism comes in. If we take one object, or one kind of object, in isolation, Eagle is right. When we start to compare, and to set up controlled conditions tests, we can dig into the 'gradations' he cares about. |
| 10527 | An abstraction principle should not 'inflate', producing more abstractions than objects [Fine,K] |
| Full Idea: If an abstraction principle is going to be acceptable, then it should not 'inflate', i.e. it should not result in there being more abstracts than there are objects. By this mark Hume's Principle will be acceptable, but Frege's Law V will not. | |
| From: Kit Fine (Precis of 'Limits of Abstraction' [2005], p.307) | |
| A reaction: I take this to be motivated by my own intuition that abstract concepts had better be rooted in the world, or they are not worth the paper they are written on. The underlying idea this sort of abstraction is that it is 'shared' between objects. |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 15641 | Kinds are fixed by the essential properties of things - the properties that make it that kind of thing [Eagle] |
| Full Idea: The natural thought is to think that real kinds are given only by classification on the basis of essential properties: properties that make an object the kind of thing that it is. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], II) | |
| A reaction: Circularity alert! Circularity alert! Essence gives a thing its kind - and hence we can see what the kind is? Test for a trivial property! Eagle is not unaware of these issues. Does he mean 'necessary' rather than 'essential'? |