Combining Texts

All the ideas for 'Introductions to 'Aesthetics and the Phil of Art'', 'Counterparts and Identity' and 'Quantum: Einstein and Bohr'

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9 ideas

4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
To say there could have been people who don't exist, but deny those possible things, rejects Barcan [Stalnaker, by Rumfitt]
     Full Idea: Stalnaker holds that there could have been people who do not actually exist, but he denies that there are things that could have been those people. That is, he denies the unrestricted validity of the Barcan Formula.
     From: report of Robert C. Stalnaker (Counterparts and Identity [1987]) by Ian Rumfitt - The Boundary Stones of Thought 6.2
     A reaction: And quite right too, I should have thought. As they say, Jack Kennedy and Marilyn Monroe might have had a child, but the idea that we should accept some entity which might have been that child but wasn't sounds like nonsense. Except as fiction…..
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Unlike Lewis, I defend an actualist version of counterpart theory [Stalnaker]
     Full Idea: I defend a version of counterpart theory that is quite different from Lewis's version, as it is tied to actualism (all that exists is part of the actual world) rather than possibilism (possible things may exist without actually existing).
     From: Robert C. Stalnaker (Counterparts and Identity [1987], 1)
     A reaction: This could be the theory I am after. I am sympathetic to both actualism and to counterpart theory. Off to the woodshed….
If possible worlds really differ, I can't be in more than one at a time [Stalnaker]
     Full Idea: Nothing can be in two places at once. If other possible worlds are really other universes, then clearly, you and I cannot be in them if we are here in this one.
     From: Robert C. Stalnaker (Counterparts and Identity [1987], 2)
     A reaction: This can be sensibly expressed without possible worlds. I can't embody my other possibilities while I am embodying this one (I'm too busy). Insofar as possible worlds are a good framework, they are just a precise map of common sense.
If counterparts exist strictly in one world only, this seems to be extreme invariant essentialism [Stalnaker]
     Full Idea: Counterparts involve the thesis that domains of different possible worlds are disjoint: possible individuals exist in at most one possible world. This seems to suggest extreme essentialism, where nothing could differ from how it is.
     From: Robert C. Stalnaker (Counterparts and Identity [1987], 2)
     A reaction: He quotes Salmon (1981:236) as saying counterpart theory is particularly inflexible essentialism. This is a long way from my use of 'essentialism'. The problem is just the extent to which my counterpart is 'the same' as me.
14. Science / D. Explanation / 2. Types of Explanation / k. Explanations by essence
Bohr explained the periodic table and chemical properties of elements, using the quantum atom [Kumar]
     Full Idea: Bohr used the quantum atom to explain the periodic table and the chemical properties of the elements. ...It was his new theory about the arrangement of electrons inside atoms that explained the placing and grouping of elements in the periodic table.
     From: Manjit Kumar (Quantum: Einstein and Bohr [2008], Ch 04)
     A reaction: (second sentence p.133) This is Exhibit A for the idea that essences are explanatory, and are discovered by scientists. The moot point would be whether it is appropriate to describe electron shells as part of the 'essence' of an atom.
19. Language / C. Assigning Meanings / 8. Possible Worlds Semantics
Extensional semantics has individuals and sets; modal semantics has intensions, functions of world to extension [Stalnaker]
     Full Idea: Semantic values in extensional semantics are extensions, like individuals for terms, and sets for predicates. In modal semantics we have intensions, functions from worlds to appropriate extensions.
     From: Robert C. Stalnaker (Counterparts and Identity [1987], 2)
     A reaction: It seems obvious that the meaning of a word like 'giraffe' must include possible giraffes, as well as actual and deceased giraffes.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.