22 ideas
| 14508 | A 'thisness' is a thing's property of being identical with itself (not the possession of self-identity) [Adams,RM] |
| Full Idea: A thisness is the property of being identical with a certain particular individual - not the property that we all share, of being identical with some individual, but my property of being identical with me, your property of being identical with you etc. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 1) | |
| A reaction: These philosophers tell you that a thisness 'is' so-and-so, and don't admit that he (and Plantinga) are putting forward a new theory about haecceities, and one I find implausible. I just don't believe in the property of 'being-identical-to-me'. |
| 14511 | There are cases where mere qualities would not ensure an intrinsic identity [Adams,RM] |
| Full Idea: I have argued that there are possible cases in which no purely qualitative conditions would be both necessary and sufficient for possessing a given thisness. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 6) | |
| A reaction: Are we perhaps confusing our epistemology with our ontology here? We can ensure that something has identity, or ensure that its identity is knowable. If it is 'something', then it has identity. Er, that's it? |
| 12031 | Essences are taken to be qualitative properties [Adams,RM] |
| Full Idea: Essences have normally been understood to be constituted by qualitative properties. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 1) | |
| A reaction: I add this simple point, because it might be challenged by the view that an essence is a substance, rather than the properties of anything. I prefer that, and would add that substances are individuated by distinctive causal powers. |
| 12034 | If the universe was cyclical, totally indiscernible events might occur from time to time [Adams,RM] |
| Full Idea: There is a temporal argument for the possibility of non-identical indiscernibles, if there could be a cyclical universe, in which each event was preceded and followed by infinitely many other events qualitatively indiscernible from itself. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 3) | |
| A reaction: The argument is a parallel to Max Black's indiscernible spheres in space. Adams offers the reply that time might be tightly 'curved', so that the repetition was indeed the same event again. |
| 14510 | Two events might be indiscernible yet distinct, if there was a universe cyclical in time [Adams,RM] |
| Full Idea: Similar to the argument from spatial dispersal, we can argue against the Identity of Indiscernibles from temporal dispersal. It seems there could be a cyclic universe, ..and thus there could be distinct but indiscernible events, separated temporally. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 3) | |
| A reaction: See Idea 14509 for spatial dispersal. If cosmologists decided that a cyclical universe was incoherent, would that ruin the argument? Presumably there might even be indistinguishable events in the one universe (in principle!). |
| 16455 | Black's two globes might be one globe in highly curved space [Adams,RM] |
| Full Idea: If God creates a globe reached by travelling two diameters in a straight line from another globe, this can be described as two globes in Euclidean space, or a single globe in a tightly curved non-Euclidean space. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 3) | |
| A reaction: [my compression of Adams's version of Hacking's response to Black, as spotted by Stalnaker] Hence we save the identity of indiscernibles, by saying we can't be sure that two indiscernibles are not one thing, unusually described. |
| 14507 | Are possible worlds just qualities, or do they include primitive identities as well? [Adams,RM] |
| Full Idea: Is the world - and are all possible worlds - constituted by purely qualitative facts, or does thisness hold a place beside suchness as a fundamental feature of reality? | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], Intro) | |
| A reaction: 'Thisness' and 'suchness' aim to capture Aristotelian notions of the entity and its attributes. Aristotle talks of 'a this'. Adams is after adding 'haecceities' to the world. My intuitive answer is no, there are no 'pure' identities. We add those. |
| 11964 | Possible worlds are world-stories, maximal descriptions of whole non-existent worlds [Adams,RM, by Molnar] |
| Full Idea: According to a theory proposed by Adams, possible worlds are world-stories, that is maximally complete consistent sets of propositions which between them describe non-existent whole worlds. | |
| From: report of Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979]) by George Molnar - Powers 12.2.2 | |
| A reaction: Presumably this places an additional constraint on the view that a world is just a maximal set of propositions. It seems to require coherence as well as consistency. Suppose an object destroys all others objects. Is that a world? |
| 16451 | Adams says anti-haecceitism reduces all thisness to suchness [Adams,RM, by Stalnaker] |
| Full Idea: The anti-haecceitist thesis (according to Adams's version) is that all thisnesses are reducible to, or supervenient upon, suchnesses. | |
| From: report of Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979]) by Robert C. Stalnaker - Mere Possibilities 3.5 |
| 11901 | Haecceitism may or may not involve some logical connection to essence [Adams,RM, by Mackie,P] |
| Full Idea: Moderate Haecceitism says that thisnesses and transworld identities are primitive, but logically connected with suchnesses. ..Extreme Haecceitism involves the rejection of all logical connections between suchness and thisness, for persons. | |
| From: report of Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979]) by Penelope Mackie - How Things Might Have Been | |
| A reaction: I am coming to the conclusion that they are not linked. That thisness is a feature of our conceptual thinking, and is utterly atomistic and content-free, while suchness is rich and a feature of reality. |
| 14512 | Moderate Haecceitism says transworld identities are primitive, but connected to qualities [Adams,RM] |
| Full Idea: My position, according to which thisnesses and transworld identities are primitive but logically connected to suchnesses, we may call 'Moderate Haecceitism'. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 6) | |
| A reaction: The rather tentative connection to qualities is to block the possibility of Aristotle being a poached egg, which he (quite reasonably!) holds to be counterintuitive. It all feels like a mess to me. |
| 19540 | Don't confuse justified belief with justified believers [Dougherty/Rysiew] |
| Full Idea: Much theorizing about justification conflates issues of justified belief with issues of justified/blameless believers. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.12) | |
| A reaction: [They cite Kent Bach 1985] Presumably the only thing that really justifies a belief is the truth, or the actual facts. You could then say 'p is a justified belief, though no one actually believes it'. E.g. the number of stars is odd. |
| 19539 | If knowledge is unanalysable, that makes justification more important [Dougherty/Rysiew] |
| Full Idea: If knowledge is indeed unanalyzable, that could be seen as a liberation of justification to assume importance in its own right. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.11) | |
| A reaction: [They cite Kvanvig 2003:192 and Greco 2010:9-] See Scruton's Idea 3897. I suspect that we should just give up discussing 'knowledge', which is a woolly and uninformative term, and focus on where the real epistemological action is. |
| 12032 | Direct reference is by proper names, or indexicals, or referential uses of descriptions [Adams,RM] |
| Full Idea: Direct reference is commonly effected by the use of proper names and indexical expressions, and sometimes by what has been called (by Donnellan) the 'referential' use of descriptions. | |
| From: Robert Merrihew Adams (Primitive Thisness and Primitive Identity [1979], 2) | |
| A reaction: One might enquire whether the third usage should be described as 'direct', but then I am not sure that there is much of a distinction between references which are or are not 'direct'. Either you (or a sentence) refer or you (or it) don't. |
| 19538 | Entailment is modelled in formal semantics as set inclusion (where 'mammals' contains 'cats') [Dougherty/Rysiew] |
| Full Idea: Entailment is modelled in formal semantics as set inclusion. 'Cat' entails 'mammal' because the cats are a subset of the mammals. | |
| From: Dougherty,T/Rysiew,P (What is Knowledge-First Epistemology? [2014], p.10) | |
| A reaction: I would have thought that this was only one type of entailment. 'Travelling to Iceland entails flying'. Travelling includes flying, the reverse of cats/mammals, to a very complex set-theoretic account is needed. Interesting. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |