26 ideas
| 18365 | If truths are just identical with facts, then truths will make themselves true [David] |
| Full Idea: According to the identity theory of truth, a proposition is true if and only if it is identical with a fact. ...This leads to the unacceptable claim that every true proposition makes itself true (because it is identical to its fact). | |
| From: Marian David (Truth-making and Correspondence [2009], n 14) |
| 18362 | Examples show that truth-making is just non-symmetric, not asymmetric [David] |
| Full Idea: That 'there is at least one proposition' ...is a case where something makes itself true, which generates a counterexample to the natural assumption that truth-making is asymmetric; truth-making, it seems, is merely non-symmetric. | |
| From: Marian David (Truth-making and Correspondence [2009], 4) |
| 18360 | It is assumed that a proposition is necessarily true if its truth-maker exists [David] |
| Full Idea: Friends of the truth-maker principle usually hold that the following states a crucial necessary condition on truth-making: if x makes y true, then, necessarily, if x exists then y is true. | |
| From: Marian David (Truth-making and Correspondence [2009], 2) | |
| A reaction: My objection is that the proposition y is taken to pre-exist, primly awaiting the facts that will award it 'truth'. An ontology that contains an infinity of propositions, most of which so far lack a truth-value, is incoherent. You can have x, but no y! |
| 18358 | Two different propositions can have the same fact as truth-maker [David] |
| Full Idea: Two different propositions can have the same fact as truth-maker. For example, 'L is happy or L is hungry', and 'L is happy or L is thirsty', which are both made true by the fact that L is happy. | |
| From: Marian David (Truth-making and Correspondence [2009], 1) |
| 18355 | What matters is truth-making (not truth-makers) [David] |
| Full Idea: The term 'truthmaker' just labels whatever stands in the truth-making relation to a truth. The truth-making relation is crucial. It would have been just as well to refer to the truth-'maker' principle as the truth-'making' principle. | |
| From: Marian David (Truth-making and Correspondence [2009], 1) | |
| A reaction: This is well said. The commitment of this theory is to something which makes each proposition true. There is no initial commitment to any theories about what sorts of things do the job. |
| 18354 | Correspondence is symmetric, while truth-making is taken to be asymmetric [David] |
| Full Idea: Correspondence appears to be a symmetric relation while truth-making appears to be, or is supposed to be, an asymmetric relation. | |
| From: Marian David (Truth-making and Correspondence [2009], Intro) |
| 18356 | Correspondence is an over-ambitious attempt to explain truth-making [David] |
| Full Idea: Truth-maker theory says that the attempt by correspondence to fill in the generic truth-maker principle with something more informative fails. It is too ambitious, offering a whole zoo of funny facts that are not needed. | |
| From: Marian David (Truth-making and Correspondence [2009], 1) | |
| A reaction: A typical funny fact is a disjunctive fact, which makes 'he is hungry or thirsty' true (when it can just be made true by the simple fact that he is thirsty). |
| 18363 | Correspondence theorists see facts as the only truth-makers [David] |
| Full Idea: Correspondence theorists are committed to the view that, since truth is correspondence with a fact, only facts can make true propositions true. | |
| From: Marian David (Truth-making and Correspondence [2009], 4) |
| 18364 | Correspondence theory likes ideal languages, that reveal the structure of propositions [David] |
| Full Idea: Correspondence theorists tend to promote ideal languages, ...which is intended to mirror perfectly the structure of the propositions it expresses. | |
| From: Marian David (Truth-making and Correspondence [2009], n 03) |
| 18357 | What makes a disjunction true is simpler than the disjunctive fact it names [David] |
| Full Idea: The proposition that 'L is happy or hungry' can be made true by the fact that L is happy. This does not have the same complexity or constituent structure as the proposition it makes true. | |
| From: Marian David (Truth-making and Correspondence [2009], 1) |
| 18359 | One proposition can be made true by many different facts [David] |
| Full Idea: One proposition can be made true by many different facts (such as 'there are some happy dogs'). | |
| From: Marian David (Truth-making and Correspondence [2009], 1) |
| 18361 | A reflexive relation entails that the relation can't be asymmetric [David] |
| Full Idea: An asymmetric relation must be irreflexive: any case of aRa will yield a reductio of the assumption that R is asymmetric. | |
| From: Marian David (Truth-making and Correspondence [2009], 4) |
| 8361 | What is true used to be possible, but it may no longer be so [Wright,GHv] |
| Full Idea: It is not very natural to say of that which is true that it is also possible. ...What is true was possible - but whether it still is a potency of the world is not certain. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §5) | |
| A reaction: A simple and rather important distinction. Before encountering this, I would certainly have been happy to affirm that the actual is possible, but actually it may not be. The power to create differs from the power to sustain. Could God re-create the world? |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 8363 | p is a cause and q an effect (not vice versa) if manipulations of p change q [Wright,GHv] |
| Full Idea: What makes p a cause-factor relative to the effect-factor q (rather than vice versa) is the fact that by manipulating p, producing changes in it 'at will', we could bring about changes in q. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §8) | |
| A reaction: As a solution to the direction-of-causation problem, I suspect that this proposal is begging the question. Will a causal explanation be offered of the action of manipulation? If he mistook his manipulation for a cause when it is actually an effect... |
| 8364 | We can imagine controlling floods by controlling rain, but not vice versa [Wright,GHv] |
| Full Idea: Given our present knowledge of the laws of nature, we can imagine ways of controlling floods by controlling rainfall, but not the other way round. That is should be so, however, is contingent. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §8) | |
| A reaction: Despite my objections to Idea 8363, this is a good example. It won't establish the metaphysics of the direction of causation, though, because God might control rainfall by controlling floods. Maybe causation is more like a motorway pile-up than dominoes. |
| 8366 | The very notion of a cause depends on agency and action [Wright,GHv] |
| Full Idea: There is an implicit dependence of the very notion of a cause on a concept of agency and action. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §10) | |
| A reaction: This is because he thinks experimental intervention is the key to the concept of causation (see Ideas 8362 and 8363). Others go further, and say that the concept of causation arises from subjective experience of performing actions. I quite like that. |
| 8362 | We give regularities a causal character by subjecting them to experiment [Wright,GHv] |
| Full Idea: What confers on observed regularities the character of causal or nomic connections is the possibility of subjecting cause-factors to experimental test by interfering with the 'natural' course of events. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §7) | |
| A reaction: This is von Wright's distinctive proposal, making causation a feature of the culture of science, rather than of ordinary life. But see Idea 2461. Causation is becoming too epistemological for my taste. Either it is a feature of reality, or forget it. |
| 8360 | We must further analyse conditions for causation, into quantifiers or modal concepts [Wright,GHv] |
| Full Idea: We may be able to analyse causation into conditionship relations between events or states of affairs, ...but conditions cannot be regarded as logical primitives, ... and must be analysed into quantifiers, or modal concepts. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §2) | |
| A reaction: [very compressed] A nice illustration of the aim of analytical philosophy - to analyse the elements of reality down to logical primitives. This is the dream of Descartes and Leibniz, continued by Russell and co. Do we still have this aspiration? |
| 8365 | Some laws are causal (Ohm's Law), but others are conceptual principles (conservation of energy) [Wright,GHv] |
| Full Idea: Not all laws are causal 'experimentalist' laws, such as those for falling bodies, or the Gas Law, or Ohm's Law. Some are more like conceptual principles, giving a frame of reference, such as inertia, or conservation of energy, or the law of entropy. | |
| From: G.H. von Wright (Logic and Epistemology of Causal Relations [1973], §9) | |
| A reaction: An interesting and important distinction, whenever one is exploring the links between theories of causation and of laws of nature. If one wished to attack the whole concept of 'laws of nature', this might be a good place to start. |