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All the ideas for 'What is Art?', 'The Particle Zoo' and 'Mirror Mirror - Is That All?'

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35 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
Organisms understand their worlds better if they understand themselves [Gulick]
     Full Idea: Organisms come to better understand their worlds by coming to better understand themselves and the ways in which their own structures engage their worlds.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §III)
     A reaction: Van Gulick is defending a higher-order theory of consciousness, but this strikes me as a good rationale for the target of philosophy, which has increasingly (since Descartes) focused on understanding our own minds.
11. Knowledge Aims / A. Knowledge / 2. Understanding
In contrast with knowledge, the notion of understanding emphasizes practical engagement [Gulick]
     Full Idea: In contrast with standard notions of knowledge, the concept of understanding emphasizes the element of practical engagement from the outset.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §II)
     A reaction: This could be the very interesting germ of a huge revolution in our approach to epistemology, which I find rather appealing. Plato's desire that knowledge should have 'logos' seems to me in the same area. It sounds rather internalist, which is good.
11. Knowledge Aims / A. Knowledge / 6. Knowing How
Knowing-that is a much richer kind of knowing-how [Gulick]
     Full Idea: Knowing-that is a much richer kind of knowing-how.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §II)
     A reaction: This thought could rather rapidly revive the discredited notion of knowing-how. I think it might slot into an account of the mind in terms of levels, so that my internalist view of knowledge emerges at higher levels, built on more basic responses.
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Is consciousness a type of self-awareness, or is being self-aware a way of being conscious? [Gulick]
     Full Idea: Is consciousness just a special type of self-awareness, or is being self-aware a special way of being conscious?
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], Intro)
     A reaction: This is a really good key question, which has hovered over the debate since Locke's definition of a person (as 'self-aware'). I take the self to be a mechanism of most brains, which is prior to consciousness. Maybe the two are inseparable.
15. Nature of Minds / B. Features of Minds / 1. Consciousness / f. Higher-order thought
Higher-order theories divide over whether the higher level involves thought or perception [Gulick]
     Full Idea: Higher-order thought (HOT) models treat metastates as thought-like, and higher-order perception (HOP) models regard them as at least quasi-perceptual and resulting from some form of inner monitoring or inner sense.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §I)
     A reaction: I would understand 'thought' to at least partially involve judgements. The HOT theory (Carruthers) seems to suit epistemological foundationalists, who want truth to enter on the ground floor. This pushes me towards the HOP model (Lycan) as more plausible.
Higher-order models reduce the problem of consciousness to intentionality [Gulick]
     Full Idea: Higher-order models would effectively reduce the problem of consciousness to that of intentionality.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §I)
     A reaction: This gives the bigger picture - that higher-order theories are the cutting edge of attempts to give a naturalistic, reductivist account of consciousness. That seems to be the only way to go, so we should encourage them in the enterprise.
Maybe qualia only exist at the lower level, and a higher-level is needed for what-it-is-like [Gulick]
     Full Idea: Some higher-order theorists say we have qualitative but unconscious mental states of color or pain (qualia), but there is nothing it is like to be in such a state, which needs higher-order awareness. The meta-states are devoid of qualia.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006], §I.5)
     A reaction: He calls this the 'stranded qualia' problem. Clearly one begins to sharpen Ockham's Razor at this point, if the higher-level state isn't contributing something. I don't rule out unconscious qualia. The strength of a real pain is distorted in a dream.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
     Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man.
     From: Leo Tolstoy (What is Art? [1898], Ch.9)
     A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord).
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
     Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them.
     From: Leo Tolstoy (What is Art? [1898], Ch.5)
     A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition.
The highest feelings of mankind can only be transmitted by art [Tolstoy]
     Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
     Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art.
     From: Leo Tolstoy (What is Art? [1898], Ch.16)
     A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!).
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
     Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life.
     From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206
     A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel.
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
     Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art.
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
     Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time.
     From: Leo Tolstoy (What is Art? [1898], Ch.3)
     A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible.
27. Natural Reality / A. Classical Physics / 1. Mechanics / c. Forces
Relativity and Quantum theory give very different accounts of forces [Hesketh]
     Full Idea: General Relativity and quantum mechanics are the two great theories in physics today but they give two very different ideas for how forces work.
     From: Gavin Hesketh (The Particle Zoo [2016], 01)
     A reaction: Relativity says it is space curvature, and quantum theory says it is particle exchange? But is there a Relativity account of the strong nuclear force?
27. Natural Reality / A. Classical Physics / 2. Thermodynamics / a. Energy
Thermodynamics introduced work and entropy, to understand steam engine efficiency [Hesketh]
     Full Idea: The Laws of Thermodynamics introduced the concepts of entropy and work; put simply, how much useful energy you can really get out of a steam engine.
     From: Gavin Hesketh (The Particle Zoo [2016], 03)
     A reaction: The point of science by this stage was to introduce measurable and quantifiable concepts
27. Natural Reality / B. Modern Physics / 2. Electrodynamics / a. Electrodynamics
Spinning electric charge produces magnetism, so all fermions are magnets [Hesketh]
     Full Idea: The muon, like all fermions, spins - and because a spinning electric charge generates a magnetic field all fermions act like tiny bar magnets.
     From: Gavin Hesketh (The Particle Zoo [2016], 11)
Photons are B and W° bosons, linked by the Higgs mechanism [Hesketh]
     Full Idea: The photon is actually a mix of two deeper things, the B and the W°, tied together by the Higgs mechanism.
     From: Gavin Hesketh (The Particle Zoo [2016], 06)
     A reaction: The B (for 'Boson') transmits a force associated with the 'winding symmetry'. (I record this without properly understanding it.)
27. Natural Reality / B. Modern Physics / 2. Electrodynamics / c. Electrons
Electrons may have smaller components, bound by a new force [Hesketh]
     Full Idea: Quarks, leptons or bosons may actually be made up of something even smaller, bound together by a conjectural new force.
     From: Gavin Hesketh (The Particle Zoo [2016], 05)
     A reaction: Electrons are a type of lepton. Compare Idea 21180, from the same book. If electrons are not fundamental, what matters is not some 'stuff' they are made of, but a different force that would bind the ingredients.
Electrons are fundamental and are not made of anything; they are properties without size [Hesketh]
     Full Idea: As far as we can tell, electrons (and quarks) are fundamental. They are not small lumps of material, because we could always ask what the material is. The electron just ...is. They are collections of properties, with no apparent size.
     From: Gavin Hesketh (The Particle Zoo [2016], 01)
     A reaction: This idea from physics HAS to be of interest to philosophers! The bundle theory is discredited for normal objects and for minds, and so is the substrate idea for supporting properties. But rigorous physics accepts a bundle theory.
27. Natural Reality / B. Modern Physics / 2. Electrodynamics / d. Quantum mechanics
Quantum mechanics is our only theory, and is very precise, and repeatedly confirmed [Hesketh]
     Full Idea: Quantum mechanics is the only working description of the universe that we have. It is amazingly precise, and so far every experimental test has verified its predictions.
     From: Gavin Hesketh (The Particle Zoo [2016], 02)
     A reaction: I take it from this that quantum mechanics is simply TRUE. Get over it! It will never turn out to be wrong, but may be subsumed within some more fine-grained or extensive theory.
Physics was rewritten to explain stable electron orbits [Hesketh]
     Full Idea: Explaining the stable electron orbits would require a complete rewriting of the physics of subatomic particles.
     From: Gavin Hesketh (The Particle Zoo [2016], 03)
     A reaction: This really looks like a simple and major landmark moment. You can ignore a single anomaly, but not a central feature of your entire theory.
Virtual particles can't be measured, and can ignore the laws of physics [Hesketh]
     Full Idea: We can never measure these virtual (transitory) particles directly, and it turns out that they don't even have to obey the laws of physics.
     From: Gavin Hesketh (The Particle Zoo [2016], 05)
     A reaction: These seems to be the real significance of the Uncertainty Principle. Such particles 'borrow' huge amounts of energy for very short times.
27. Natural Reality / B. Modern Physics / 3. Chromodynamics / a. Chromodynamics
Colour charge is positive or negative, and also has red, green or blue direction [Hesketh]
     Full Idea: Colour charge is 'three-dimensional'. As well as the charge having a positive or negative sign, it can also have a direction, and for convenience these three different directions (pointing like a weather vane) are labelled 'red', 'green' and 'blue'.
     From: Gavin Hesketh (The Particle Zoo [2016], 04)
27. Natural Reality / B. Modern Physics / 4. Standard Model / b. Standard model
The Standard Model omits gravity, because there are no particles involved [Hesketh]
     Full Idea: Gravity is not included in the Standard Model because we simply cannot study it using particles.
     From: Gavin Hesketh (The Particle Zoo [2016], 09)
     A reaction: I'm guessing that Einstein describes how gravity behaves, but not what it is.
In Supersymmetry the Standard Model simplifies at high energies [Hesketh]
     Full Idea: Supersymmetry suggest that the Standard Model becomes much simpler at high energies.
     From: Gavin Hesketh (The Particle Zoo [2016], 10)
Standard Model forces are one- two- and three-dimensional [Hesketh]
     Full Idea: The forces in the Standard Model are built on gauge symmetries, with a one-dimensional charge (like electromagnetism), a two-dimensional charge (the weak force), and a three dimensional charge (the strong force).
     From: Gavin Hesketh (The Particle Zoo [2016], 10)
     A reaction: See also Idea 21185.
27. Natural Reality / B. Modern Physics / 4. Standard Model / c. Particle properties
Quarks and leptons have a weak charge, for the weak force [Hesketh]
     Full Idea: For the weak force there must be a corresponding 'weak charge', and all the fermions, all the quarks and leptons carry it.
     From: Gavin Hesketh (The Particle Zoo [2016], 05)
     A reaction: So electrons carry a weak charge, as well as an electromagnetic charge. Like owning several passports.
27. Natural Reality / B. Modern Physics / 4. Standard Model / e. Protons
Quarks rush wildly around in protons, restrained by the gluons [Hesketh]
     Full Idea: Inside a proton the quarks are rushing around like caged animals, free to move until they push against the bars to try to escape, when the gluons pull them back in.
     From: Gavin Hesketh (The Particle Zoo [2016], 04)
27. Natural Reality / B. Modern Physics / 4. Standard Model / f. Neutrinos
Neutrinos only interact with the weak force, but decays produce them in huge numbers [Hesketh]
     Full Idea: Neutrinos only interact with the weak force, which means they barely interact at all, but because the weak force is crucial in the decays of so many other particles, neutrinos are still produced in huge numbers.
     From: Gavin Hesketh (The Particle Zoo [2016], 08)
     A reaction: They only interact with the W and Z bosons.
27. Natural Reality / B. Modern Physics / 5. Unified Models / c. Supersymmetry
To combine the forces, they must all be the same strength at some point [Hesketh]
     Full Idea: If all the forces are to combine, at some point they must all be the same strength, and Supersymmetry (SuSy) makes this happen.
     From: Gavin Hesketh (The Particle Zoo [2016], 10)
     A reaction: This sounds like an impressive reason for favouring supersymmetry - as long as you have an a priori preference for everything combining.
27. Natural Reality / C. Space / 5. Relational Space
'Space' in physics just means location [Hesketh]
     Full Idea: 'Space' in physics really just means location.
     From: Gavin Hesketh (The Particle Zoo [2016], 06)
     A reaction: Location can, of course, only be specified relative to something else. Space is really an abstraction, but at least it means there is some sort of background to locate all the fundamental fields.
27. Natural Reality / E. Cosmology / 8. Dark Matter
The universe is 68% dark energy, 27% dark matter, 5% regular matter [Hesketh]
     Full Idea: The most precise surveys of the stars and galaxies tell us that the universe is made up of 68% dark energy, 27% dark matter, and just 5% regular matter (the stuff of the Standard Model of particle physics).
     From: Gavin Hesketh (The Particle Zoo [2016], 09)
     A reaction: Regular matter - that's me, that is.
27. Natural Reality / E. Cosmology / 9. Fine-Tuned Universe
If a cosmic theory relies a great deal on fine-tuning basic values, it is probably wrong [Hesketh]
     Full Idea: If a theory has to rely on excessive 'fine-tuning', a series of extremely unlikely events in order to produce the universe we see around us, then it is extremely unlikely that this theory is correct.
     From: Gavin Hesketh (The Particle Zoo [2016], 10)
     A reaction: He says the Standard Model has 26 parameters which are only known by experiment, rather than by theory. So instead of saying '...so there is a God', we should say '...so our theory isn't very good'.
27. Natural Reality / G. Biology / 2. Life
From the teleopragmatic perspective, life is largely an informational process [Gulick]
     Full Idea: From the teleopragmatic perspective, life itself is largely an informational process.
     From: Robert van Gulick (Mirror Mirror - Is That All? [2006])
     A reaction: From the cynical perspective a human is just 'blood and foul smell in a bag', but that may not give you whole story. The point here is that the informational view will cover both the genetic and the mental levels of human life. True but unilluminating?