41 ideas
| 16943 | Philosophy is continuous with science, and has no external vantage point [Quine] |
| Full Idea: I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat. …There is no external vantage point, no first philosophy. | |
| From: Willard Quine (Natural Kinds [1969], p.126) | |
| A reaction: Philosophy is generalisation. Science holds the upper hand, because it settles the subject-matter to be generalised. |
| 7786 | Propositional logic handles negation, disjunction, conjunction; predicate logic adds quantifiers, predicates, relations [Girle] |
| Full Idea: Propositional logic can deal with negation, disjunction and conjunction of propositions, but predicate logic goes beyond it to deal with quantifiers, predicates and relations. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 1.1) | |
| A reaction: This is on the first page of an introduction to the next stage, which is to include modal notions like 'must' and 'possibly'. |
| 7798 | There are three axiom schemas for propositional logic [Girle] |
| Full Idea: The axioms of propositional logic are: A→(B→A); A→(B→C)→(A→B)→(A→C) ; and (¬A→¬B)→(B→A). | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 6.5) |
| 7799 | Proposition logic has definitions for its three operators: or, and, and identical [Girle] |
| Full Idea: The operators of propositional logic are defined as follows: 'or' (v) is not-A implies B; 'and' (ampersand) is not A-implies-not-B; and 'identity' (three line equals) is A-implies-B and B-implies-A. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 6.5) |
| 7797 | Axiom systems of logic contain axioms, inference rules, and definitions of proof and theorems [Girle] |
| Full Idea: An axiom system for a logic contains three elements: a set of axioms; a set of inference rules; and definitions for proofs and theorems. There are also definitions for the derivation of conclusions from sets of premises. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 6.5) |
| 7794 | There are seven modalities in S4, each with its negation [Girle] |
| Full Idea: In S4 there are fourteen modalities: no-operator; necessarily; possibly; necessarily-possibly; possibly-necessarily; necessarily-possibly-necessarily; and possibly-necessarily-possibly (each with its negation). | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 3.5) | |
| A reaction: This is said to be 'more complex' than S5, but also 'weaker'. |
| 7793 | ◊p → □◊p is the hallmark of S5 [Girle] |
| Full Idea: The critical formula that distinguishes S5 from all others is: ◊p → □◊p. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 3.3) | |
| A reaction: If it is possible that it is raining, then it is necessary that it is possible that it is raining. But if it is possible in this world, how can that possibility be necessary in all possible worlds? |
| 7795 | S5 has just six modalities, and all strings can be reduced to those [Girle] |
| Full Idea: In S5 there are six modalities: no-operator; necessarily; and possibly (and their negations). In any sequence of operators we may delete all but the last to gain an equivalent formula. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 3.5) | |
| A reaction: Such drastic simplification seems attractive. Is there really no difference, though, between 'necessarily-possibly', 'possibly-possibly' and just 'possibly'? Could p be contingently possible in this world, and necessarily possible in another? |
| 7787 | Possible worlds logics use true-in-a-world rather than true [Girle] |
| Full Idea: In possible worlds logics a statement is true-in-a-world rather than just true. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 1.1) | |
| A reaction: This sounds relativist, but I don't think it is. It is the facts which change, not the concept of truth. So 'donkeys can talk' may be true in a world, but not in the actual one. |
| 7788 | Modal logic has four basic modal negation equivalences [Girle] |
| Full Idea: The four important logical equivalences in modal logic (the Modal Negation equivalences) are: ¬◊p↔□¬p, ◊¬p↔¬□p, □p↔¬◊¬p, and ◊p↔¬□¬p. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 1.2) | |
| A reaction: [Possibly is written as a diamond, necessarily a square] These are parallel to a set of equivalences between quantifiers in predicate logic. They are called the four 'modal negation (MN) equivalences'. |
| 7796 | Modal logics were studied in terms of axioms, but now possible worlds semantics is added [Girle] |
| Full Idea: Modal logics were, for a long time, studied in terms of axiom systems. The advent of possible worlds semantics made it possible to study them in a semantic way as well. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 6.5) |
| 7789 | Necessary implication is called 'strict implication'; if successful, it is called 'entailment' [Girle] |
| Full Idea: Necessary implication is often called 'strict implication'. The sort of strict implication found in valid arguments, where the conjunction of the premises necessarily implies the conclusion, is often called 'entailment'. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 1.2) | |
| A reaction: These are basic concept for all logic. |
| 7790 | If an argument is invalid, a truth tree will indicate a counter-example [Girle] |
| Full Idea: The truth trees method for establishing the validity of arguments and formulas is easy to use, and has the advantage that if an argument or formula is not valid, then a counter-example can be retrieved from the tree. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 1.4) |
| 16949 | Klein summarised geometry as grouped together by transformations [Quine] |
| Full Idea: Felix Klein's so-called 'Erlangerprogramm' in geometry involved characterizing the various branches of geometry by what transformations were irrelevant to each. | |
| From: Willard Quine (Natural Kinds [1969], p.137) |
| 16939 | Mass terms just concern spread, but other terms involve both spread and individuation [Quine] |
| Full Idea: 'Yellow' and 'water' are mass terms, concerned only with spread; 'apple' and 'square' are terms of divided reference, concerned with both spread and individuation. | |
| From: Willard Quine (Natural Kinds [1969], p.124) | |
| A reaction: Would you like some apple? Pass me that water. It is helpful to see that it is a requirement of 'individuation' that is missing from terms for stuff. |
| 16948 | Once we know the mechanism of a disposition, we can eliminate 'similarity' [Quine] |
| Full Idea: Once we can legitimize a disposition term by defining the relevant similarity standard, we are apt to know the mechanism of the disposition, and so by-pass the similarity. | |
| From: Willard Quine (Natural Kinds [1969], p.135) | |
| A reaction: I love mechanisms, but can we characterise mechanisms without mentioning powers and dispositions? Quine's dream is to eliminate 'similarity'. |
| 16945 | We judge things to be soluble if they are the same kind as, or similar to, things that do dissolve [Quine] |
| Full Idea: Intuitively, what qualifies a thing as soluble though it never gets into water is that it is of the same kind as the things that actually did or will dissolve; it is similar to them. | |
| From: Willard Quine (Natural Kinds [1969], p.130) | |
| A reaction: If you can judge that the similar things 'will' dissolve, you can cut to the chase and judge that this thing will dissolve. |
| 7800 | Analytic truths are divided into logically and conceptually necessary [Girle] |
| Full Idea: It has been customary to see analytic truths as dividing into the logically necessary and the conceptually necessary. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 7.3) | |
| A reaction: I suspect that this neglected distinction is important in discussions of Quine's elimination of the analytic/synthetic distinction. Was Quine too influenced by what is logically necessary, which might shift with a change of axioms? |
| 7801 | Possibilities can be logical, theoretical, physical, economic or human [Girle] |
| Full Idea: Qualified modalities seem to form a hierarchy, if we say that 'the possibility that there might be no hunger' is possible logically, theoretically, physically, economically, and humanly. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 7.3) | |
| A reaction: Girle also mentions conceptual possibility. I take 'physically' to be the same as 'naturally'. I would take 'metaphysically' possible to equate to 'theoretically' rather than 'logically'. Almost anything might be logically possible, with bizarre logic. |
| 7792 | A world has 'access' to a world it generates, which is important in possible worlds semantics [Girle] |
| Full Idea: When one world generates another then it has 'access' to the world it generated. The accessibility relation between worlds is very important in possible worlds semantics. | |
| From: Rod Girle (Modal Logics and Philosophy [2000], 3.2) | |
| A reaction: This invites the obvious question what is meant by 'generates'. |
| 16944 | Science is common sense, with a sophisticated method [Quine] |
| Full Idea: Sciences differ from common sense only in the degree of methodological sophistication. | |
| From: Willard Quine (Natural Kinds [1969], p.129) | |
| A reaction: Science is normal thinking about the world, but it is teamwork, with the bar set very high. |
| 16940 | Induction is just more of the same: animal expectations [Quine] |
| Full Idea: Induction is essentially only more of the same: animal expectation or habit formation. | |
| From: Willard Quine (Natural Kinds [1969], p.125) | |
| A reaction: My working definition of induction is 'learning from experience', but that doesn't disagree with Quine. Lipton has a richer account of different types of induction. Quine's point is that it rests on resemblance. |
| 16941 | Induction relies on similar effects following from each cause [Quine] |
| Full Idea: Induction expresses our hopes that similar causes will have similar effects. | |
| From: Willard Quine (Natural Kinds [1969], p.125) | |
| A reaction: Some top philosophers are also top teachers, and Quine was one of them, in his writings. He boils it down for the layman. Once again, he is pointing to the fundamental role of the similarity relation. |
| 16933 | Grue is a puzzle because the notions of similarity and kind are dubious in science [Quine] |
| Full Idea: What makes Goodman's example a puzzle is the dubious scientific standing of a general notion of similarity, or of kind. | |
| From: Willard Quine (Natural Kinds [1969], p.116) | |
| A reaction: Illuminating. It might be best expressed as revealing a problem with sortal terms, as employed by Geach, or by Wiggins. Grue is a bit silly, but sortals are subject to convention and culture. 'Natural' properties seem needed. |
| 16934 | General terms depend on similarities among things [Quine] |
| Full Idea: The usual general term, whether a common noun or a verb or an adjective, owes its generality to some resemblance among the things referred to. | |
| From: Willard Quine (Natural Kinds [1969], p.116) | |
| A reaction: Quine has a nice analysis of the basic role of similarity in a huge amount of supposedly strict scientific thought. |
| 16938 | To learn yellow by observation, must we be told to look at the colour? [Quine] |
| Full Idea: According to the 'respects' view, our learning of yellow by ostension would have depended on our first having been told or somehow apprised that it was going to be a question of color. | |
| From: Willard Quine (Natural Kinds [1969], p.122) | |
| A reaction: Quine suggests there is just one notion of similarity, and respects can be 'abstracted' afterwards. Even the ontologically ruthless Quine admits psychological abstraction! |
| 8486 | Standards of similarity are innate, and the spacing of qualities such as colours can be mapped [Quine] |
| Full Idea: A standard of similarity is in some sense innate. The spacing of qualities (such as red, pink and blue) can be explored and mapped in the laboratory by experiments. They are needed for all learning. | |
| From: Willard Quine (Natural Kinds [1969], p.123) | |
| A reaction: This reasserts Hume's original point in more scientific terms. It is one of the undeniable facts about our perceptions of qualities and properties, no matter how platonist your view of universals may be. |
| 16947 | Similarity is just interchangeability in the cosmic machine [Quine] |
| Full Idea: Things are similar to the extent that they are interchangeable parts of the cosmic machine. | |
| From: Willard Quine (Natural Kinds [1969], p.134) | |
| A reaction: This is a major idea for Quine, because it is a means to gradually eliminate the fuzzy ideas of 'resemblance' or 'similarity' or 'natural kind' from science. I love it! Two tigers are same insofar as they are substitutable. |
| 16932 | Projectible predicates can be universalised about the kind to which they refer [Quine] |
| Full Idea: 'Projectible' predicates are predicates F and G whose shared instances all do count, for whatever reason, towards confirmation of 'All F are G'. ….A projectible predicate is one that is true of all and only the things of a kind. | |
| From: Willard Quine (Natural Kinds [1969], p.115-6) | |
| A reaction: Both Quine and Goodman are infuriatingly brief about the introduction of this concept. 'Red' is true of all ripe tomatoes, but not 'only' of them. Hardly any predicates are true only of one kind. Is that a scholastic 'proprium'? |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 7375 | Quine probably regrets natural kinds now being treated as essences [Quine, by Dennett] |
| Full Idea: The concept of natural kinds was reintroduced by Quine, who may now regret the way it has become a stand-in for the dubious but covertly popular concept of essences. | |
| From: report of Willard Quine (Natural Kinds [1969]) by Daniel C. Dennett - Consciousness Explained 12.2 n2 | |
| A reaction: He is right that Quine would regret it, and he is right that we can't assume that there are necessary essences just because there seem to be stable natural kinds, but personally I am an essentialist, so I'm not that bothered. |
| 16935 | If similarity has no degrees, kinds cannot be contained within one another [Quine] |
| Full Idea: If similarity has no degrees there is no containing of kinds within broader kinds. If colored things are a kind, they are similar, but red things are too narrow for a kind. If red things are a kind, colored things are not similar, and it's too broad. | |
| From: Willard Quine (Natural Kinds [1969], p.118) | |
| A reaction: [compressed] I'm on Quine's side with this. We glibly talk of 'kinds', but the criteria for sorting things into kinds seems to be a mess. Quine goes on to offer a better account than the (diadic, yes-no) one rejected here. |
| 16936 | Comparative similarity allows the kind 'colored' to contain the kind 'red' [Quine] |
| Full Idea: With the triadic relation of comparative similarity, kinds can contain one another, as well as overlapping. Red and colored things can both count as kinds. Colored things all resemble one another, even though less than red things do. | |
| From: Willard Quine (Natural Kinds [1969], p.119) | |
| A reaction: [compressed] Quine claims that comparative similarity is necessary for kinds - that there be some 'foil' in a similarity - that A is more like C than B is. |
| 16937 | You can't base kinds just on resemblance, because chains of resemblance are a muddle [Quine] |
| Full Idea: If kinds are based on similarity, this has the Imperfect Community problem. Red round, red wooden and round wooden things all resemble one another somehow. There may be nothing outside the set resembling them, so it meets the definition of kind. | |
| From: Willard Quine (Natural Kinds [1969], p.120) | |
| A reaction: [ref. to Goodman 'Structure' 2nd 163- , which attacks Carnap on this] This suggests an invocation of Wittgenstein's family resemblance, which won't be much help for natural kinds. |
| 16942 | It is hard to see how regularities could be explained [Quine] |
| Full Idea: Why there have been regularities is an obscure question, for it is hard to see what would count as an answer. | |
| From: Willard Quine (Natural Kinds [1969], p.126) | |
| A reaction: This is the standard pessimism of the 20th century Humeans, but it strikes me as comparable to the pessimism about science found in Locke and Hume. Regularities are explained all the time by scientists, though the lowest level may be hopeless. |