22 ideas
| 17641 | Discoveries in mathematics can challenge philosophy, and offer it a new foundation [Russell] |
| Full Idea: Any new discovery as to mathematical method and principles is likely to upset a great deal of otherwise plausible philosophising, as well as to suggest a new philosophy which will be solid in proportion as its foundations in mathematics are securely laid. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.283) | |
| A reaction: This is a manifesto for modern analytic philosophy. I'm not convinced, especially if a fictionalist view of maths is plausible. What Russell wants is rigour, but there are other ways of getting that. Currently I favour artificial intelligence. |
| 17638 | If one proposition is deduced from another, they are more certain together than alone [Russell] |
| Full Idea: Two obvious propositions of which one can be deduced from the other both become more certain than either in isolation; thus in a complicated deductive system, many parts of which are obvious, the total probability may become all but absolute certainty. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.279) | |
| A reaction: Thagard picked this remark out, in support of his work on coherence. |
| 17632 | Non-contradiction was learned from instances, and then found to be indubitable [Russell] |
| Full Idea: The law of contradiction must have been originally discovered by generalising from instances, though, once discovered, it was found to be quite as indubitable as the instances. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.274) |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 17629 | Which premises are ultimate varies with context [Russell] |
| Full Idea: Premises which are ultimate in one investigation may cease to be so in another. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.273) |
| 17630 | The sources of a proof are the reasons why we believe its conclusion [Russell] |
| Full Idea: In mathematics, except in the earliest parts, the propositions from which a given proposition is deduced generally give the reason why we believe the given proposition. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.273) |
| 17640 | Finding the axioms may be the only route to some new results [Russell] |
| Full Idea: The premises [of a science] ...are pretty certain to lead to a number of new results which could not otherwise have been known. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.282) | |
| A reaction: I identify this as the 'fruitfulness' that results when the essence of something is discovered. |
| 17627 | It seems absurd to prove 2+2=4, where the conclusion is more certain than premises [Russell] |
| Full Idea: It is an apparent absurdity in proceeding ...through many rather recondite propositions of symbolic logic, to the 'proof' of such truisms as 2+2=4: for it is plain that the conclusion is more certain than the premises, and the supposed proof seems futile. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.272) | |
| A reaction: Famously, 'Principia Mathematica' proved this fact at enormous length. I wonder if this thought led Moore to his common sense view of his own hand - the conclusion being better than the sceptical arguments? |
| 17628 | Arithmetic was probably inferred from relationships between physical objects [Russell] |
| Full Idea: When 2 + 2 =4 was first discovered, it was probably inferred from the case of sheep and other concrete cases. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.272) |
| 490 | Everything happens by reason and necessity [Leucippus] |
| Full Idea: Nothing happens at random; everything happens out of reason and by necessity. | |
| From: Leucippus (fragments/reports [c.435 BCE], B002), quoted by (who?) - where? |
| 17637 | The most obvious beliefs are not infallible, as other obvious beliefs may conflict [Russell] |
| Full Idea: Even where there is the highest degree of obviousness, we cannot assume that we are infallible - a sufficient conflict with other obvious propositions may lead us to abandon our belief, as in the case of a hallucination afterwards recognised as such. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.279) | |
| A reaction: This approach to fallibilism seems to arise from the paradox that undermined Frege's rather obvious looking axioms. After Peirce and Russell, fallibilism has become a secure norm of modern thought. |
| 17639 | Believing a whole science is more than believing each of its propositions [Russell] |
| Full Idea: Although intrinsic obviousness is the basis of every science, it is never, in a fairly advanced science, the whole of our reason for believing any one proposition of the science. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.279) |
| 17631 | Induction is inferring premises from consequences [Russell] |
| Full Idea: The inferring of premises from consequences is the essence of induction. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.274) | |
| A reaction: So induction is just deduction in reverse? Induction is transcendental deduction? Do I deduce the premises from observing a lot of white swans? Hm. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 17633 | The law of gravity has many consequences beyond its grounding observations [Russell] |
| Full Idea: The law of gravitation leads to many consequences which could not be discovered merely from the apparent motions of the heavenly bodies. | |
| From: Bertrand Russell (Regressive Method for Premises in Mathematics [1907], p.275) |