20 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 5745 | Quine says quantified modal logic creates nonsense, bad ontology, and false essentialism [Melia on Quine] |
| Full Idea: Quine charges quantified modal systems of logic with giving rise to unintended sense or nonsense, committing us to an incomprehensible ontology, and entailing an implausible or unsustainable Aristotelian essentialism. | |
| From: comment on Willard Quine (Existence and Quantification [1966]) by Joseph Melia - Modality Ch.3 | |
| A reaction: A nice summary. Personally I like essentialism in accounts of science (see Nature|Laws of Nature|Essentialism), so would like to save it in metaphysics. Possible worlds ontology may be very surprising, rather than 'incomprehensible'. |
| 8789 | Various strategies try to deal with the ontological commitments of second-order logic [Hale/Wright on Quine] |
| Full Idea: Quine said higher-order logic is 'set theory in sheep's clothing', and there is concern about the ontology that is involved. One approach is to deny quantificational ontological commitments, or say that the entities involved are first-order objects. | |
| From: comment on Willard Quine (Existence and Quantification [1966]) by B Hale / C Wright - Logicism in the 21st Century 8 | |
| A reaction: [compressed] The second strategy is from Boolos. This question seems to be right at the heart of the strategy of exploring our ontology through the study of our logic. |
| 16966 | Philosophers tend to distinguish broad 'being' from narrower 'existence' - but I reject that [Quine] |
| Full Idea: It has been fairly common in philosophy early and late to distinguish between being, as the broadest concept, and existence, as narrower. This is no distinction of mine; I mean 'exist' to cover all there is. | |
| From: Willard Quine (Existence and Quantification [1966], p.100) | |
| A reaction: I sort of agree with Quine, but 'being' has a role in philosophy that is not required in science and daily life, as the name of the central problem of ontology, which probably has to be broken down before any progress can happen. |
| 16965 | All we have of general existence is what existential quantifiers express [Quine] |
| Full Idea: Existence is what existential quantification expresses. …It is unreasonable to ask for an explication of (general) existence in simpler terms. …We may still ask what counts as evidence for existential quantifications. | |
| From: Willard Quine (Existence and Quantification [1966], p.97) | |
| A reaction: This has been orthodoxy for the last 60 years, with philosophers talking of 'quantifying over' instead of 'exists'. But are we allowed second-order logic, and plural quantification, and vague domains? |
| 16963 | Existence is implied by the quantifiers, not by the constants [Quine] |
| Full Idea: In the quantification '(∃)(x=a)', it is the existential quantifier, not the 'a' itself, which carries the existential import. | |
| From: Willard Quine (Existence and Quantification [1966], p.94) | |
| A reaction: The Fregean idea seems to be that the criterion of existence is participation in an equality, but here the equality seems not more than assigning a name. Why can't I quantify over 'sakes', in 'for the sake of the children'? |
| 16964 | Theories are committed to objects of which some of its predicates must be true [Quine] |
| Full Idea: Another way of saying what objects a theory requires is to say that they are the objects that some of the predicates of the theory have to be true of, in order for the theory to be true. | |
| From: Willard Quine (Existence and Quantification [1966], p.95) | |
| A reaction: The other was for the objects to be needed by the bound variables of the theory. This is the first-order approach, that predication is a commitment to an object. So what of predicates which have no application? |
| 4216 | Express a theory in first-order predicate logic; its ontology is the types of bound variable needed for truth [Quine, by Lowe] |
| Full Idea: According to Quine, we find the ontological commitments of a theory by expressing it in first-order predicate logic, then determining what kind of entities must be admitted as bound variables if the theory is true. | |
| From: report of Willard Quine (Existence and Quantification [1966]) by E.J. Lowe - A Survey of Metaphysics p.216 | |
| A reaction: To me this is horribly wrong. The ontological commitments of our language is not the same as ontology. What are the ontological commitments of a pocket calculator? |
| 18966 | Ontological commitment of theories only arise if they are classically quantified [Quine] |
| Full Idea: I hold that the question of the ontological commitment of a theory does not properly arise except as that theory is expressed in classical quantificational form. | |
| From: Willard Quine (Existence and Quantification [1966], p.106) | |
| A reaction: He is attacking substitutional quantification for its failure to commit. I smell circularity. If it must be quantified in the first-order classical manner, that restricts your ontology to objects before you've even started. Chicken/egg. |
| 14490 | You can be implicitly committed to something without quantifying over it [Thomasson on Quine] |
| Full Idea: Quine's test for ontological commitment ignores the fact that there are often implicit commitments to certain kinds of entities even where we are not yet quantifying over them. | |
| From: comment on Willard Quine (Existence and Quantification [1966]) by Amie L. Thomasson - Ordinary Objects 09.4 | |
| A reaction: Put this with the obvious problem (of which Quine is aware) that we don't quantify over 'sakes' in 'for the sake of the children', and quantification and commitment have been rather clearly pulled apart. |
| 16961 | In formal terms, a category is the range of some style of variables [Quine] |
| Full Idea: In terms of formalized quantification theory, each category comprises the range of some distinctive style of variable. | |
| From: Willard Quine (Existence and Quantification [1966], p.92) | |
| A reaction: I add this for those who dream of formalising everything, but be warned that even Quine thought it of little help in deciding on the categories. Presumably there would be some variable that ranged across tigers. |
| 490 | Everything happens by reason and necessity [Leucippus] |
| Full Idea: Nothing happens at random; everything happens out of reason and by necessity. | |
| From: Leucippus (fragments/reports [c.435 BCE], B002), quoted by (who?) - where? |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |