8 ideas
| 7085 | The main problem of philosophy is what can and cannot be thought and expressed [Wittgenstein, by Grayling] |
| Full Idea: The 'Tractatus' concerns the theory of what can be expressed by propositions (and, which comes to the same thing, can be thought), and what cannot be expressed by propositions, but can only be shown; which, I believe, is the main problem of philosophy. | |
| From: report of Ludwig Wittgenstein (Letters to Russell [1919]) by A.C. Grayling - Wittgenstein Ch.2 | |
| A reaction: This contains what a I consider the heresy of making thought depend on language, but his main question remains, of the limits of thought. It is dramatised nicely in the 'mysterian' view of the mind-body problem (e.g. Idea 2540). |
| 23463 | Atomic facts correspond to true elementary propositions [Wittgenstein] |
| Full Idea: Atomic fact [Sachverhalt] is what corresponds to an elementary proposition [Elementarsatz] if it is true. | |
| From: Ludwig Wittgenstein (Letters to Russell [1919], CL 125) | |
| A reaction: This is perhaps the key to the Tractatus, because it is the binding point between world and language. A true realist would allow for atomic facts that may go beyond even possible propositions. |
| 490 | Everything happens by reason and necessity [Leucippus] |
| Full Idea: Nothing happens at random; everything happens out of reason and by necessity. | |
| From: Leucippus (fragments/reports [c.435 BCE], B002), quoted by (who?) - where? |
| 23490 | A thought is mental constituents that relate to reality as words do [Wittgenstein] |
| Full Idea: Does a Gedanke [thought] consist of words? No! But of psychical constituents that have the same sort of relation to reality as words. | |
| From: Ludwig Wittgenstein (Letters to Russell [1919], p.125), quoted by Michael Morris - Guidebook to Wittgenstein's Tractatus 4B | |
| A reaction: This is roughly my view of propositions, as non-lingustic mental events. The 'psychical constituents' seem to be concepts, in a psychological rather than a Fregean sense. This idea allowed transfer of his representation theory from thought to language. |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers. |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations. | |
| From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt. |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) | |
| A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal. |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |
| Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2 | |
| A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters. |