11 ideas
12268 | Contradiction is impossible [Antisthenes (I), by Aristotle] |
Full Idea: Antisthenes said that contradiction is impossible. | |
From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by Aristotle - Topics 104b21 | |
A reaction: Aristotle is giving an example of a 'thesis'. It should be taken seriously if a philosopher proposes it, but dismissed as rubbish if anyone else proposes it! No context is given for the remark. |
602 | Some fools think you cannot define anything, but only say what it is like [Antisthenes (I), by Aristotle] |
Full Idea: There is an application of that old chestnut of the cynic Antisthenes' followers (and other buffoons of that kind). Their claim was that a definition of what something is is impossible. You cannot define silver, though you can say it is like tin. | |
From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by Aristotle - Metaphysics 1043b |
21982 | I only wish I had such eyes as to see Nobody! It's as much as I can do to see real people. [Carroll,L] |
Full Idea: "I see nobody on the road," said Alice. - "I only wish I had such eyes," the King remarked. ..."To be able to see Nobody! ...Why, it's as much as I can do to see real people." | |
From: Lewis Carroll (C.Dodgson) (Through the Looking Glass [1886], p.189), quoted by A.W. Moore - The Evolution of Modern Metaphysics 07.7 | |
A reaction: [Moore quotes this, inevitably, in a chapter on Hegel] This may be a better candidate for the birth of philosophy of language than Frege's Groundwork. |
12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
12162 | In literature, word replacement changes literary meaning [Scruton] |
Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
1664 | I would rather go mad than experience pleasure [Antisthenes (I)] |
Full Idea: I would rather go mad than experience pleasure. | |
From: Antisthenes (Ath) (fragments/reports [c.405 BCE]), quoted by Diogenes Laertius - Lives of Eminent Philosophers 06.3 | |
A reaction: Did he actually prefer pain? If both experiences would drive him mad, it seems like a desire for death. I cannot understand why anyone is opposed to harmless pleasures. |
21385 | Antisthenes said virtue is teachable and permanent, is life's goal, and is like universal wealth [Antisthenes (I), by Long] |
Full Idea: The moral propositions of Antisthenes foreshadowed the Stoics: virtue can be taught and once acquired cannot be lost (fr.69,71); virtue is the goal of life (22); the sage is self-sufficient, since he has (by being wise) the wealth of all men (8o). | |
From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by A.A. Long - Hellenistic Philosophy 1 | |
A reaction: [He cites Caizzi for the fragments] The distinctive idea here is (I think) that once acquired virtue can never be lost. It sounds plausible, but I'm wondering why it should be true. Is it like riding a bicycle, or like learning to speak Russian? |
2631 | Antisthenes says there is only one god, which is nature [Antisthenes (I), by Cicero] |
Full Idea: Antisthenes says there is only one god, which is nature. | |
From: report of Antisthenes (Ath) (fragments/reports [c.405 BCE]) by M. Tullius Cicero - On the Nature of the Gods ('De natura deorum') I.32 |