4 ideas
| 17992 | The main aim of philosophy is to describe the whole Universe. [Moore,GE] |
| Full Idea: It seems to me that the most important and interesting thing which philosophers have tried to do ...is to give a general description of the whole of the Universe. | |
| From: G.E. Moore (Some Main Problems of Philosophy [1911], Ch. 1) | |
| A reaction: He adds that they aim to show what is in it, and what might be in it, and how the two relate. This sort of big view is the one I favour. I think the hallmark of philosophical thought is a high level of generality. He next proceeds to defend common sense. |
| 18281 | In mathematics everything is algorithm and nothing is meaning [Wittgenstein] |
| Full Idea: In mathematics everything is algorithm and nothing is meaning; even when it doesn't look like that because we seem to be using words to talk about mathematical things. | |
| From: Ludwig Wittgenstein (Philosophical Grammar [1932], p.468), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 13 'Constr' | |
| A reaction: I would have thought that an algorithm needs some raw material to work with. This leads to the idea that meaning arises from rules of usage. |
| 6606 | Consider: "Imagine this butterfly exactly as it is, but ugly instead of beautiful" [Wittgenstein] |
| Full Idea: Suppose someone were to say: "Imagine this butterfly exactly as it is, but ugly instead of beautiful"?! | |
| From: Ludwig Wittgenstein (Philosophical Grammar [1932], §127), quoted by Robert Fogelin - Walking the Tightrope of Reason | |
| A reaction: This reminds us that the concept of supervenience was originally introduced in aesthetics. Beauty is supervenient on physical form. But "Imagine how someone else might look at this butterfly and think it was ugly". |
| 20422 | The experience of expression and communication are intermingled in art [Croce] |
| Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled. | |
| From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood | |
| A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel. |