Combining Texts

All the ideas for 'Individuals without Sortals', 'Dispositions and Powers' and 'The Principles of Art'

unexpand these ideas     |    start again     |     specify just one area for these texts


33 ideas

6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / d. Counting via concepts
Counting 'coin in this box' may have coin as the unit, with 'in this box' merely as the scope [Ayers]
     Full Idea: If we count the concept 'coin in this box', we could regard coin as the 'unit', while taking 'in this box' to limit the scope. Counting coins in two boxes would be not a difference in unit (kind of object), but in scope.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Counting')
     A reaction: This is a very nice alternative to the Fregean view of counting, depending totally on the concept, and rests more on a natural concept of object. I prefer Ayers. Compare 'count coins till I tell you to stop'.
If counting needs a sortal, what of things which fall under two sortals? [Ayers]
     Full Idea: If we accepted that counting objects always presupposes some sortal, it is surely clear that the class of objects to be counted could be designated by two sortals rather than one.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Realist' vii)
     A reaction: His nice example is an object which is both 'a single piece of wool' and a 'sweater', which had better not be counted twice. Wiggins struggles to argue that there is always one 'substance sortal' which predominates.
7. Existence / B. Change in Existence / 4. Events / a. Nature of events
Events do not have natural boundaries, and we have to set them [Ayers]
     Full Idea: In order to know which event has been ostensively identified by a speaker, the auditor must know the limits intended by the speaker. ...Events do not have natural boundaries.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Concl')
     A reaction: He distinguishes events thus from natural objects, where the world, to a large extent, offers us the boundaries. Nice point.
8. Modes of Existence / B. Properties / 1. Nature of Properties
Humeans see properties as having no more essential features and relations than their distinctness [Friend/Kimpton-Nye, by PG]
     Full Idea: The Humean view says properties are 'quiddities', which individuates properties by nothing more than their distinctness from one another, so that dispositions are not essential to them, and there is no limit to possible property recombination.
     From: report of Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.3.1) by PG - Db (ideas)
     A reaction: [my summary] All of this is implied by Hume, rather than stated. David Lewis supports this view. The theory of basic powers is the view's main opponent. This quidditist view is not found in physics, where a property's modal profile matters.
Dispositions are what individuate properties, and they constitute their essence [Friend/Kimpton-Nye]
     Full Idea: Dispositions constitute the essences of properties, and hence the identity of a property is not primitive ('quidditism'), but is given in terms of its dispositional relations to other properties.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.3.1)
     A reaction: I like the picture that powers are basic, giving rise to dispositions, which combine to produce qualitative and active properties. Powers are precise and relatively few, and properties are ill-defined and very numerous. Being 'influential', for example.
8. Modes of Existence / C. Powers and Dispositions / 1. Powers
Powers are properties which necessitate dispositions [Friend/Kimpton-Nye]
     Full Idea: In broad terms: powers are properties that necessitate dispositions.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.2)
     A reaction: If powers are properties then they must be properties 'of' something, which then seems to be more fundamental than the powers. Maybe our concept of an electron helps, which seems to be a bundle of a few properties, but no one even asks 'of' what.
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
Dispositional essentialism (unlike the grounding view) says only fundamental properties are powers [Friend/Kimpton-Nye]
     Full Idea: Dispositional essentialism yields the view that just fundamental properties and some evolved macro properties are powers. The grounding view, by contrast, seems to yield the result that all properties are powers.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.7)
     A reaction: For the second view, Mumford (for example) claims that the sphericity of a ball is a power, but that seems to miss the whole motivation for the powers ontology, which offers a fairly fundamental explanation of laws and modality.
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
A power is a property which consists entirely of dispositions [Friend/Kimpton-Nye]
     Full Idea: In the 'dispositional essentialist' account (the main view) …what it is to be a power is to be a property whose essence is exhaustively constituted by dispositions.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.4)
     A reaction: [compressed] Sounds wrong to me. A very complex property (such as 'stormy' weather) could be nothing more than a large bundle of dispositions, but that wouldn't make it a 'power', which has to be simpler and more basic.
Powers are qualitative properties which fully ground dispositions [Friend/Kimpton-Nye]
     Full Idea: In the 'grounding' view of powers …powers are qualitative, because their essence can be specified independently of any dispositions or relations, but they fully ground dispositions.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.4)
     A reaction: [compressed] They give this as the rival view to dispositional essentialism. It may be a mistake to call a power a property (which needs to be 'of' something). Not sure how powers can be both fundamental and qualitative. Don't they also ground qualities?
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / a. Dispositions
Dispositions have directed behaviour which occurs if triggered [Friend/Kimpton-Nye]
     Full Idea: The three platitudes about dispositions are that 1) they are directed towards some specific behaviour, 2) they can be triggered under specific conditions, and 3) their directedness is modal, meaning not 'when it is triggered' but 'it it were triggered'.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.1.1)
     A reaction: [PG summary] This is the preliminary to an attempt at a precise formal analysis, covering a number of hypothetical problem cases. 3) is the counterfactual rather than material conditional. Seems accurate.
'Masked' dispositions fail to react because something intervenes [Friend/Kimpton-Nye]
     Full Idea: A disposition is 'masked' when it fails to manifest due to interference, such as a fragile vase packed in bubble wrap, or an antidote taken after some poison.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.2.1)
     A reaction: [compressed] The easiest account of these would be to say that the stimulus or trigger of the disposition never completely occurs. Poisons are only disposed to kill when they are fully ingested. Bubble wrapped vases can't be properly struck.
A disposition is 'altered' when the stimulus reverses the disposition [Friend/Kimpton-Nye]
     Full Idea: A disposition is subject to 'altering' when the stimulus of the disposition influences whether (and to what degree) an object has that disposition. Either a live wire goes dead when it is touched, or a dead wire has a sensor making it live when touched.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.2.2)
     A reaction: The word 'fink' is used of such interference. Not much of a problem, I would say, because at the moment when the stimulus comes to do its job, there is no longer a disposition for it to trigger. No different from switching off a light.
A disposition is 'mimicked' if a different cause produces that effect from that stimulus [Friend/Kimpton-Nye]
     Full Idea: A disposition is 'mimicked' by objects without that disposition which behave as though they do have it. Styrofoam plates are not fragile, but make a horrible sound when stressed, causing some annoyed person to break them.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.2.3)
     A reaction: A rather strained example! It shouldn't be a problem if the same cause (stress) leads to the same effect (breaking), but by a different path which is not the same as fragility. A formal analysis must obviously cover this case.
A 'trick' can look like a stimulus for a disposition which will happen without it [Friend/Kimpton-Nye]
     Full Idea: A 'trick' can behave like a disposition, as when someone says 'abracadabra' over a hot cup of coffee, stimulating it (?) to gradually cool down.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.2.4)
     A reaction: This is like Humean constant conjunction which is obviously not a cause, such as night following day. Only a problem is this cup of coffee is seen in isolation from all other cups of coffee. Post hoc propter hoc does not apply to all stimuli!
Some dispositions manifest themselves without a stimulus [Friend/Kimpton-Nye]
     Full Idea: Some dispositions, such as loquaciousness or irascibility, are disposed to manifest whether they are provoked to do so.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.3.3)
     A reaction: We might surmise that such people have internal triggers that get them going, rather than overt ones. The Sun has a disposition to shine, without an external stimulus. The theory of powers says nature is active, rather than being disposed to activity.
We could analyse dispositions as 'possibilities', with no mention of a stimulus [Friend/Kimpton-Nye]
     Full Idea: We might abandon the relational analysis of dispositions (as stimulus-effect), and just say a disposition is a 'possibility', which simply can manifest, however that manifestation comes about.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 2.3.5)
     A reaction: [Compressed. He particularly cites Barbara Vetter] A mere 'possibility' seems to cover passive states as well as potentially active ones. A cushion can be dented, but I wouldn't say it was 'disposed' to dent. Radioactive decay is a disposition, though.
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
To express borderline cases of objects, you need the concept of an 'object' [Ayers]
     Full Idea: The only explanation of the power to produce borderline examples like 'Is this hazelnut one object or two?' is the possession of the concept of an object.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Counting')
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
Speakers need the very general category of a thing, if they are to think about it [Ayers]
     Full Idea: If a speaker indicates something, then in order for others to catch his reference they must know, at some level of generality, what kind of thing is indicated. They must categorise it as event, object, or quality. Thinking about something needs that much.
     From: M.R. Ayers (Individuals without Sortals [1974], Intro)
     A reaction: Ayers defends the view that such general categories are required, but not the much narrower sortal terms defended by Geach and Wiggins. I'm with Ayers all the way. 'What the hell is that?'
We use sortals to classify physical objects by the nature and origin of their unity [Ayers]
     Full Idea: Sortals are the terms by which we intend to classify physical objects according to the nature and origin of their unity.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Concl')
     A reaction: This is as opposed to using sortals for the initial individuation. I take the perception of the unity to come first, so resemblance must be mentioned, though it can be an underlying (essentialist) resemblance.
Seeing caterpillar and moth as the same needs continuity, not identity of sortal concepts [Ayers]
     Full Idea: It is unnecessary to call moths 'caterpillars' or caterpillars 'moths' to see that they can be the same individual. It may be that our sortal concepts reflect our beliefs about continuity, but our beliefs about continuity need not reflect our sortals.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Realist' vi)
     A reaction: Something that metamorphosed through 15 different stages could hardly required 15 different sortals before we recognised the fact. Ayers is right.
Recognising continuity is separate from sortals, and must precede their use [Ayers]
     Full Idea: The recognition of the fact of continuity is logically independent of the possession of sortal concepts, whereas the formation of sortal concepts is at least psychologically dependent upon the recognition of continuity.
     From: M.R. Ayers (Individuals without Sortals [1974], Intro)
     A reaction: I take this to be entirely correct. I might add that unity must also be recognised.
9. Objects / B. Unity of Objects / 1. Unifying an Object / a. Intrinsic unification
Could the same matter have more than one form or principle of unity? [Ayers]
     Full Idea: The abstract question arises of whether the same matter could be subject to more than one principle of unity simultaneously, or unified by more than one 'form'.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Realist' vii)
     A reaction: He suggests that the unity of the sweater is destroyed by unravelling, and the unity of the thread by cutting.
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
If there are two objects, then 'that marble, man-shaped object' is ambiguous [Ayers]
     Full Idea: The statue is marble and man-shaped, but so is the piece of marble. So not only are the two objects in the same place, but two marble and man-shaped objects in the same place, so 'that marble, man-shaped object' must be ambiguous or indefinite.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Prob')
     A reaction: It strikes me as basic that it can't be a piece of marble if you subtract its shape, and it can't be a statue if you subtract its matter. To treat a statue as an object, separately from its matter, is absurd.
9. Objects / D. Essence of Objects / 5. Essence as Kind
Sortals basically apply to individuals [Ayers]
     Full Idea: Sortals, in their primitive use, apply to the individual.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Concl')
     A reaction: If the sortal applies to the individual, any essence must pertain to that individual, and not to the class it has been placed in.
9. Objects / E. Objects over Time / 5. Temporal Parts
You can't have the concept of a 'stage' if you lack the concept of an object [Ayers]
     Full Idea: It would be impossible for anyone to have the concept of a stage who did not already possess the concept of a physical object.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Concl')
Temporal 'parts' cannot be separated or rearranged [Ayers]
     Full Idea: Temporally extended 'parts' are still mysteriously inseparable and not subject to rearrangement: a thing cannot be cut temporally in half.
     From: M.R. Ayers (Individuals without Sortals [1974], 'Prob')
     A reaction: A nice warning to anyone accepting a glib analogy between spatial parts and temporal parts.
9. Objects / F. Identity among Objects / 1. Concept of Identity
Some say a 'covering concept' completes identity; others place the concept in the reference [Ayers]
     Full Idea: Some hold that the 'covering concept' completes the incomplete concept of identity, determining the kind of sameness involved. Others strongly deny the identity itself is incomplete, and locate the covering concept within the necessary act of reference.
     From: M.R. Ayers (Individuals without Sortals [1974], Intro)
     A reaction: [a bit compressed; Geach is the first view, and Quine the second; Wiggins is somewhere between the two]
9. Objects / F. Identity among Objects / 3. Relative Identity
If diachronic identities need covering concepts, why not synchronic identities too? [Ayers]
     Full Idea: Why are covering concepts required for diachronic identities, when they must be supposed unnecessary for synchronic identities?
     From: M.R. Ayers (Individuals without Sortals [1974], 'Prob')
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Dispositionalism says modality is in the powers of this world, not outsourced to possible worlds [Friend/Kimpton-Nye]
     Full Idea: Dispositionalism does not 'outsource' modality to other possible worlds, it roots modality in the powers of concrete individuals in this world.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.3.3)
     A reaction: Possible worlds are to abolish modality, by treating it as the non-modal facts of different worlds. I see the dispositional view as vastly superior, because the world is awash with vivid and undeniable potentialities, and one world is better ontology.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
     Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
     From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
     A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
     Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
     From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
     A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
     Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge.
     From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4
     A reaction: I might believe this of writing novels, but not much else.
26. Natural Theory / D. Laws of Nature / 7. Strictness of Laws
Hume's Dictum says no connections are necessary - so mass and spacetime warping could separate [Friend/Kimpton-Nye]
     Full Idea: Hume's Dictum says there are no necessary connections between existences, …and also between the distinct properties that individuals instantiate. …It follows that an object's property of mass and its disposition to warp space-time could come apart.
     From: Friend/Kimpton-Nye (Dispositions and Powers [2023], 3.2)
     A reaction: [compressed] This nicely pinpoints the heart of the Humean view, to which scientific essentialists and fans of powers in nature object. The objectors include me.