3 ideas
| 18946 | Unreflectively, we all assume there are nonexistents, and we can refer to them [Reimer] |
| Full Idea: As speakers of the language, we unreflectively assume that there are nonexistents, and that reference to them is possible. | |
| From: Marga Reimer (The Problem of Empty Names [2001], p.499), quoted by Sarah Sawyer - Empty Names 4 | |
| A reaction: Sarah Swoyer quotes this as a good solution to the problem of empty names, and I like it. It introduces a two-tier picture of our understanding of the world, as 'unreflective' and 'reflective', but that seems good. We accept numbers 'unreflectively'. |
| 23898 | Those who say immorality is not an aesthetic criterion must show that all criteria are aesthetic [Weil] |
| Full Idea: Writers and readers who cry out that immorality is not an aesthetic criterion need to prove, which they have never done, that one should apply only aesthetic criteria to literature. | |
| From: Simone Weil (Literature and Morals [1941], p.146) | |
| A reaction: I take the first criterion of literature that it not be boring, and I don't think that is an aesthetic matter. A lot must be achieved before a work can even be considered for aesthetic judgment. Being deeply offensive might rule it out. |
| 23215 | Even the poorest have a life to lead, and so should consent to who governs them [-] |
| Full Idea: For really I think that the poorest hee that is in England hath a life to live, as the greatest hee; …and every Man that is to live under a Government ought first by his own Consent to put himself under that Government. | |
| From: - (The Putney Debates [1647]) | |
| A reaction: [remark made by Thomas Rainsborough] This is the social contract idea which is explicit in Hobbes. I'm sure we can at least trace it back to John Lilburne in the 1630s. |