Combining Texts

All the ideas for 'The Origin of the Work of Art', 'Aesthetica' and 'Abstract Entities'

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8 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
     Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science.
     From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs'
7. Existence / A. Nature of Existence / 4. Abstract Existence
Some abstract things have a beginning and end, so may exist in time (though not space) [Swoyer]
     Full Idea: Many things that seem to be abstract also seem to have a beginning (and ending) in time, such as a language like Urdu. It may be tempting to say that such things exist in time but not in space, but where exactly?
     From: Chris Swoyer (Abstract Entities [2008], 1.1)
     A reaction: A few distinctions might be needed. Urdu-speaking is an ability of certain people. We abstract from that their 'language'. There is nothing there apart from that ability. It has no more abstract existence than the 'weather'.
7. Existence / D. Theories of Reality / 1. Ontologies
Ontologists seek existence and identity conditions, and modal and epistemic status for a thing [Swoyer]
     Full Idea: Four things philosophers often want to know about a given sort of entity are: its existence conditions, its identity conditions, its modal status, and its epistemic status.
     From: Chris Swoyer (Abstract Entities [2008], 3)
     A reaction: I prefer 'modal profile' to 'modal status'. The 'existence conditions' sound rather epistemic. Why does the existence of anything require 'conditions' other than just existing? I suspect identity is irrelevant if humans aren't around.
8. Modes of Existence / B. Properties / 1. Nature of Properties
Can properties exemplify other properties? [Swoyer]
     Full Idea: Can properties themselves exemplify properties?
     From: Chris Swoyer (Abstract Entities [2008], 3)
     A reaction: Since I espouse a rather strict causal view of true properties, and lump the rest into the category of 'predicates', I am inclined to answer 'no' to this. Most people would disagree. 'Bright red' seems to be an example. But it isn't.
9. Objects / A. Existence of Objects / 5. Simples
Quantum field theory suggests that there are, fundamentally, no individual things [Swoyer]
     Full Idea: Quantum field theory strongly suggests that there are (at the fundamental level) no individual, particular things.
     From: Chris Swoyer (Abstract Entities [2008], 2.1)
     A reaction: When people introduce quantum theory into ontological discussions I reach for my shotgun, but it does rather look as if things turn to mush at the bottom level.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy]
     Full Idea: Baumgarten founded aesthetics in the year 1750.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2
     A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy]
     Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged.
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy]
     Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will.
     From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them.