11 ideas
| 15585 | Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt] |
| Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science. | |
| From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs' |
| 15544 | If what is actual might have been impossible, we need S4 modal logic [Armstrong, by Lewis] |
| Full Idea: Armstrong says what is actual (namely a certain roster of universals) might have been impossible. Hence his modal logic is S4, without the 'Brouwersche Axiom'. | |
| From: report of David M. Armstrong (A Theory of Universals [1978]) by David Lewis - Armstrong on combinatorial possibility 'The demand' | |
| A reaction: So p would imply possibly-not-possibly-p. |
| 7024 | Properties are universals, which are always instantiated [Armstrong, by Heil] |
| Full Idea: Armstrong takes properties to be universals, and believes there are no 'uninstantiated' universals. | |
| From: report of David M. Armstrong (A Theory of Universals [1978]) by John Heil - From an Ontological Point of View §9.3 | |
| A reaction: At first glance this, like many theories of universals, seems to invite Ockham's Razor. If they are always instantiated, perhaps we should perhaps just try to talk about the instantiations (i.e. tropes), and skip the universal? |
| 9478 | Even if all properties are categorical, they may be denoted by dispositional predicates [Armstrong, by Bird] |
| Full Idea: Armstrong says all properties are categorical, but a dispositional predicate may denote such a property; the dispositional predicate denotes the categorical property in virtue of the dispositional role it happens, contingently, to play in this world. | |
| From: report of David M. Armstrong (A Theory of Universals [1978]) by Alexander Bird - Nature's Metaphysics 3.1 | |
| A reaction: I favour the fundamentality of the dispositional rather than the categorical. The world consists of powers, and we find ourselves amidst their categorical expressions. I could be persuaded otherwise, though! |
| 10729 | Universals explain resemblance and causal power [Armstrong, by Oliver] |
| Full Idea: Armstrong thinks universals play two roles, namely grounding objective resemblances and grounding causal powers. | |
| From: report of David M. Armstrong (A Theory of Universals [1978]) by Alex Oliver - The Metaphysics of Properties 11 | |
| A reaction: Personally I don't think universals explain anything at all. They just add another layer of confusion to a difficult problem. Oliver objects that this seems a priori, contrary to Armstrong's principle in Idea 10728. |
| 4031 | It doesn't follow that because there is a predicate there must therefore exist a property [Armstrong] |
| Full Idea: I suggest that we reject the notion that just because the predicate 'red' applies to an open class of particulars, therefore there must be a property, redness. | |
| From: David M. Armstrong (A Theory of Universals [1978], p.8), quoted by DH Mellor / A Oliver - Introduction to 'Properties' §6 | |
| A reaction: At last someone sensible (an Australian) rebuts that absurd idea that our ontology is entirely a feature of our language |
| 10024 | The type-token distinction is the universal-particular distinction [Armstrong, by Hodes] |
| Full Idea: Armstrong conflates the type-token distinction with that between universals and particulars. | |
| From: report of David M. Armstrong (A Theory of Universals [1978], xiii,16/17) by Harold Hodes - Logicism and Ontological Commits. of Arithmetic 147 n23 | |
| A reaction: This seems quite reasonable, even if you don’t believe in the reality of universals. I'm beginning to think we should just use the term 'general' instead of 'universal'. 'Type' also seems to correspond to 'set', with the 'token' as the 'member'. |
| 10728 | A thing's self-identity can't be a universal, since we can know it a priori [Armstrong, by Oliver] |
| Full Idea: Armstrong says that if it can be proved a priori that a thing falls under a certain universal, then there is no such universal - and hence there is no universal of a thing being identical with itself. | |
| From: report of David M. Armstrong (A Theory of Universals [1978], II p.11) by Alex Oliver - The Metaphysics of Properties 11 | |
| A reaction: This is a distinctively Armstrongian view, based on his belief that universals must be instantiated, and must be discoverable a posteriori, as part of science. I'm baffled by self-identity, but I don't think this argument does the job. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |