11 ideas
| 23326 | In the third century Stoicism died out, replaced by Platonism, with Aristotelian ethics [Frede,M] |
| Full Idea: By the second century CE Aristotelianism and Platonism had begun to eclipse Stoicism, and by the end of the third century Stoicism had no followers. All philosophers now opted for some form of Platonism, but including Aristotle's ethical principles. | |
| From: Michael Frede (A Free Will [1997], 04) | |
| A reaction: The idea that Aristotelian ethics dominated that period is new to me. Stoic influence remained strong in Augustine, and hence in Christianity. |
| 23335 | In late antiquity nearly all philosophers were monotheists [Frede,M] |
| Full Idea: I am inclined to think that almost all philosophers in late antiquity were monotheists. | |
| From: Michael Frede (A Free Will [1997], 08) | |
| A reaction: I'm not sure when late antiquity begins, in this remark. Maybe as early as 100 CE. Epictetus talks of Zeus as if he is supreme. |
| 15585 | Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt] |
| Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science. | |
| From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs' |
| 23337 | The Stoics needed free will, to allow human choices in a divinely providential cosmos [Frede,M] |
| Full Idea: The Stoics said that everything happens according to a divine providential plan, so they had to explain how this was compatible with human choices. They tried to do this with their doctrine of freedom and a free will. | |
| From: Michael Frede (A Free Will [1997], 10) | |
| A reaction: Epictetus made our ability to choose central to moral life, so he particularly needed (and thus created, it seems) this doctrine. |
| 23333 | The idea of free will achieved universal acceptance because of Christianity [Frede,M] |
| Full Idea: There is no doubt that the notion of a free will found almost universal acceptance owing to the influence of Christianity. | |
| From: Michael Frede (A Free Will [1997], 07) | |
| A reaction: This is presumably because a free will not only elevates us above the animals, qualifying us for immortality, but also gives us absolute and ultimate responsibility for our lives, which thus justifies either salvation or damnation. |
| 23334 | For Christians man has free will by creation in God's image (as in Genesis) [Frede,M] |
| Full Idea: The Christian view, following Genesis, is that man is created in the image of God, and this is understood as crucially involving the idea that man has a free will in the image of God's will. | |
| From: Michael Frede (A Free Will [1997], 08) | |
| A reaction: The idea of free will evidently originated with Epictetus, but was taken up by Christians because it fitted doctrinal needs. Even Epictetus saw free will as originating in Zeus. |
| 23336 | There is no will for Plato or Aristotle, because actions come directly from perception of what is good [Frede,M] |
| Full Idea: Plato and Aristotle do not have a notion of a will, since for them a willing, a desire of reason, is a direct result of one's cognitive state: once one sees something to be good, one will it. | |
| From: Michael Frede (A Free Will [1997], 09) | |
| A reaction: The point is that their decisions are 'direct', whereas the will introduces the concept of a final arbiter which weighs up the desires, reasons and drives. The historical steps were first the meta-choosing, then the will as entity, then the will as free. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |
| 23313 | The Gnostic demiurge (creator) is deluded, and doesn't care about us [Frede,M] |
| Full Idea: The Gnostics thought the demiurge or creator pursues its own interests without regard for what this does to us, a being lacking in wisdom and goodness, as seen by its deluding itself into thinking that it is God, and demanding worship. | |
| From: Michael Frede (A Free Will [1997], Intro) | |
| A reaction: Frede mentions Irenaeus as a source of this view. The idea that the Great Being doesn't care about us seems a fairly accurate observation. |