Combining Texts

All the ideas for 'The Origin of the Work of Art', 'Introduction to 'Modality'' and 'Identity'

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3 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
     Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science.
     From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs'
9. Objects / F. Identity among Objects / 1. Concept of Identity
Our notion of identical sets involves identical members, which needs absolute identity [Hawthorne]
     Full Idea: Our conceptual grip on the notion of a set is founded on the axiom of extensionality: a set x is the same as a set y iff x and y have the same members. But this axiom deploys the notion of absolute identity ('same members').
     From: John Hawthorne (Identity [2003], 3.1)
     A reaction: Identity seems to be a primitive, useful and crucial concept, so don't ask what it is. I suspect that numbers can't get off the ground without it (especially, in view of the above, if you define numbers in terms of sets).
10. Modality / A. Necessity / 1. Types of Modality
Maybe modal thought is unavoidable, as a priori recognition of necessary truth-preservation in reasoning [Hale/Hoffmann,A]
     Full Idea: There are 'transcendental' arguments saying that modal thought is unavoidable - recognition, a priori, of the necessarily truth-preserving character of some forms of inference is a precondition for rational thought in general, and scientific theorizing.
     From: Bob Hale/ Aviv Hoffmann (Introduction to 'Modality' [2010], 1)
     A reaction: So the debate about the status of logical truths and valid inference, are partly debates about whether out thought has to involve modality, or whether it could just be about the actual world. I take possibilities and necssities to be features of nature.