Combining Texts

All the ideas for 'The Origin of the Work of Art', 'works' and 'Evidentialism'

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7 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
     Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science.
     From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs'
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
We could know the evidence for our belief without knowing why it is such evidence [Mittag]
     Full Idea: While one might understand the proposition entailed by one's evidence, one might have no idea how or why one's evidence entails it. This seems to imply one is not justified in believing the proposition on the basis of one's evidence.
     From: Daniel M. Mittag (Evidentialism [2011], 'Evidential')
     A reaction: An example might be seen if a layman tours a physics lab. This looks like a serious problem for evidentialism. Once you see why the evidence entails the proposition, you are getting closer to understanding than to knowledge. Explanation.
Evidentialism can't explain that we accept knowledge claims if the evidence is forgotten [Mittag]
     Full Idea: If one came to believe p with good evidence, but has since forgotten that evidence, we might think one can continue to believe justifiably, but evidentialism appears unable to account for this.
     From: Daniel M. Mittag (Evidentialism [2011], 'Forgotten')
     A reaction: We would still think that the evidence was important, and we would need to trust the knower's claim that the forgotten evidence was good. So it doesn't seem to destroy the evidentialist thesis.
Evidentialism concerns the evidence for the proposition, not for someone to believe it [Mittag]
     Full Idea: Evidentialism is not a theory about when one's believing is justified; it is a theory about what makes one justified in believing a proposition. It is a thesis regarding 'propositional justification', not 'doxastic justification'.
     From: Daniel M. Mittag (Evidentialism [2011], 'Preliminary')
     A reaction: Thus it is entirely about whether the evidence supports the proposition, and has no interest in who believes it or why. Knowledge is when you believe a true proposition which has good support. This could be internalist or externalist?
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
Coherence theories struggle with the role of experience [Mittag]
     Full Idea: Traditional coherence theories seem unable to account for the role experience plays in justification.
     From: Daniel M. Mittag (Evidentialism [2011], 'Evidence')
     A reaction: I'm inclined to say that experience only becomes a justification when it has taken propositional (though not necessarily lingistic) form. That is, when you see it 'as' something. Uninterpreted shape and colour can justify virtually nothing.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Beauty motivates morality, by harmonising feeling and reason [Schiller, by Pinkard]
     Full Idea: On Schiller's view, only beauty could shape or evince the necessary harmony between sensibility and reason (between inclination and duty) which provides the crucial motivation for the moral life.
     From: report of Friedrich Schiller (works [1794]) by Terry Pinkard - German Philosophy 1760-1860 06
     A reaction: Maybe. Reason should probably be drawn towards feelings which seem inspiring.
25. Social Practice / A. Freedoms / 5. Freedom of lifestyle
Schiller speaks obsessively of freedom throughout his works [Schiller, by Berlin]
     Full Idea: Schiller constantly speaks of spiritual freedom: freedom of reason, the kingdom of freedom, our free self, inner freedom, freedom of mind, moral freedom, the free intelligence - a very favourite phrase - holy freedom, the impregnable citadel of freedom.
     From: report of Friedrich Schiller (works [1794]) by Isaiah Berlin - The Roots of Romanticism
     A reaction: Kant's philosophy and his Kingdom of Ends are an obvious source for this, but I trace the sentiment back to 'Freeborn John' Lilburne during the English Civil War. The English, thanks to Voltaire, embodied freedom in the Enlightenment.