9 ideas
| 15571 | The idea of an atemporal realm of validity is as implausible as medieval theology [Heidegger] |
| Full Idea: The whole idea of an atemporal realm of validity is an invention that is no less doubtful than medieval speculation about angels. | |
| From: Martin Heidegger (Basic Problems of Phenomenology [1927], p.215), quoted by Richard Polt - Heidegger: an introduction 2 'Theory' | |
| A reaction: This seems to be flatly opposed to the view of Frege, and shows why continental philosophy has largely eschewed a study of logic. It is hard for a philosopher to pursue logic extensively without commitment to the Fregean Third Realm. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 22405 | Negative utilitarianism implies that the world should be destroyed, to avoid future misery [Smart] |
| Full Idea: The doctrine of negative utilitarianism (that we should concern ourselves with the minimisation of suffering, rather than the maximisation of happiness) ...means we should support a tyrant who explodes the world, to prevent infinite future misery. | |
| From: J.J.C. Smart (Outline of a System of Utilitarianism [1973], 5) | |
| A reaction: That only seems to imply that the negative utilitarian rule needs supplementary rules. We are too fond of looking for one single moral rule that guides everything. |
| 22404 | Any group interested in ethics must surely have a sentiment of generalised benevolence [Smart] |
| Full Idea: A utilitarian can appeal to the sentiment of generalised benevolence, which is surely present in any group with whom it is profitable to discuss ethical questions. | |
| From: J.J.C. Smart (Outline of a System of Utilitarianism [1973], I) | |
| A reaction: But ethics is not intended only for those who are interested in ethics. If this is the basics of ethics, then we must leave the mafia to pursue its sordid activities without criticism. Their lack of sympathy seems to be their good fortune. |
| 15581 | Dasein is always only that which it has chosen to be [Heidegger] |
| Full Idea: Dasein is always only that which it has chosen to be. | |
| From: Martin Heidegger (Basic Problems of Phenomenology [1927], p.278), quoted by Richard Polt - Heidegger: an introduction 3.§39-42 | |
| A reaction: I take it as significant that this is what it 'has' chosen, and not what it now 'chooses'. I might accept that my mode of existence results from past choices, but certainly not that I can choose it now. Ossified brain. |