Combining Texts

All the ideas for 'The Origin of the Work of Art', 'Preface to 'Dorian Gray'' and 'On Copernicanism and Relativity of Motion'

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6 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
     Full Idea: In his later work Heidegger came to view philosophy as closer to poetry than to science.
     From: report of Martin Heidegger (The Origin of the Work of Art [1935], p.178) by Richard Polt - Heidegger: an introduction 5 'Signs'
3. Truth / A. Truth Problems / 8. Subjective Truth
Choose the true hypothesis, which is the most intelligible one [Leibniz]
     Full Idea: One should choose the more intelligible hypothesis, and the truth is nothing but its intelligibility.
     From: Gottfried Leibniz (On Copernicanism and Relativity of Motion [1689], p.91)
     A reaction: This apparently simple observation strikes me as being rather profound. Our picture of the world is shaped entirely by what is intelligible to us. An odd notion of truth, though. The age of reason. See Idea 13158.
14. Science / D. Explanation / 3. Best Explanation / a. Best explanation
The Copernican theory is right because it is the only one offering a good explanation [Leibniz]
     Full Idea: The Copernican account is the truest theory, that is, the most intelligible theory and the only one capable of an explanation sufficient for a person of sound reason.
     From: Gottfried Leibniz (On Copernicanism and Relativity of Motion [1689], p.92)
     A reaction: The word 'intelligible' here seems to be linked to the notion of a best explanation.
21. Aesthetics / C. Artistic Issues / 6. Value of Art
All art is quite useless [Wilde]
     Full Idea: All art is quite useless.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Books are only well or badly written, not moral or immoral [Wilde]
     Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels.
Having ethical sympathies is a bad mannerism of style in an artist [Wilde]
     Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.
     From: Oscar Wilde (Preface to 'Dorian Gray' [1891])
     A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully.