22 ideas
| 10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
| Full Idea: What I call 'creative definitions' are made from a standpoint in which the existence of the objects that are to be assigned to the terms is not presupposed. | |
| From: Kit Fine (The Limits of Abstraction [2002], II.1) |
| 9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
| Full Idea: Fine distinguishes 'implicit definitions', where we must know it is satisfiable before it is deployed, 'creative definitions', where objects are introduced in virtue of the definition, ..and 'contextual definitions', based on established vocabulary. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 060) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 3 | |
| A reaction: Fine is a fan of creative definition. This sounds something like the distinction between cutting nature at the perceived joints, and speculating about where new joints might be inserted. Quite a helpful thought. |
| 15375 | If terms change their designations in different states, they are functions from states to objects [Fitting] |
| Full Idea: The common feature of every designating term is that designation may change from state to state - thus it can be formalized by a function from states to objects. | |
| From: Melvin Fitting (Intensional Logic [2007], 3) | |
| A reaction: Specifying the objects sounds OK, but specifying states sounds rather tough. |
| 15376 | Intensional logic adds a second type of quantification, over intensional objects, or individual concepts [Fitting] |
| Full Idea: To first order modal logic (with quantification over objects) we can add a second kind of quantification, over intensions. An intensional object, or individual concept, will be modelled by a function from states to objects. | |
| From: Melvin Fitting (Intensional Logic [2007], 3.3) |
| 15378 | Awareness logic adds the restriction of an awareness function to epistemic logic [Fitting] |
| Full Idea: Awareness logic enriched Hintikka's epistemic models with an awareness function, mapping each state to the set of formulas we are aware of at that state. This reflects some bound on the resources we can bring to bear. | |
| From: Melvin Fitting (Intensional Logic [2007], 3.6.1) | |
| A reaction: [He cites Fagin and Halpern 1988 for this] |
| 15379 | Justication logics make explicit the reasons for mathematical truth in proofs [Fitting] |
| Full Idea: In justification logics, the logics of knowledge are extended by making reasons explicit. A logic of proof terms was created, with a semantics. In this, mathematical truths are known for explicit reasons, and these provide a measure of complexity. | |
| From: Melvin Fitting (Intensional Logic [2007], 3.6.1) |
| 11026 | Classical logic is deliberately extensional, in order to model mathematics [Fitting] |
| Full Idea: Mathematics is typically extensional throughout (we write 3+2=2+3 despite the two terms having different meanings). ..Classical first-order logic is extensional by design since it primarily evolved to model the reasoning of mathematics. | |
| From: Melvin Fitting (Intensional Logic [2007], §1) |
| 11028 | λ-abstraction disambiguates the scope of modal operators [Fitting] |
| Full Idea: λ-abstraction can be used to abstract and disambiguate a predicate. De re is [λx◊P(x)](f) - f has the possible-P property - and de dicto is ◊[λxP(x)](f) - possibly f has the P-property. Also applies to □. | |
| From: Melvin Fitting (Intensional Logic [2007], §3.3) | |
| A reaction: Compare the Barcan formula. Originated with Church in the 1930s, and Carnap 1947, but revived by Stalnaker and Thomason 1968. Because it refers to the predicate, it has a role in intensional versions of logic, especially modal logic. |
| 10145 | Abstracts cannot be identified with sets [Fine,K] |
| Full Idea: It is impossible for a proponent of both sets and abstracts to identify the abstracts, in any reasonable manner, with the sets. | |
| From: Kit Fine (The Limits of Abstraction [2002], IV.1) | |
| A reaction: [This observation emerges from a proof Fine has just completed] Cf Idea 10137. The implication is that there is no compromise view available, and one must choose between abstraction or sets as one's account of numbers and groups of concepts. |
| 10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
| Full Idea: Points in abstract Euclidean space are abstract objects, and yet are not objects of abstraction, since they are not introduced through a principle of abstraction of the sort envisaged by Frege. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.1) | |
| A reaction: The point seems to be that they are not abstracted 'from' anything, but are simpy posited as basic constituents. I suggest that points are idealisations (of smallness) rather than abstractions. They are idealised 'from' substances. |
| 10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
| Full Idea: A procedural form of postulationism says that instead of stipulating that certain statements are true, one specifies certain procedures for extending the domain to one in which the statement will in fact be true, without invoking an abstract ontology. | |
| From: Kit Fine (The Limits of Abstraction [2002], II.5) | |
| A reaction: The whole of philosophy might go better if it was founded on procedures and processes, rather than on objects. The Hopi Indians were right. |
| 15377 | Definite descriptions pick out different objects in different possible worlds [Fitting] |
| Full Idea: Definite descriptions pick out different objects in different possible worlds quite naturally. | |
| From: Melvin Fitting (Intensional Logic [2007], 3.4) | |
| A reaction: A definite description can pick out the same object in another possible world, or a very similar one, or an object which has almost nothing in common with the others. |
| 9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
| Full Idea: Fine says creative definitions can found mathematics. His 'procedural postulationism' says one stipulates not truths, but certain procedures for extending a domain. The procedures can be stated without invoking an abstract ontology. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 100) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 4 | |
| A reaction: (For creative definitions, see Idea 9143) This sounds close in spirit to fictionalism, but with the emphasis on the procedure (which can presumably be formalized) rather than a pure act of imaginative creation. |
| 10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
| Full Idea: Many different kinds of mathematical objects (natural numbers, the reals, points, lines, figures, groups) can be regarded as forms of abstraction, with special theories having their basis in a general theory of abstraction. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.4) | |
| A reaction: This result, if persuasive, would be just the sort of unified account which the whole problem of abstact ideas requires. |
| 10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
| Full Idea: A principle of abstraction is 'conceptual' when the items upon which it abstracts are concepts (e.g. a one-one correspondence associated with a number), and 'objectual' if they are objects (parallel lines associated with a direction). | |
| From: Kit Fine (The Limits of Abstraction [2002], I) |
| 9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
| Full Idea: Fine considers abstraction principles as instances of reconceptualization (rather than implicit definition, or using the Context Principle). This centres not on reference, but on new senses emerging from analysis of a given sense. | |
| From: report of Kit Fine (The Limits of Abstraction [2002], 035) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 2 | |
| A reaction: Fine develops an argument against this view, because (roughly) the procedure does not end in a unique result. Intuitively, the idea that abstraction is 'reconceptualization' sounds quite promising to me. |
| 10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
| Full Idea: The uncompromising abstractionist rejects set theory, seeing the theory of abstractions as an alternative, rather than as a supplement, to the standard theory of sets. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.1) | |
| A reaction: There is also a 'compromising' version. Presumably you still have equivalence classes to categorise the objects, which are defined by their origin rather than by what they are members of... Cf. Idea 10145. |
| 10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
| Full Idea: We can see an object as being the abstract of a concept with respect to a relation on concepts. For example, we may say that 0 is the abstract of the empty concept with respect to the relation of one-one correspondence. | |
| From: Kit Fine (The Limits of Abstraction [2002], I.2) | |
| A reaction: This is Fine's attempt to give a modified account of the Fregean approach to abstraction. He says that the reference to a relation will solve the problem of identity between abstractions. |
| 23896 | We see our character as a restricting limit, but also as an unshakable support [Weil] |
| Full Idea: Our character appears to us as a limit by which we do not want to be imprisoned, …but also as a support that we want to believe is unshakable. | |
| From: Simone Weil (On the Concept of Character [1941], p.100) | |
| A reaction: A nice perception. It is fairly easy to criticise, or even laugh at, one's own actions, but extremely hard to criticise our own character. Maybe we all wish we were more determined in our projects, but not much else. |
| 23894 | The concept of character is at the centre of morality [Weil] |
| Full Idea: We cannot pose a moral problem without putting the concept of character at its centre. | |
| From: Simone Weil (On the Concept of Character [1941], p.98) | |
| A reaction: The question for Aristotle (which I derive from Philippa Foot) is whether moral goodness simply is good character, or whether it is the actions (or even the consequences). Weil is close to modern virtue theory here. |
| 23893 | We don't see character in a single moment, but only over a period of time [Weil] |
| Full Idea: Character is constant over a period of time; the way a person is at a single moment does not at all reflect the character of this person. We do, however, concede that character changes. | |
| From: Simone Weil (On the Concept of Character [1941], p.98) | |
| A reaction: I do think, though, that there are moments in behaviour which are hugely revealing of character, even in a single remark. But I agree that most single moments do not show much. |
| 23895 | We modify our character by placing ourselves in situations, or by attending to what seems trivial [Weil] |
| Full Idea: We can modify our character, by putting ourselves in circumstances that will act on us from the outside, …or by the orientation of our attention in the moments that appear most insignificant or indifferent in our lives. | |
| From: Simone Weil (On the Concept of Character [1941], p.99) | |
| A reaction: I've never seen anyone address this question (apart from Aristotle's emphasis on training habits). Choosing your source for current affairs information strikes me as very important. What you read, what you watch, who you spend time with… |