9 ideas
| 7906 | When the Buddha reached the highest level of insight, he could detect no self in the world [Ashvaghosha] |
| Full Idea: The great Buddha passed through the eight stages of Transic insight, and quickly reached their highest point. From the summit of the world downwards he could detect no self anywhere. | |
| From: Ashvaghosha (Buddhacarita [c.50], XIV) | |
| A reaction: In the manner of Nietzsche, I am inclined to say that they find what they want to find, because that is their value. They want to get rid of the self, and dream of a mode in which existence continues without it. Is Buddhism opposed to human life? |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 17371 | Some kinds are very explanatory, but others less so, and some not at all [Devitt] |
| Full Idea: Explanatory significance, hence naturalness, comes in degrees: positing some kinds may be very explanatory, positing others, only a little bit explanatory, positing others still, not explanatory at all. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 4) | |
| A reaction: He mentions 'cousin' as a natural kind that is not very explanatory of anything. It interests us as humans, but not at all in other animals, it seems. ...Nice thought, though, that two squirrels might be cousins... |
| 17372 | The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt] |
| Full Idea: The signs are that the higher categories are not natural kinds and so the Linnaean hierarchy must be abandoned. ...This is not abandoning a hierarchy altogether, it is not abandoning a tree of life. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 6) | |
| A reaction: Devitt's underlying point is that the higher and more general kinds do not have an essence (a specific nature), which is the qualification to be a natural kind. They explain nothing. Essence is the hallmark of natural kinds. Hmmm. |
| 17373 | Species pluralism says there are several good accounts of what a species is [Devitt] |
| Full Idea: Species pluralism is the view that there are several equally good accounts of what it is to be a species. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 7) | |
| A reaction: Devitt votes for it, and cites Dupré, among many other. Given the existence of rival accounts, all making good points, it is hard to resist this view. |
| 7905 | The Buddha sought ultimate reality and the final goal of existence in his meditations [Ashvaghosha] |
| Full Idea: Next the Boddhisatva, possessed of great skill in Transic meditation, put himself into a trance, intent on discerning both the ultimate reality of things and the final goal of existence. | |
| From: Ashvaghosha (Buddhacarita [c.50], XIV.2) | |
| A reaction: The ontological and teleological goals of the Buddha were identical to the goals of the ancient Greek philosophers, and even we have teleological aims in our study of evolution. I would expect better results from the western approach. |
| 7904 | The first stage of trance is calm amidst applied and discursive thinking [Ashvaghosha] |
| Full Idea: The first stage of trance is calm amidst applied and discursive thinking. | |
| From: Ashvaghosha (Buddhacarita [c.50], V.11) | |
| A reaction: Personally I am not sure that I would want to go any further that the first stage, since the elimination of discursive thinking seems to me to be approaching death. To pursue intense thinking very calmly I take to be the ideal of all western philosophers. |