11 ideas
| 23888 | Knowledge is beyond question, as an unavoidable component of thinking [Weil] |
| Full Idea: The speaker refuses to pose the question of knowledge, since knowledge is a given that is mixed with thought, and that no thinking being can get away from. | |
| From: Simone Weil (Philosophy [1941], p.42) | |
| A reaction: On the whole I favour belief-first, but I take the primary purpose of minds to be navigation, and that needs facts, not hopeful beliefs. Weil's thought pushes me a bit towards the knowledge first view. |
| 24016 | Consciousness always transcends itself [Sartre] |
| Full Idea: It is of the essence of consciousness to transcend itself | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: As usual, I am a bit baffled by these sorts of pronouncement. Sounds like an oxymoron to me. Maybe it is a development of Schopenhauer's thought. |
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 24014 | Emotions are a sort of bodily incantation which brings a magic to the world [Sartre] |
| Full Idea: Joy is the magical behaviour which tries, by incantation, to realise the possession of the desired object as an instantaneous totality. [47] Emotions are all reducible to the constitution of a magic world by using our bodies as instruments of incantation. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: I can't pretend to understand this, but I am reminded of the fact that the so-called primary qualities of perception are innately boring, and it is only the secondary qualities (like colour and smell) which make the world interesting. |
| 24015 | Emotions makes us believe in and live in a new world [Sartre] |
| Full Idea: Emotion is a phenomenon of belief. Consciousness does not limit itself to the projection of affective meanings upon the world around it; it lives the new world it has thereby constituted. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: There seems to be an implied anti-realism in this, since the emotions prevent us from relating more objectively to the world. The 'magic' seems to be compulsory. |
| 23887 | Art (like philosophy) establishes a relation between world and self, and between oneself and others [Weil] |
| Full Idea: Isn't true art a method for establishing a certain relation between the world and the self, and between oneself and others, and isn't that the equivalent of philosophy? | |
| From: Simone Weil (Philosophy [1941], p.38) | |
| A reaction: I hope the definition of 'true' art doesn't have to conform to achieving this relation. I suppose each good work of art shows you a distinctive way of relating to the world. An interesting thought (as so often with this thinker). |
| 20491 | States have a monopoly of legitimate violence [Sartre, by Wolff,J] |
| Full Idea: Max Weber observed that states possess a monopoly of legitimate violence. | |
| From: report of Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939]) by Jonathan Wolff - An Introduction to Political Philosophy (Rev) 2 'State' | |
| A reaction: This sounds rather hair-raising, and often is, but it sounds quite good if we describe it as a denial of legitimate violence to individual citizens. Hobbes would like it, since individual violence breaches some sort of natural contract. Guns in USA. |
| 17371 | Some kinds are very explanatory, but others less so, and some not at all [Devitt] |
| Full Idea: Explanatory significance, hence naturalness, comes in degrees: positing some kinds may be very explanatory, positing others, only a little bit explanatory, positing others still, not explanatory at all. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 4) | |
| A reaction: He mentions 'cousin' as a natural kind that is not very explanatory of anything. It interests us as humans, but not at all in other animals, it seems. ...Nice thought, though, that two squirrels might be cousins... |
| 17372 | The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt] |
| Full Idea: The signs are that the higher categories are not natural kinds and so the Linnaean hierarchy must be abandoned. ...This is not abandoning a hierarchy altogether, it is not abandoning a tree of life. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 6) | |
| A reaction: Devitt's underlying point is that the higher and more general kinds do not have an essence (a specific nature), which is the qualification to be a natural kind. They explain nothing. Essence is the hallmark of natural kinds. Hmmm. |
| 17373 | Species pluralism says there are several good accounts of what a species is [Devitt] |
| Full Idea: Species pluralism is the view that there are several equally good accounts of what it is to be a species. | |
| From: Michael Devitt (Natural Kinds and Biological Realism [2009], 7) | |
| A reaction: Devitt votes for it, and cites Dupré, among many other. Given the existence of rival accounts, all making good points, it is hard to resist this view. |