Combining Texts

All the ideas for 'Truth and the Past', 'Public Text and Common Reader' and 'Capital Vol. 1'

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18 ideas

5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
Undecidable statements result from quantifying over infinites, subjunctive conditionals, and the past tense [Dummett]
     Full Idea: I once wrote that there are three linguistic devices that make it possible for us to frame undecidable statements: quantification over infinity totalities, as expressed by word such as 'never'; the subjunctive conditional form; and the past tense.
     From: Michael Dummett (Truth and the Past [2001], 4)
     A reaction: Dummett now repudiates the third one. Statements containing vague concepts also appear to be undecidable. Personally I have no problems with deciding (to a fair extent) about 'never x', and 'if x were true', and 'it was x'.
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / b. The Heap paradox ('Sorites')
Surely there is no exact single grain that brings a heap into existence [Dummett]
     Full Idea: There is surely no number n such that "n grains of sand do not make a heap, although n+1 grains of sand do" is true.
     From: Michael Dummett (Truth and the Past [2001], 4)
     A reaction: It might be argued that there is such a number, but no human being is capable of determing it. Might God know the value of n? On the whole Dummett's view seems the most plausible.
6. Mathematics / C. Sources of Mathematics / 10. Constructivism / b. Intuitionism
Intuitionists rely on the proof of mathematical statements, not their truth [Dummett]
     Full Idea: The intuitionist account of the meaning of mathematical statements does not employ the notion of a statement's being true, but only that of something's being a proof of the statement.
     From: Michael Dummett (Truth and the Past [2001], 2)
     A reaction: I remain unconvinced that anyone could give an account of proof that didn't discreetly employ the notion of truth. What are we to make of "we suspect this is true, but no one knows how to prove it?" (e.g. Goldbach's Conjecture).
7. Existence / B. Change in Existence / 1. Nature of Change
A 'Cambridge Change' is like saying 'the landscape changes as you travel east' [Dummett]
     Full Idea: The idea of 'Cambridge Change' is like saying 'the landscape changes as you travel east'.
     From: Michael Dummett (Truth and the Past [2001], 5)
     A reaction: The phrase was coined in Oxford. It is a useful label with which realists can insult solipsists, idealists and other riff-raff. Four Dimensionalists seem to see time in this way. Events sit there, and we travel past them. But there are indexical events.
7. Existence / D. Theories of Reality / 4. Anti-realism
I no longer think what a statement about the past says is just what can justify it [Dummett]
     Full Idea: In distinguishing between what can establish a statement about the past as true and what it is that that statement says, we are repudiating antirealism about the past.
     From: Michael Dummett (Truth and the Past [2001], 3)
     A reaction: This is a late shift of ground from the champion of antirealism. If Dummett's whole position is based on a 'justificationist' theory of meaning, he must surely have a different theory of meaning now for statements about the past?
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
The existence of a universe without sentience or intelligence is an unintelligible fantasy [Dummett]
     Full Idea: The existence of a universe from which sentience was permanently absent is an unintelligible fantasy. What exists is what can be known to exist. What is true is what can be known to be true. Reality is what can be experienced and known.
     From: Michael Dummett (Truth and the Past [2001], 5)
     A reaction: This strikes me as nonsense. The fact that we cannot think about a universe without introducing a viewpoint does not mean that we cannot 'intellectually imagine' its existence devoid of viewpoints. Nothing could ever experience a star's interior.
19. Language / A. Nature of Meaning / 5. Meaning as Verification
Verification is not an individual but a collective activity [Dummett]
     Full Idea: Verification is not an individual but a collective activity.
     From: Michael Dummett (Truth and the Past [2001], 3)
     A reaction: This generates problems. Are deceased members of the community included? (Yes, says Dummett). If someone speaks to angels (Blake!), do they get included? Is a majority necessary? What of weird loners? Etc.
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
Truth-condition theorists must argue use can only be described by appeal to conditions of truth [Dummett]
     Full Idea: To demonstrate the necessity of a truth-conditional theory of meaning, a proponent of such a theory must argue that use cannot be described without appeal to the conditions for the truth of statements.
     From: Michael Dummett (Truth and the Past [2001], 1)
     A reaction: Unlike Dummett, I find that argument rather appealing. How do you decide the possible or appropriate use for a piece of language, if you don't already know what it means. Basing it all on social conventions means it could be meaningless ritual.
The truth-conditions theory must get agreement on a conception of truth [Dummett]
     Full Idea: It is not enough for the truth-condition theorist to argue that we need the concept of truth: he must show that we should have the same conception of truth that he has.
     From: Michael Dummett (Truth and the Past [2001], 2)
     A reaction: Davidson invites us to accept Tarski's account of truth. It invites the question of what the theory would be like with a very robust correspondence account of truth, or a flabby rather subjective coherence view, or the worst sort of pragmatic view.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.
24. Political Theory / D. Ideologies / 9. Communism
Must production determine superstructure, or could it be the other way round? [Singer on Marx]
     Full Idea: Once the 'interaction' between the superstructure and the productive forces is admitted, is it still possible to maintain that production determines the superstructure, rather than the other way round?
     From: comment on Karl Marx (Capital Vol. 1 [1867]) by Peter Singer - Marx 7
     A reaction: It is much harder to defend historical determinism if Singer is right about this. Modern capitalism won't admit of the sort of simple distinctions that mark was looking for.
Even decently paid workers still have their produce bought with money stolen from them [Marx]
     Full Idea: Even if the workers are paid a fair wage, the whole thing still remains the age-old activity of the conqueror, who buys commodities from the conquered with the money has has stolen from them,
     From: Karl Marx (Capital Vol. 1 [1867], p.728), quoted by Johanna Oksala - Political Philosophy: all that matters Ch.8
     A reaction: [Penguin edition cited] The word 'stolen' is obviously dubious here. 'Exploitation' is a much more accurate word. One might talk of 'blackmail' or 'extortion' rather than theft.
27. Natural Reality / D. Time / 1. Nature of Time / f. Eternalism
Maybe past (which affects us) and future (which we can affect) are both real [Dummett]
     Full Idea: Maybe both the past and the future are real, determined by our current temporal perspective. Past is then events capable of having a causal influence upon events near us, and future is events we can affect, but from which we receive no information.
     From: Michael Dummett (Truth and the Past [2001], 5)
     A reaction: This is the Four-Dimensional view, which is opposed to Presentism. Might immediate unease is that it gives encouragement to fortune-tellers, whom I have always dismissed with 'You can't see the future, because it doesn't exist'.
27. Natural Reality / D. Time / 2. Passage of Time / k. Temporal truths
The present cannot exist alone as a mere boundary; past and future truths are rendered meaningless [Dummett]
     Full Idea: The idea that only the present is real cannot be sustained. St Augustine pointed out that the present has no duration; it is a mere boundary between past and future, and dependent on them. It also denies truth-value to statements about past or future.
     From: Michael Dummett (Truth and the Past [2001], 5)
     A reaction: To defend Presentism, I suspect that one must focus entirely on the activities of consciousness and short-term memory. All truths, of past or future, must refer totally to such mental events. But what could an event be if there is no enduring time?