3 ideas
6019 | If someone squashed a horse to make a dog, something new would now exist [Mnesarchus] |
Full Idea: If, for the sake of argument, someone were to mould a horse, squash it, then make a dog, it would be reasonable for us on seeing this to say that this previously did not exist but now does exist. | |
From: Mnesarchus (fragments/reports [c.120 BCE]), quoted by John Stobaeus - Anthology 179.11 | |
A reaction: Locke would say it is new, because the substance is the same, but a new life now exists. A sword could cease to exist and become a new ploughshare, I would think. Apply this to the Ship of Theseus. Is form more important than substance? |
7331 | A theory of meaning comes down to translating sentences into Fregean symbolic logic [Davidson, by Macey] |
Full Idea: For a theory of meaning for a fragment of natural language, what Davidson requires, in effect, is that the sentences be translatable into the language of Frege's symbolic logic. | |
From: report of Donald Davidson (In Defence of Convention T [1973]) by David Macey - Penguin Dictionary of Critical Theory | |
A reaction: This assumes the adequacy of Fregean logic, which seems unlikely. Is this the culmination of Leibniz's dream of a fully logical language - so that anything that won't fit into our logical form is ruled (logical positivist style) as meaningless? |
20329 | A work of art is an artifact created for the artworld [Dickie] |
Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |