Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Phenomenalism' and 'An Ontology of Art'

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4 ideas

11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism

2614	Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer]
	Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data.
	From: A.J. Ayer (Phenomenalism [1947], §1)

12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory

2615	The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer]
	Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of.
	From: A.J. Ayer (Phenomenalism [1947], §1)

21. Aesthetics / B. Nature of Art / 7. Ontology of Art

20444	If paintings could be perfectly duplicated, it would be a multiple art form [Currie, by Bacharach]
	Full Idea: Currie claims that, in principle, all art forms are multiple. A superxerox machine, duplicating a painting molecule by molecule, would show that paintings are singular only contingently.
	From: report of Gregory Currie (An Ontology of Art [1988]) by Sondra Bacharach - Arthur C. Danto 3
	A reaction: This strikes me as correct. An original painting would then have the same status as the manuscript of a poem, giving it an authority, and being moving by its personal contact with the artist. But worth far less than current original paintings.

23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues

7903	The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
	Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
	From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
	A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').