Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'The Ethical Criticism of Art' and 'The Methods of Ethics (7th edn)'

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11 ideas

16. Persons / F. Free Will / 2. Sources of Free Will
If we say that freedom depends on rationality, the irrational actions are not free [Sidgwick]
     Full Idea: If we say that a man is a free agent in proportion as he acts rationally, we cannot also say that it is by free choice that he acts irrationally.
     From: Henry Sidgwick (The Methods of Ethics (7th edn) [1874], p.511), quoted by John Kekes - Against Liberalism 7.4
     A reaction: A very nice riposte. Clearly people can rationally choose to act irrationally, e.g. at a wild party.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Maybe literary assessment is evaluating the artist as a suitable friend [Gaut]
     Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some')
     A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio?
21. Aesthetics / B. Nature of Art / 2. Art as Form
Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut]
     Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1')
     A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
'Moralism' says all aesthetic merits are moral merits [Gaut]
     Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'.
     From: Berys Gaut (The Ethical Criticism of Art [1998], n 1)
     A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve).
Good art does not necessarily improve people (any more than good advice does) [Gaut]
     Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point.
Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut]
     Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism')
     A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut.
If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut]
     Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect.
     From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited')
     A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois.
23. Ethics / A. Egoism / 1. Ethical Egoism
Self-interest is not rational, if the self is just a succession of memories and behaviour [Sidgwick, by Gray]
     Full Idea: Sidgwick said self-interest is not self-evidently rational. Unless we invoke a religious idea of the soul, human personality is no more than a succession of continuities in memory and behaviour. In that case, why should anyone favour their future self?
     From: report of Henry Sidgwick (The Methods of Ethics (7th edn) [1874]) by John Gray - Seven Types of Atheism 2
     A reaction: This sounds like Locke's account of the self, as psychological continuity. We can say that our continuous self is a fiction, the hero of our own narrative. Personally I think of the self as a sustained set of brains structures which change very little.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
23. Ethics / E. Utilitarianism / 1. Utilitarianism
It is self-evident (from the point of view of the Universe) that no individual has more importance than another [Sidgwick]
     Full Idea: It is a self-evident principle that the good of one individual is of no more importance, from the point of view of the Universe, than the good of any other, ..and as a rational being I am bound to aim at good generally, not merely at a particular part.
     From: Henry Sidgwick (The Methods of Ethics (7th edn) [1874], III.XIII.3)
     A reaction: Showing that even a very empirical theory like utilitarianism has an a priori basis. Of course, the principle is false. What about animals, the senile, criminals, androids? What bestows 'importance'?
24. Political Theory / D. Ideologies / 4. Social Utilitarianism
Sidwick argues for utilitarian institutions, rather than actions [Sidgwick, by Tuckness/Wolf]
     Full Idea: Sidgwick's complex version of utilitarianism urges that institutions should be set in place to maximise utility, but that individual actions people undertake might not appear to be justifiable on utilitarian terms.
     From: report of Henry Sidgwick (The Methods of Ethics (7th edn) [1874]) by Tuckness,A/Wolf,C - This is Political Philosophy 1 Refs
     A reaction: This seems to be a specifically political version of utilitarianism, but isn't cited much by political philosophers who discuss utilitarianism.