9 ideas
| 11989 | For Russell, expressions dependent on contingent circumstances must be eliminated [Kaplan] |
| Full Idea: It is a tenet of Russell's theory that all expressions, and especially definite descriptions, whose denotation is dependent upon contingent circumstances must be eliminated. | |
| From: David Kaplan (How to Russell a Frege-Church [1975], II) |
| 11990 | 'Haecceitism' says that sameness or difference of individuals is independent of appearances [Kaplan] |
| Full Idea: The doctrine that we can ask whether this is the same individual in another possible world, and that a common 'thisness' may underlie extreme dissimilarity, or distinct thisnesses may underlie great resemblance, I call 'Haecceitism'. | |
| From: David Kaplan (How to Russell a Frege-Church [1975], IV) | |
| A reaction: Penelope Mackie emphasises that this doctrine, that each thing is somehow individuated, is not the same as believing in actual haecceities, specific properties which achieve the individuating. |
| 9668 | 'Haecceitism' is common thisness under dissimilarity, or distinct thisnesses under resemblance [Kaplan] |
| Full Idea: That a common 'thisness' may underlie extreme dissimilarity or distinct thisnesses may underlie great resemblance I call 'haecceitism'. (I prefer the pronunciation Hex'-ee-i-tis-m). | |
| From: David Kaplan (How to Russell a Frege-Church [1975], IV) | |
| A reaction: [odd pronunciation, if 'haec' is pronounced haeek] The view seems to be very unpopular (e.g. with Lewis, Bird and Mumford). But there is an intuitive sense of whether or not two things are identical when they seem dissimilar. |
| 11991 | If quantification into modal contexts is legitimate, that seems to imply some form of haecceitism [Kaplan] |
| Full Idea: If one regards the usual form of quantification into modal and other intensional contexts - modality de re - as legitimate (without special explanations), then one seems committed to some form of haecceitism. | |
| From: David Kaplan (How to Russell a Frege-Church [1975], IV) | |
| A reaction: That is, modal reference requires fixed identities, irrespective of possible changes in properties. Why could one not refer to objects just as bundles of properties, with some sort of rules about when it ceased to be that particular bundle (keep 60%?)? |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |