9 ideas
| 19520 | Evidentialism is not axiomatic; the evidence itself inclines us towards evidentialism [Conee] |
| Full Idea: Evidentialism does not support beginning epistemology by taking for granted that evidentialism is true. ...Rather, what potentially justifies belief in intial epistemic data and initial procedures of inquiry is the evidence itself. | |
| From: Earl Conee (First Things First [2004], 'Getting') | |
| A reaction: This sounds good. I much prefer talk of 'evidence' to talk of 'perceptions', because evidence has been licked into shape, and its significance has been clarified. That is the first step towards the coherence we seek. |
| 19521 | If pure guesses were reliable, reliabilists would have to endorse them [Conee] |
| Full Idea: Reliabilism would count pure guesses as good reasons if guessing were properly reliable. | |
| From: Earl Conee (First Things First [2004], 'Getting') | |
| A reaction: See D.H. Lawrence's short story 'The Rocking Horse Winner'. This objection strikes me as being so devastating that it is almost conclusive. Except that pure guesses are never ever reliable, over a decent period of time. |
| 19522 | More than actual reliability is needed, since I may mistakenly doubt what is reliable [Conee] |
| Full Idea: Sheer reliability does not justify belief. ...It may be, for instance, that we have strong though misleading reason to deny the method's reliability. | |
| From: Earl Conee (First Things First [2004], 'Circles') | |
| A reaction: That is, we accept a justification if we judge the method to be reliable, not if it IS reliable. I can disbelieve all the reliable information that arrives in my mind. People do that all the time! Hatred of experts! Support for internalism? |
| 19523 | Reliabilism is poor on reflective judgements about hypothetical cases [Conee] |
| Full Idea: An unrefined reliability theory does a poor job at capturing reflective judgements about hypothetical cases | |
| From: Earl Conee (First Things First [2004], 'Stroud's') | |
| A reaction: Reliability can only be a test for tried and tested ways. No one can say whether imagining a range of possibilities is reliable or not. Is prediction a reliable route to knowledge? |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |