Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Artistic Value and Opportunistic Moralism' and 'The Limits of Contingency'

unexpand these ideas     |    start again     |     specify just one area for these texts


16 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / c. Axiom of Pairing II
Pairing (with Extensionality) guarantees an infinity of sets, just from a single element [Rosen]
     Full Idea: In conjunction with Extensionality, Pairing entails that given a single non-set, infinitely many sets exist.
     From: Gideon Rosen (The Limits of Contingency [2006], 04)
9. Objects / A. Existence of Objects / 4. Impossible objects
A Meinongian principle might say that there is an object for any modest class of properties [Rosen]
     Full Idea: Meinongian abstraction principles say that for any (suitably restricted) class of properties, there exists an abstract entity (arbitrary object, subsistent entity) that possesses just those properties.
     From: Gideon Rosen (The Limits of Contingency [2006], 04)
     A reaction: This is 'Meinongian' because there will be an object which is circular and square. The nub of the idea presumably resides in what is meant by 'restricted'. An object possessing every conceivable property is, I guess, a step too far.
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity is absolute and universal; metaphysical possibility is very tolerant [Rosen]
     Full Idea: If P is metaphysically necessary, then it is absolutely necessary, and necessary in every real (non-epistemic) sense; and if P is possible in any sense, then it's possible in the metaphysical sense.
     From: Gideon Rosen (The Limits of Contingency [2006], 02)
     A reaction: Rosen's shot at defining metaphysical necessity and possibility, and it looks pretty good to me. In my terms (drawing from Kit Fine) it is what is necessitated or permitted 'by everything'. So if it is necessitated by logic or nature, that's included.
'Metaphysical' modality is the one that makes the necessity or contingency of laws of nature interesting [Rosen]
     Full Idea: 'Metaphysical' modality is the sort of modality relative to which it is an interesting question whether the laws of nature are necessary or contingent.
     From: Gideon Rosen (The Limits of Contingency [2006], 02)
     A reaction: Being an essentialist here, I take it that the stuff of the universe necessitates the so-called 'laws'. The metaphysically interesting question is whether the stuff might have been different. Search me! A nice test of metaphysical modality though.
Sets, universals and aggregates may be metaphysically necessary in one sense, but not another [Rosen]
     Full Idea: It may be metaphysically necessary in one sense that sets or universals or mereological aggregates exist, while in another sense existence is always a contingent matter.
     From: Gideon Rosen (The Limits of Contingency [2006], 10)
     A reaction: This idea depends on Idea 18856 and 18857. Personally I only think mereological aggregates and sets exist when people decide that they exist, so I don't see how they could ever be necessary. I'm unconvinced about his two concepts.
Standard Metaphysical Necessity: P holds wherever the actual form of the world holds [Rosen]
     Full Idea: According to the Standard Conception of Metaphysical Necessity, P is metaphysically necessary when it holds in every possible world in which the laws of metaphysics (about the form or structure of the actual world) hold
     From: Gideon Rosen (The Limits of Contingency [2006], 10)
     A reaction: Rosen has a second meaning, in Idea 18856. He thinks it is crucial to see that there are two senses, because many things come out as metaphysically necessary on one concept, but contingent on the other. Interesting....
Non-Standard Metaphysical Necessity: when ¬P is incompatible with the nature of things [Rosen]
     Full Idea: According to the Non-Standard conception of Metaphysical Necessity, P is metaphysically necessary when its negation is logically incompatible with the nature of things.
     From: Gideon Rosen (The Limits of Contingency [2006], 10)
     A reaction: Rosen's new second meaning of the term. My immediate problem is with it resting on being 'logically' incompatible. Are squares 'logically' incompatible with circles? I like the idea that it rests on 'the nature of things'. (Psst! natures = essences)
10. Modality / A. Necessity / 6. Logical Necessity
Something may be necessary because of logic, but is that therefore a special sort of necessity? [Rosen]
     Full Idea: It is one thing to say that P is necessary in some generic sense because it is a truth of logic (true in all models of a language, perhaps). It is something else to say that P therefore enjoys a special sort of necessity.
     From: Gideon Rosen (The Limits of Contingency [2006], 02)
     A reaction: This encourages my thought that there is only one sort of necessity (what must be), and the variety comes from the different types of necessity makers (everything there could be, nature, duties, promises, logics, concepts...).
10. Modality / B. Possibility / 3. Combinatorial possibility
Combinatorial theories of possibility assume the principles of combination don't change across worlds [Rosen]
     Full Idea: Combinatorial theories of possibility take it for granted ....that possible worlds in general share a syntax, as it were, differing only in the constituents from which they are generated, or in the particular manner of their arrangements.
     From: Gideon Rosen (The Limits of Contingency [2006], 08)
     A reaction: For instance, it might assume that every world has 'objects', to which 'properties' and 'relations' can be attached, or to which 'functions' can apply.
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
A proposition is 'correctly' conceivable if an ominiscient being could conceive it [Rosen]
     Full Idea: To a first approximation, P is correctly conceivable iff it would be conceivable for a logically ominiscient being who was fully informed about the nature of things.
     From: Gideon Rosen (The Limits of Contingency [2006], 05)
     A reaction: Isn't the last bit covered by 'ominiscient'? Ah, I think the 'logically' only means they have a perfect grasp of what is consistent. This is to meet the standard problem, of ill-informed people 'conceiving' of things which are actually impossible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]
     Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr)
     A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world.
The works we value most are in sympathy with our own moral views [John,E]
     Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro)
     A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art.
We should understand what is morally important in a story, without having to endorse it [John,E]
     Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating')
     A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me.
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
     Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us.
     From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency')
     A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
26. Natural Theory / D. Laws of Nature / 4. Regularities / b. Best system theory
The MRL view says laws are the theorems of the simplest and strongest account of the world [Rosen]
     Full Idea: According to the Mill-Ramsey-Lewis account of the laws of nature, a generalisation is a law just in case it is a theorem of every true account of the actual world that achieves the best overall balance of simplicity and strength.
     From: Gideon Rosen (The Limits of Contingency [2006], 08)
     A reaction: The obvious objection is that many of the theorems will be utterly trivial, and that is one thing that the laws of nature are not. Unless you are including 'metaphysical laws' about very very fundamental things, like objects, properties, relations.