14 ideas
| 22087 | Philosophy fails to articulate the continual becoming of existence [Kierkegaard, by Carlisle] |
| Full Idea: Kierkegaard criticise philosophy for its inability to grasp and to articulate the movement, the continual becoming, that characterises existence. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Clare Carlisle - Kierkegaard: a guide for the perplexed 2 | |
| A reaction: Heraclitus had a go, and Hegel's historicism focuses on dynamic thought, but this idea concerns the immediacy of individual life. |
| 5651 | Traditional views of truth are tautologies, and truth is empty without a subject [Kierkegaard, by Scruton] |
| Full Idea: Kierkegaard developed the idea of 'truth as subjectivity'; the traditional conceptions of truth - correspondence or coherence - he regarded as equally empty, not because false, but because tautologous; truth ceases to be empty when related to a subject. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Roger Scruton - Short History of Modern Philosophy Ch.13 | |
| A reaction: It strikes me that the correspondence theory of truth also involves a subject. If you become too obsessed with the subject, you lose the concept of truth. You need a concept of the non-subject too. Truth concerns the contents of thought. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 22090 | For me time stands still, and I with it [Kierkegaard, by Carlisle] |
| Full Idea: Time flows, life is a stream, people say, and so on. I do not notice it. Time stands still, and I with it. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843], I:26) by Clare Carlisle - Kierkegaard: a guide for the perplexed 3 | |
| A reaction: This is from the spokesman for the aesthetic option in life, which is largely pleasure-seeking. No real choices ever occur. |
| 9305 | The plebeians bore others; only the nobility bore themselves [Kierkegaard] |
| Full Idea: Those who bore others are the plebeians, the crowd, the endless train of humanity in general; those who bore themselves are the chosen ones, the nobility. | |
| From: Søren Kierkegaard (Either/Or: a fragment of life [1843], Pt.1), quoted by Lars Svendsen - A Philosophy of Boredom Ch.2 | |
| A reaction: [p.288 in Princeton Edn] Stunningly elitist, but ask where boredom is most overtly found. "Boring" was once a very fashionable word among the English upper classes. Education and wealth seem to intensify boredom. |
| 5650 | Reason is just abstractions, so our essence needs a subjective 'leap of faith' [Kierkegaard, by Scruton] |
| Full Idea: For Kierkegaard, reason, which produces only abstractions, negates our individual essence; this essence is subjectivity, and subjectivity exists only in the 'leap of faith', whereby the individual casts in his lot with eternity. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Roger Scruton - Short History of Modern Philosophy Ch.13 | |
| A reaction: Interesting, but this strikes me as a confusion of reason and logic. A logical life would indeed be a sort of death, and need faith as an escape, but a broad view of the rational life includes emotion, imagination and laughter. Blind faith is disaster. |
| 22095 | There are aesthetic, ethical and religious subjectivity [Kierkegaard, by Carlisle] |
| Full Idea: Kierkegaard distinguishes three main types of subjectivity: aesthetic, ethical and religious. But are these types of people, or different phases of one person's life? | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Clare Carlisle - Kierkegaard: a guide for the perplexed 4 | |
| A reaction: His picture of the religious mode holds no appeal for me. I also can't accept that the aesthetic and the moral are somewho distinct. People may discover they have slipped into one of these modes, but no one chooses them, do they? |
| 20747 | What matters is not right choice, but energy, earnestness and pathos in the choosing [Kierkegaard] |
| Full Idea: In making a choice, it is not so much a question of choosing the right way as of the energy, the earnestness, and the pathos with which one chooses. | |
| From: Søren Kierkegaard (Either/Or: a fragment of life [1843], p.106), quoted by Kevin Aho - Existentialism: an introduction 2 'Phenomenology' | |
| A reaction: I'm struggling to identify with the experience he is describing. I can't imagine a more quintessentially existentialist remark than this. Reference to 'energy' in choosing strikes me as very romantic. Is 'the way not taken' crucial (in 'pathos')? |
| 22091 | Kierkegaard prioritises the inward individual, rather than community [Kierkegaard, by Carlisle] |
| Full Idea: Whereas Hegel argues that individuals find fulfilment through participation in their community, Kierkegaard prioritises the inwardness of each person, which is shared only with God. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Clare Carlisle - Kierkegaard: a guide for the perplexed 3 | |
| A reaction: Sounds like the protestant religion opposing the catholic religion (although Hegel was a protestant). Individual v community is the great debate of the last two centuries in Europe. |
| 22088 | Faith is like a dancer's leap, going up to God, but also back to earth [Kierkegaard, by Carlisle] |
| Full Idea: Kierkegaard doesn't use the phrase 'leap of faith'. His metaphor of a dancer's leap expresses the way faith goes 'up' towards God, but also comes back down to earth, and is a way of living in the world. | |
| From: report of Søren Kierkegaard (Either/Or: a fragment of life [1843]) by Clare Carlisle - Kierkegaard: a guide for the perplexed 2 | |
| A reaction: This entirely contradicts what I was taught about this idea many years ago. Memes turn into Chinese whispers. |