16 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 7401 | Heat and colour don't exist, so cannot mislead about the external world [Galileo, by Tuck] |
| Full Idea: Galileo argued that there is no such thing as heat (and hence also as colour) in the external world, so there is no reason to conclude from colour-blindness that we cannot know the truth about the world. | |
| From: report of Galileo Galilei (Il Saggiatore ('The Assayer') [1623]) by Richard Tuck - Hobbes Ch.1 | |
| A reaction: This key idea, taken up by Gassendi, Descartes and Locke, seems to me to be one of the most important (and, in retrospect, rather obvious) facts ever worked out by the human mind. Why does anyone still doubt it? |
| 5454 | Tastes, odours and colours only reside in consciousness, and would disappear with creatures [Galileo] |
| Full Idea: I think tastes, odours, colours, and so on are mere names as far as the objects are concerned, and only reside in consciousness. Hence if the living creature were removed, all these qualities would be wiped away and annihilated. | |
| From: Galileo Galilei (Il Saggiatore ('The Assayer') [1623]), quoted by Brian Ellis - The Philosophy of Nature: new essentialism Ch.3 | |
| A reaction: A nice bold assertion of the primary/secondary distinction from the first great scientist. I agree, and to disagree (and hence side with Berkeley and Hume) is to head for metaphsical and epistemological confusion. |
| 16560 | Galileo introduced geometrico-mechanical explanation, based on Archimedes [Galileo, by Machamer/Darden/Craver] |
| Full Idea: The modern idea of explaining with mechanisms became current in the 17th century when Galileo articulated a geometrico-mechanical form of explanation based on Archimedes' simple machines. This became the 'mechanical philosophy'. | |
| From: report of Galileo Galilei (Il Saggiatore ('The Assayer') [1623]) by Machamer,P/Darden,L/Craver,C - Thinking About Mechanisms 5.2 | |
| A reaction: So is Archimedes the source? I would say that mechanical explanation is just commonsense, and is predominant in all human thinking, even in tiny infants. |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |
| 3645 | To understand the universe mathematics is essential [Galileo] |
| Full Idea: The great book of the universe cannot be understood unless one can understand the language in which it is written - the language of mathematics. | |
| From: Galileo Galilei (Il Saggiatore ('The Assayer') [1623], VI.232) | |
| A reaction: Nice, though one might say that humans created the language of maths to help them discuss the patterns they perceived in nature. Maybe what is special is order, and all order can be described mathematically. |