9 ideas
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
23169 | Democratic institutions become impossible in a fanatical democracy [Russell] |
Full Idea: Even democracy, when it becomes fanatical, as it did …in the French Revolution, ceases to be Liberal. Indeed, a fanatical belief in democracy makes democratic institutions impossible. | |
From: Bertrand Russell (Philosophy and Politics [1950], p.26) | |
A reaction: Presumably this is because the supposed 'will of the people' is continually placed in opposition to the institutions. For example, there is a problem if a referendum is held, which produces a result in conflict with the institutions. |
23170 | Liberal opinions are tentative rather than dogmatic, and are always responsive to new evidence [Russell] |
Full Idea: The essence of the Liberal outlook lies ...in how opinions are held: instead of being held dogmatically, they are held tentatively (as they are in science), and with a consciousness that new evidence may at any moment lead to their abandonment. | |
From: Bertrand Russell (Philosophy and Politics [1950], p.26) | |
A reaction: A nice assessment. Russell shows himself finally to be a Liberal. This flexible approach to opinions is what infuriates dogmatists from both the left and the right. It might be said that the basic evidence rarely changes. |
23172 | Empiricist Liberalism is the only view for someone who favours scientific evidence and happiness [Russell] |
Full Idea: Empiricist Liberalism (not incompatible with democratic socialism) is, as in Locke's time, the only philosophy that can be adopted by a man who demands some scientific evidence for beliefs, and also desires human happiness more than some party or creed. | |
From: Bertrand Russell (Philosophy and Politics [1950], p.31) | |
A reaction: I like this way of presenting liberalism. In the modern world we are sunk if we don't pay attention to experts, so we all need a critical understanding of what counts as good evidence. Tricky in a world of lying media. |
23171 | Empiricism is ethically superior, because dogmatism favours persecution and hatred [Russell] |
Full Idea: Empiricism is to be commended not only on the grounds of its greater truth, but also on ethical grounds. Dogma demands authority rather than intelligent thought; it requires persecution of heretics and unbelievers, and favours systematic hatred. | |
From: Bertrand Russell (Philosophy and Politics [1950], p.31) | |
A reaction: He links empiricism with the liberal outlook. At its best, the respect by empiricists for evidence is a sort of humility. |