25 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 22673 | Wherever there is a small community, the association of the people is natural [Tocqueville] |
| Full Idea: The village or township is the only association which is so perfectly natural that, wherever a number of men are collected, it seems to constitute itself. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.04) | |
| A reaction: Seems like a chicken and egg issue. I would have thought that association precedes the development of a village. |
| 22676 | The people are just individuals, and only present themselves as united to foreigners [Tocqueville] |
| Full Idea: The people in themselves are only individuals; and the special reason why they need to be united under one government is that they may appear to advantage before foreigners. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.07) | |
| A reaction: I take this to be an observation on 1830s America, rather than a universal truth. It fits modern western societies rather well though. |
| 22679 | Vast empires are bad for well-being and freedom, though they may promote glory [Tocqueville] |
| Full Idea: Nothing is more opposed to the well-being and the freedom of men than vast empires. …But there is a love of glory in those who regard the applause of a great people as a worthy reward. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.07) | |
| A reaction: Presumably the main the problem is the central dominance over distant colonies. There may also be some freedom in being distant from the centres, especially in 1830. The Wild West. |
| 22680 | People would be much happier and freer in small nations [Tocqueville] |
| Full Idea: If none but small nations existed, I do not doubt that mankind would be more happy and more free. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.07) | |
| A reaction: In modern times many small states have appeared in Europe (in the Balkans and on the Baltic), and it looks to me a good thing. The prospect of Scottish independence may currently be looming, and De Tocqueville would approve. |
| 22675 | In American judges rule according to the Constitution, not the law [Tocqueville] |
| Full Idea: The Americans have acknowledged the right of judges to found their decisions on the Constitution, rather than on the laws. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.05) | |
| A reaction: Obviously the Constitution is one short document, so the details must be enshrined in the laws (which presumably defer to the Constitution). |
| 22677 | A monarchical family is always deeply concerned with the interests of the state [Tocqueville] |
| Full Idea: The advantages of a monarchy are that the private interests of a family are connected with the interests of the state, …and at least there is always someone available to conduct the affairs of a monarchy. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.07) | |
| A reaction: The second one is not much of a reason! The same defence can be given for the dominance of the Mafia. His defences are deliberately feeble, I suspect. England had plenty of monarchs who showed limited interest. |
| 22683 | Despots like to see their own regulations ignored, by themselves and their agents [Tocqueville] |
| Full Idea: In despotic states the sovereign is so much attached to his power that he dislikes the constraints even of his own regulations, and likes to see his agents acting irregularly. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.11) | |
| A reaction: A nice observation. What would Machiavelli say? At least the citizens can see where the real power resides. |
| 22669 | Aristocracy is constituted by inherited landed property [Tocqueville] |
| Full Idea: Land is the basis of an aristocracy; …it is by landed property handed down from generation to generation that an aristocracy is constituted. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.01) | |
| A reaction: Presumably there can be aristocrats by mere royal patronage, who have perhaps gambled away their land. They need protection by the other aristocrats. |
| 22674 | In Europe it is thought that local government is best handled centrally [Tocqueville] |
| Full Idea: The partisans of centralisation in Europe are wont to maintain that the government can administer the affairs of each locality better than the citizens can do it for themselves. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.04) | |
| A reaction: In the modern UK we have lots of local government, which is thoroughly starved of funds by the central government. He is contrasting it with the strong local system in the U.S. |
| 22678 | An election, and its lead up time, are always a national crisis [Tocqueville] |
| Full Idea: The period which immediately precedes an election, and that during which the election is taking place, must always be considered as a national crisis. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.07) | |
| A reaction: Rousseau said something similar. Election day in modern Britain is very peaceful and civilised, but it used to be chaotic. The weeks preceding it are invariably nasty. |
| 22682 | Universal suffrage is no guarantee of wise choices [Tocqueville] |
| Full Idea: Universal suffrage is by no means a guarantee of the wisdom of the popular choice. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.11) | |
| A reaction: This was precisely Plato's fear about democracy. There seems no way at all of preventing the people from electing representatives on superficial grounds of personality. |
| 22670 | Slavery undermines the morals and energy of a society [Tocqueville] |
| Full Idea: Slavery dishonours labour; it introduces idleness into society, and with idleness, ignorance and pride, luxury and distress. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.01) | |
| A reaction: A pretty feeble reason (in the 1830s) for disliking slavery. He seems only concerned with the adverse effects on the slave-owning society, and shows no interest in the slaves themselves. |
| 22681 | The liberty of the press is more valuable for what it prevents than what it promotes [Tocqueville] |
| Full Idea: I approve of the liberty of the press from a consideration more of the evils it prevents than of the advantages it ensures. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.10) | |
| A reaction: He accepts the freedom of the press as inevitable in a democracy, but he found U.S. newspapers to be nearly as bad then as they are now. |
| 22672 | It is admirable to elevate the humble to the level of the great, but the opposite is depraved [Tocqueville] |
| Full Idea: One manly and lawful passion for equality elevates the humble to the rank of the great. But there exists also a depraved taste for equality, which impels the weak to attempt to lower the powerful to their own level. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.02) | |
| A reaction: There is a distinction in modern political rhetoric between 'levelling down' and 'levelling up'. Since levelling down is just destructive, and levelling up is unaffordable, it seems obvious that true equality needs to be a compromise. |
| 22671 | Equality can only be established by equal rights for all (or no rights for anyone) [Tocqueville] |
| Full Idea: I know of only two methods of establishing equality in the political world; rights must be given to every citizen, or none at all to anyone. | |
| From: Alexis de Tocqueville (Democracy in America (abr Renshaw) [1840], 1.02) | |
| A reaction: We may have a vague concept of 'natural' rights, but primarily they are a tool of social engineering. You could grant equal rights on inheritance, for example, which turn out in practice to hugely favour the rich. |