16 ideas
| 12772 | Philosophy is a value- and attitude-driven enterprise [Fraassen] |
| Full Idea: Philosophy is a value- and attitude-driven enterprise; philosophy is in false consciousness when it sees itself otherwise. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: It is one thing to be permeated with values, and another to be value-driven. Truth, reason and logic are (I take it) granted a high value in philosophy, just as the offside rule is in football. I am trying to place reality in charge, not humanity. |
| 12771 | Is it likely that a successful, coherent, explanatory ontological hypothesis is true? [Fraassen] |
| Full Idea: How likely is it that a truly successful, coherent, explanatory ontological hypothesis is true? | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: Van Fraassen announces "I reject metaphysic" (p.3), so we know where he stands. Anything becomes less certain as it moves to a higher level of generality. Should we abandon generalisation? There is much illumination in metaphysics. |
| 12773 | Analytic philosophy has an exceptional arsenal of critical tools [Fraassen] |
| Full Idea: Analytical philosophy can rightly pride itself on having produced the greatest critical arsenal the world has ever known. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.6) | |
| A reaction: This is, of course, in the context of a scathing attack on the desire to use analytical methods to do speculative metaphysics. I say that if these are the best tools, then we should push forward with them to see how far we can get. |
| 12770 | We may end up with a huge theory of carefully constructed falsehoods [Fraassen] |
| Full Idea: The specter that faces us is that we may end up having explained all that is dreamt of in our philosophies by intricately crafted postulates that are false. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: This is more persuasive that Idea 12769. People who cannot bear to live with a total absence of explanation (with Keats's 'negative capability') are most in danger from this threat. |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 12769 | Inference to best explanation contains all sorts of hidden values [Fraassen] |
| Full Idea: The very phrase 'inference to the best explanation' should wave a red flag for us. What is good, better, best? What values are slipped in here, under a common name, and where do they come from? | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: A point worth making, but overstated. If we are going to refuse to make judgements for fear that some wicked 'value' might creep in, our lives will be reduced to absurdity. |
| 12768 | We accept many scientific theories without endorsing them as true [Fraassen] |
| Full Idea: The choice among theories in science may be a choice to accept in some sense falling far short of endorsement as true. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: When put like this, it is hard to deny the force of Van Fraassen's reservations about science. Lots of people, including me, use scientific theories as working assumptions for life, with nothing like full confidence in their truth. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |