21 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 20189 | Belief is a feeling, independent of the will, which arises from uncontrolled and unknown causes [Hume] |
| Full Idea: Belief consists merely in a certain feeling or sentiment; in something, that depends not on the will, but must arise from certain determinate causes and principles, of which we are not master. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appen p.2) | |
| A reaction: This is the opposite of Descartes' 'doxastic voluntarism' (i.e. we choose what to believe). If you want to become a Christian, steep yourself in religious literature, and the company of religious people. It will probably work. |
| 21309 | A proposition cannot be intelligible or consistent, if the perceptions are not so [Hume] |
| Full Idea: No proposition can be intelligible or consistent with regard to objects, which is not so with regard to perceptions. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appendix) | |
| A reaction: An interesting variant on expressions of the empiricist principle. Presumably one can say intelligible things about Escher drawings. |
| 15755 | Hume needs a notion which includes degrees of resemblance [Shoemaker on Hume] |
| Full Idea: Hume needs a notion of resemblance where some things resemble a given thing more than other things do, and some may resemble exactly, and some hardly at all. | |
| From: comment on David Hume (Treatise of Human Nature, + Appendix [1740]) by Sydney Shoemaker - Causality and Properties §02 | |
| A reaction: An astute and simple point. Once you admit degrees of resemblance, of course, then resemblance probably ceases to be a primitive concept in your system, and Hume would be well stuck. |
| 5323 | Experiences are logically separate, but factually linked by simultaneity or a feeling of continuousness [Ayer on Hume] |
| Full Idea: Our experiences are logically independent, but they may be factually connected. What unites them is that either they are experienced together, or (if at separate times) they are separated by a stream of experience which is felt to be continuous. | |
| From: comment on David Hume (Treatise of Human Nature, + Appendix [1740], Bk 3 App.) by A.J. Ayer - The Central Questions of Philosophy §VI.A | |
| A reaction: A strict empiricist cannot deny that the feeling of continuity could be false, though that invites the Cartesian question of what exactly is experiencing the delusion. Hume denies that we experience any link between simultaneous experiences. |
| 21311 | Are self and substance the same? Then how can self remain if substance changes? [Hume] |
| Full Idea: Is the self the same with substance? If it be, how can that question have place concerning the subsistence of self, under a change of substance? If they be distinct, what is the difference between them? | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appendix) | |
| A reaction: Locke seems to think there is a characterless substance which supports momories, and the latter constitute the self. So if my substance acquires Nestor's memories, I become Nestor. Hume, the stricter empiricist, cares nothing for characterless things. |
| 21312 | Perceptions are distinct, so no connection between them can ever be discovered [Hume] |
| Full Idea: If perceptions are distinct existences, they form a whole only by being connected together. But no connexions among distinct existences are ever discoverable. We only feel a connexion ...to pass from one object to another. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appendix) | |
| A reaction: This first part of this is a problem for any 'bundle' theory of objects or self. This is why Hume abandons all hope for his theory of personal identity based on association. You infer the associations, but don't perceive them. |
| 21308 | We have no impression of the self, and we therefore have no idea of it [Hume] |
| Full Idea: Every idea is derived from preceding impressions; and we have no impression of self or substance, as something simple and individual. We have, therefore, no idea of them in that sense. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appendix) | |
| A reaction: This spells out with beautiful simplicity how his empiricist assumptions lead him to this sceptical view. No logical positivist could reject this thought. Personally I favour empiricism with added inference to the best explanation. |
| 21310 | Does an oyster with one perception have a self? Would lots of perceptions change that? [Hume] |
| Full Idea: Suppose an oyster to have only one perception, as of thirst or hunger. Do you consider any thing but merely that perception? Have you any notion of self or substance? If not, the addition of other perceptions can never give you that notion. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], Appendix) | |
| A reaction: A splendid addition to his earlier sceptical thinking. We could form a different conclusion. Suppose I do have a self. If my multitudinous perceptions were reduced to a single perception of agonising pain, would that remove the self? |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 23115 | We have no natural love of mankind, other than through various relationships [Hume] |
| Full Idea: It may be affirm'd, that there is no such passion in human minds, as the love of mankind, merely as such, independent of personal qualities, of services, or of relation to ourself. | |
| From: David Hume (Treatise of Human Nature, + Appendix [1740], p.481), quoted by John Kekes - Against Liberalism 9.4 | |
| A reaction: Hume says this is for the best. I can't imagine spontaneous love of human beings we have never met. It takes the teachings of some sort of doctrine - religious or political - to produce such an attitude. I see it as a distortion of love. A hijacking. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 16946 | Causation is just invariance, as long as it is described in general terms [Quine on Hume] |
| Full Idea: Hume explained cause as invariable succession, and this makes sense as long as the cause and effect are referred to by general terms. … This account leaves singular causal statements unexplained. | |
| From: comment on David Hume (Treatise of Human Nature, + Appendix [1740]) by Willard Quine - Natural Kinds p.131 | |
| A reaction: A nice 20th century linguistic point made against a good 18th century theory. |
| 15250 | If impressions, memories and ideas only differ in vivacity, nothing says it is memory, or repetition [Whitehead on Hume] |
| Full Idea: Hume confuses 'repetition of impressions' with 'impression of repetitions of impressions'. ...In order of 'force and vivacity' we have: impressions, memories, ideas. This omits the vital fact that memory is memory; the notion of repetition is lost. | |
| From: comment on David Hume (Treatise of Human Nature, + Appendix [1740]) by Alfred North Whitehead - Process and Reality V.II | |
| A reaction: [compressed; Harré and Madden spotted this idea] This seems to pinpoint rather nicely the hopeless thinness of Hume's account. He is so desperate to get it down to minimal empirical experience that his explanations are too thin. One big idea.... |