26 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 16665 | There are entities, and then positive 'modes', modifying aspects outside the thing's essence [Suárez] |
| Full Idea: Beyond the entities there are certain real 'modes', which are positive, and in their own right act on those entities, giving them something that is outside their whole essence as individuals existing in reality. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 7.1.17), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 13.3 | |
| A reaction: Suárez is apparently the first person to formulate a proper account of properties as 'modes' of a thing, rather than as accidents which are separate, or are wholly integrated into a thing. A typical compromise proposal in philosophy. Can modes act? |
| 16666 | A mode determines the state and character of a quantity, without adding to it [Suárez] |
| Full Idea: The inherence of quantity is called its mode, because it affects that quantity, which serves to ultimately determine the state and character of its existence, but does not add to it any new proper entity, but only modifies the preexisting entity. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 7.1.17), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 13.3 | |
| A reaction: He seems to present mode as a very active thing, like someone who gives it a coat of paint, or hammers it into a new shape. I don't see how a 'mode' can have any ontological status at all. To exist, there has to be some way to exist. |
| 16667 | Substances are incomplete unless they have modes [Suárez, by Pasnau] |
| Full Idea: In the view of Suárez, substances are radically incomplete entities that cannot exist at all until determined in various ways by things of another kind, modes. …Modes are regarded as completers for their subjects. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597]) by Robert Pasnau - Metaphysical Themes 1274-1671 13.3 | |
| A reaction: This is correct. In order to be a piece of clay it needs a shape, a mass, a colour etc. Treating clay as an object independently from its shape is a misunderstanding. |
| 17007 | Forms must rule over faculties and accidents, and are the source of action and unity [Suárez] |
| Full Idea: A form is required that, as it were, rules over all those faculties and accidents, and is the source of all actions and natural motions of such a being, and in which the whole variety of accidents and powers has its root and unity. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 15.1.7), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.4 | |
| A reaction: Pasnau emphasises that this is scholastics giving a very physical and causal emphasis to forms, which made them vulnerable to doubts among the new experiment physicists. Pasnau says forms are 'metaphysical', following Leibniz. |
| 16780 | Partial forms of leaf and fruit are united in the whole form of the tree [Suárez] |
| Full Idea: In a tree the part of the form that is in the leaf is not the same character as the part that is in the fruit., but yet they are partial forms, and apt to be united ….to compose one complete form of the whole. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 15.10.30), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 26.6 | |
| A reaction: This is a common scholastic view, the main opponent of which was Aquinas, who says each thing only has one form. Do leaves have different DNA from the bark or the fruit? Presumably not (since I only have one DNA), which supports Aquinas. |
| 16758 | The best support for substantial forms is the co-ordinated unity of a natural being [Suárez] |
| Full Idea: The most powerful arguments establishing substantial forms are based on the necessity, for the perfect constitution of a natural being, that all the faculties and operations of that being are rooted in one essential principle. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 15.10.64), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.4 | |
| A reaction: Note Idea 15756, that this stability not only applies to biological entities (the usual Aristotelian examples), but also to non-living natural kinds. We might say that the drive for survival is someone united around a single entity. |
| 16743 | We can get at the essential nature of 'quantity' by knowing bulk and extension [Suárez] |
| Full Idea: We can say that the form that gives corporeal bulk [molem] or extension to things is the essential nature of quantity. To have bulk is to expel a similar bulk from the same space. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 40.4.16), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 539 | |
| A reaction: This is one step away from asking why, once we knew the bulk and extension of the thing, we would still have any interest in trying to grasp something called its 'quantity'. |
| 16742 | We only know essences through non-essential features, esp. those closest to the essence [Suárez] |
| Full Idea: We can almost never set out the essences of things, as they are in things. Instead, we work through their connection to some non-essential feature, and we seem to succeed well enough when we spell it out through the feature closest to the essence. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 40.4.16), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 23.5 | |
| A reaction: It is a common view that with geometrical figures we can actually experience the essence itself. So has science broken through, and discerned actual essences of things? |
| 22143 | Identity does not exclude possible or imagined difference [Suárez, by Boulter] |
| Full Idea: To be really the same excludes being really other, but does not exclude being other modally or mentally. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], 7.65) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: So the statue and the clay are identical, but they could become separate, or be imagined as separate. |
| 22144 | Real Essential distinction: A and B are of different natural kinds [Suárez, by Boulter] |
| Full Idea: The Real Essential distinction says if A and B are not of the same natural kind, then they are essentially distinct. This is the highest degree of distinction. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: Boulter says Peter is essentially distinct from a cabbage, because neither has the nature of the other. |
| 22146 | Minor Real distinction: B needs A, but A doesn't need B [Suárez, by Boulter] |
| Full Idea: The Minor Real distinction is if A can exist without B, but B ceases to exist without A. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: This is one-way independence. Boulter's example is Peter and Peter's actual weight. |
| 22145 | Major Real distinction: A and B have independent existences [Suárez, by Boulter] |
| Full Idea: The Major Real distinction is if A can exist in the real order without B, and B can exist in the real order without A. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: Boulter's example is the distinction between Peter and Paul, where their identity of kind is irrelevant. This is two-way independence. |
| 22147 | Conceptual/Mental distinction: one thing can be conceived of in two different ways [Suárez, by Boulter] |
| Full Idea: The Conceptual or Mental distinction is when A and B are actually identical but we have two different ways of conceiving them. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: This is the Morning and Evening Star. I bet Frege never read Suarez. This seems to be Spinoza's concept of mind/body. |
| 22148 | Modal distinction: A isn't B or its property, but still needs B [Suárez, by Boulter] |
| Full Idea: The Modal distinction is when A is not B or a property of B, but still could not possibly exist without B. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: Duns Scotus proposed in, Ockham rejected it, but Suarez supports it. Suarez proposes that light's dependence on the Sun is distinct from the light itself, in this 'modal' way. |
| 22149 | Scholastics assess possibility by what has actually happened in reality [Suárez, by Boulter] |
| Full Idea: The scholastic view is that Actuality is our only guide to possibility in the real order. One knows that it is possible to separate A and B if one knows that A and B have actually been separated or are separate. | |
| From: report of Francisco Suárez (Disputationes metaphysicae [1597], Bk VII) by Stephen Boulter - Why Medieval Philosophy Matters 4 | |
| A reaction: It may be possible to separate A and B even though it has never happened, but it is hard to see how we could know that. (But if I put my pen down where it has never been before, I know I can pick it up again, even though this has not previously happened). |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 16682 | Other things could occupy the same location as an angel [Suárez] |
| Full Idea: An angelic substance could be penetrated by other bodies in the same location. | |
| From: Francisco Suárez (Disputationes metaphysicae [1597], 40.2.21), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 15.3 | |
| A reaction: So am I co-located with an angel right now? |