15 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 9261 | The 'Ethics' is disappointing, because it fails to try to justify our duties [Prichard] |
| Full Idea: Reading the 'Ethics' is so disappointing, because Aristotle does not try to convince us that we really ought to do what our non-reflective consciousness has hitherto believed we ought to do. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: Aristotle didn't speak the language of 'duty' (see Idea 2172), but he could work it into his account if Prichard asked nicely. I take the truly virtuous person to be, above all, a wonderful citizen. Duties are contractual; good deeds flow from virtue. |
| 9262 | The mistake is to think we can prove what can only be seen directly in moral thinking [Prichard] |
| Full Idea: Moral Philosophy rests on the mistake of supposing the possibility of proving what can only be apprehended directly by an act of moral thinking. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: This is a beginning of the rebellion against the Enlightenment Project in ethics, which is why Prichard has become popular. At bottom he is offering intuition ('direct moral thinking'), which is a frustratingly thin concept. |
| 9260 | Virtues won't generate an obligation, so it isn't a basis for morality [Prichard] |
| Full Idea: It is untrue to urge that, since courage is a virtue, we ought to act courageously. We feel an obligation to act, but not from a certain desire. The action is done from obligation, so isn't an act of courage. ..In fact, virtue is no basis for morality. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: One of the few interesting and direct attacks on virtue theory, before its modern revival. Prichard urges a perception of what is valuable (or good) as the basis for obligation and right action. He is right that values come first, in virtue and elsewhere. |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 9259 | We feel obligations to overcome our own failings, and these are not relations to other people [Prichard] |
| Full Idea: The relation involved in an obligation need not be a relation to another at all. Thus we should admit that there is an obligation to overcome our natural timidity or greediness, and this involves no relations to others. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: An interesting un-Aristotelian and individualistic view of virtue. Why would we want to rid ourselves of timidity or greediness? Either it is self-interested, or we wish to be better citizens. See Richard Taylor on duty. |
| 9258 | If pain were instrinsically wrong, it would be immoral to inflict it on ourselves [Prichard] |
| Full Idea: If the badness of pain were the reason why we ought not to inflict pain on another, it would equally be a reason why we ought not to inflict pain on ourselves; yet, though we would call such behaviour foolish, we wouldn't think it wrong. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912], n4) | |
| A reaction: A very nice point. Note that it will equally well apply to 'benefit' or 'preferences', or any other ideal which utilitarians set out to maximise. It may not be bad to hurt yourself, but it might still be bad to harm yourself. |