22 ideas
| 8820 | Rules of reasoning precede the concept of truth, and they are what characterize it [Pollock] |
| Full Idea: Rather than truth being fundamental and rules for reasoning being derived from it, the rules for reasoning come first and truth is characterized by the rules for reasoning about truth. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Cog.Mach') | |
| A reaction: This nicely disturbs our complacency about such things. There is plenty of reasoning in Homer, but I bet there is no talk of 'truth'. Pontius Pilate seems to have been a pioneer (Idea 8821). Do the truth tables define or describe logical terms? |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 8819 | We need the concept of truth for defeasible reasoning [Pollock] |
| Full Idea: It might be wondered why we even have a concept of truth. The answer is that this concept is required for defeasible reasoning. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Cog.Mach') | |
| A reaction: His point is that we must be able to think critically about our beliefs ('is p true?') if we are to have any knowledge at all. An excellent point. Give that man a teddy bear. |
| 8822 | Statements about necessities need not be necessarily true [Pollock] |
| Full Idea: True statements about the necessary properties of things need not be necessarily true. The well-known example is that the number of planets (9) is necessarily an odd number. The necessity is de re, but not de dicto. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Nat.Internal') | |
| A reaction: This would be a matter of the scope (the placing of the brackets) of the 'necessarily' operator in a formula. The quick course in modal logic should eradicate errors of this kind in your budding philosopher. |
| 8818 | Defeasible reasoning requires us to be able to think about our thoughts [Pollock] |
| Full Idea: Defeasible reasoning requires us to be able to think about our thoughts. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Cog.Mach') | |
| A reaction: This is why I do not think animals 'know' anything, though they seem to have lots of true beliefs about their immediate situation. |
| 8811 | What we want to know is - when is it all right to believe something? [Pollock] |
| Full Idea: When we ask whether a belief is justified, we want to know whether it is all right to believe it. The question we must ask is 'when is it permissible (epistemically) to believe P?'. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Ep.Norms') | |
| A reaction: Nice to see someone trying to get the question clear. The question clearly points to the fact that there must at least be some sort of social aspect to criteria of justification. I can't cheerfully follow my intuitions if everyone else laughs at them. |
| 8817 | Logical entailments are not always reasons for beliefs, because they may be irrelevant [Pollock] |
| Full Idea: Epistemologists have noted that logical entailments do not always constitute reasons. P may entail Q without the connection between P and Q being at all obvious. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Ref.of Extern') | |
| A reaction: Graham Priest and others try to develop 'relevance logic' to deal with this. This would deny the peculiar classical claim that everything is entailed by a falsehood. A belief looks promising if it entails lots of truths about the world. |
| 8814 | Epistemic norms are internalised procedural rules for reasoning [Pollock] |
| Full Idea: Epistemic norms are to be understood in terms of procedural knowledge involving internalized rules for reasoning. | |
| From: John L. Pollock (Epistemic Norms [1986], 'How regulate?') | |
| A reaction: He offers analogies with bicycly riding, but the simple fact that something is internalized doesn't make it a norm. Some mention of truth is needed, equivalent to 'don't crash the bike'. |
| 8823 | Reasons are always for beliefs, but a perceptual state is a reason without itself being a belief [Pollock] |
| Full Idea: When one makes a perceptual judgement on the basis of a perceptual state, I want to say that the perceptual state itself is one's reason. ..Reason are always reasons for beliefs, but the reasons themselves need not be beliefs. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Dir.Realism') | |
| A reaction: A crucial issue. I think I prefer the view of Davidson, in Ideas 8801 and 8804. Three options: a pure perception counts as a reason, or perceptions involve some conceptual content, or you only acquire a reason when a proposition is formulated. |
| 8813 | If we have to appeal explicitly to epistemic norms, that will produce an infinite regress [Pollock] |
| Full Idea: If we had to make explicit appeal to epistemic norms for justification (the 'intellectualist model') we would find ourselves in an infinite regress. The norms, their existence and their application would themselves have to be justified. | |
| From: John L. Pollock (Epistemic Norms [1986], 'How regulate?') | |
| A reaction: This is counter to the 'space of reasons' picture, where everything is rationally assessed. There are regresses for both reasons and for experiences, when they are offered as justifications. |
| 8812 | Norm Externalism says norms must be internal, but their selection is partly external [Pollock] |
| Full Idea: Norm Externalism acknowledges that the content of our epistemic norms must be internalist, but employs external considerations in the selection of the norms themselves. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Ep.Norms') | |
| A reaction: It can't be right that you just set your own norms, so this must contain some truth. Equally, even the most hardened externalist can't deny that what goes on in the head of the person concerned must have some relevance. |
| 8816 | Externalists tend to take a third-person point of view of epistemology [Pollock] |
| Full Idea: Externalists tend to take a third-person point of view in discussing epistemology. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Ref.of Extern') | |
| A reaction: Pollock's point, quite reasonably, is that the first-person aspect must precede any objective assessment of whether someone knows. External facts, such as unpublicised information, can undermine high quality internal justification. |
| 8815 | Belief externalism is false, because external considerations cannot be internalized for actual use [Pollock] |
| Full Idea: External considerations of reliability could not be internalized. Consequently, it is in principle impossible for us to actually employ externalist norms. I take this to be a conclusive refutation of belief externalism. | |
| From: John L. Pollock (Epistemic Norms [1986], 'Ref.of Extern') | |
| A reaction: Not so fast. He earlier rejected the 'intellectualist model' (Idea 8813), so he doesn't think norms have to be fully conscious and open to criticism. So they could be innate, or the result of indoctrination (sorry, teaching), or just forgotten. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |