30 ideas
| 2653 | If the parts of the universe are subject to the law of nature, the whole universe must also be subject to it [Cicero] |
| Full Idea: If the parts of the universe are subject to the law of nature, then the universe itself must be subject to this law. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.86) |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 2628 | Why would mind mix with matter if it didn't need it? [Cicero] |
| Full Idea: If the gods have no need of the sensible world, why mix up mind with water and water with mind, if mind can exist by itself without any need of matter? | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.24) | |
| A reaction: This question migrates into our puzzles about why a separate mental substance would be produced by evolution. If it is device physical systems use to promote themselves, mental substance is reduced to an inferior and dependent role. |
| 20814 | Eloquence educates, exhorts, comforts, distracts and unites us, and raises us from savagery [Cicero] |
| Full Idea: How wonderful is the power of eloquence! It enables us to learn and to teach. We use it to exhort and persuade, to comfort the unfortunate, to distract the timid and calm the passionate. It unites us in law and society, and raises us from savagery. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], 2.147) | |
| A reaction: [compressed] Cicero would have been well aware of the doubts about rhetoric felt by Socrates (and possibly Plato). Cicero was probably the greatest Roman orator. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 2640 | We have the death penalty, but still have thousands of robbers [Cicero] |
| Full Idea: We have robbers by the thousand, although they have the penalty of death before their eyes. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.86) |
| 2652 | Some regard nature simply as an irrational force that imparts movement [Cicero] |
| Full Idea: Some regard nature as an irrational force which merely imparts a mechanical motion to material bodies. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.81) |
| 2645 | Why shouldn't the gods fear their own destruction? [Cicero] |
| Full Idea: Why should the gods not be apprehensive of their own possible dissolution? | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.114) |
| 2627 | I wonder whether loss of reverence for the gods would mean the end of all virtue [Cicero] |
| Full Idea: I do not know whether, if our reverence for the gods were lost, we should not also see the end of good faith, of human brotherhood, and even of justice itself, which is the keystone of all the virtues. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.3) |
| 2651 | God doesn't obey the laws of nature; they are subject to the law of God [Cicero] |
| Full Idea: God is not subject to obey the laws of nature. It is nature that is subject to the laws of God. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.77) |
| 2634 | It seems clear to me that we have an innate idea of the divine [Cicero] |
| Full Idea: Let us take it as agreed that we have a preconception or "an innate idea" (as I have called it) or a prior knowledge of the divine. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.44) |
| 2636 | Many primitive people know nothing of the gods [Cicero] |
| Full Idea: There must be many wild and primitive peoples who have no idea of the gods at all. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.62) |
| 2655 | If the barbarians of Britain saw a complex machine, they would be baffled, but would know it was designed [Cicero] |
| Full Idea: If someone were to take the celestial globe of Posidonius and show it to the people of Britain, would a single one of those barbarians fail to see that it was the product of a conscious intelligence? | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.88) |
| 2656 | Chance is no more likely to create the world than spilling lots of letters is likely to create a famous poem [Cicero] |
| Full Idea: If someone thinks chance made the world, he should also think that if an infinite number of the letters of the alphabet were shaken together and poured out on the ground it would be possible for them to spell out the whole 'Annals' of Ennius. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.93) |
| 2647 | It is obvious from order that someone is in charge, as when we visit a gymnasium [Cicero] |
| Full Idea: If one comes into a gymnasium and sees everything properly arranged and carried on in order, one does not imagine these arrangements to be accidental, but infers that there is someone in command whose orders are obeyed. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.15) |
| 2650 | If a person cannot feel the power of God when looking at the stars, they are probably incapable of feeling [Cicero] |
| Full Idea: If any man cannot feel the power of God when he looks upon the stars, then I doubt whether he is capable of any feeling at all. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], II.55) |
| 2657 | If everything with regular movement and order is divine, then recurrent illnesses must be divine [Cicero] |
| Full Idea: Are we to find a divinity in every regular movement and in everything which happens in a constant order? If so, we shall have to say that tertian and quartan agues are divine because their course and recurrence is absolutely uniform. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], III.24) |
| 2638 | Either the gods are identical, or one is more beautiful than another [Cicero] |
| Full Idea: Are the gods all exactly the same? If not, then one must be more beautiful than another. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.80) |
| 2635 | The gods are happy, so virtuous, so rational, so must have human shape [Cicero] |
| Full Idea: We agree the gods are happy, and no happiness is possible without virtue: there is no virtue without reason: and reason is associated only with the human form: then it must follow that the gods themselves have human shape. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.48) |
| 2641 | Why believe in gods if you have never seen them? [Cicero] |
| Full Idea: Did you ever actually see a god? Then why do you believe that gods exist? | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], I.88) |
| 2659 | The lists of good men who have suffered and bad men who have prospered are endless [Cicero] |
| Full Idea: Time would fail me if I tried to list all the good men for whom things have turned out badly. So it would if I tried to mention all the wicked who have prospered. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], III.80) |
| 2658 | The gods blame men for having vices, but they could have given us enough reason to avoid them [Cicero] |
| Full Idea: You gods say that the fault lies in the vices of mankind. But you could have endowed men with reason in a form which would exclude all vice and crime. | |
| From: M. Tullius Cicero (On the Nature of the Gods ('De natura deorum') [c.44 BCE], III.76) |