Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Lectures on Aesthetics' and 'On Eternal and Immutable Morality'

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18 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
     Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art'
     A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'.
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
     Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy'
     A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us.
12. Knowledge Sources / A. A Priori Knowledge / 3. Innate Knowledge / c. Tabula rasa
If the soul were a tabula rasa, with no innate ideas, there could be no moral goodness or justice [Cudworth]
     Full Idea: The soul is not a mere rasa tabula, a naked and passive thing, with no innate furniture of its own, nor any thing in it, but what was impressed upon it without; for then there could not possibly be any such thing as moral good and evil, just and unjust.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Bk IV Ch 6.4)
     A reaction: He goes on to quote Hobbes saying there is no good in objects themselves. I don't see why we must have an innate moral capacity, provided that we have a capacity to make judgements.
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
Senses cannot judge one another, so what judges senses cannot be a sense, but must be superior [Cudworth]
     Full Idea: The sight cannot judge of sounds, nor the hearing of light and colours; wherefore that which judges of all the senses and their several objects, cannot be itself any sense, but something of a superior nature.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.II.VI.1)
     A reaction: How nice to find a seventeenth century English writer rebelling against empiricism!
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / a. Physicalism critique
Sense is fixed in the material form, and so can't grasp abstract universals [Cudworth]
     Full Idea: Sense which lies flat and grovelling in the individuals, and is stupidly fixed in the material form, is not able to rise up or ascend to an abstract universal notion.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.III.III.2)
     A reaction: This still strikes me as being one of the biggest problems with reductive physicalism, that a lump of meat in your head can grasp abstractions (whatever they are) and universal concepts. Personally I am a physicalist, but it is weird.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
     Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
     Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
     Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity?
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
     Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1
     A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you?
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
     Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7
     A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well.
The main purpose of art is to express the unity of human life [Hegel]
     Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty'
     A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity.
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
     Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics)
     A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify?
22. Metaethics / B. Value / 1. Nature of Value / c. Objective value
Keeping promises and contracts is an obligation of natural justice [Cudworth]
     Full Idea: To keep faith and perform covenants is that which natural justice obligeth to absolutely.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.II.4)
     A reaction: A nice example of an absolute moral intuition, but one which can clearly be challenged. Covenants (contracts) wouldn't work unless everyone showed intense commitment to keeping them, even beyond the grave, and we all benefit from good contracts.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
25. Social Practice / D. Justice / 2. The Law / c. Natural law
Obligation to obey all positive laws is older than all laws [Cudworth]
     Full Idea: Obligation to obey all positive laws is older than all laws.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.II.3)
     A reaction: Clearly villains can pass wicked laws, so there can't be an obligation to obey all laws (even if they are 'positive', which seems to beg the question). Nevertheless this is a good reason why laws cannot be the grounding of morality.
28. God / A. Divine Nature / 4. Divine Contradictions
An omnipotent will cannot make two things equal or alike if they aren't [Cudworth]
     Full Idea: Omnipotent will cannot make things like or equal one to another, without the natures of likeness and equality.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.II.I)
     A reaction: This is one of the many classic 'paradoxes of omnipotence'. The best strategy is to define omnipotence as 'being able to do everything which it is possible to do'. Anything beyond that is inviting paradoxical disaster.
28. God / A. Divine Nature / 6. Divine Morality / d. God decrees morality
If the will and pleasure of God controls justice, then anything wicked or unjust would become good if God commanded it [Cudworth]
     Full Idea: If the arbitrary will and pleasure of God is the first and only rule of good and justice, it follows that nothing can be so grossly wicked or unjust but if it were commanded by this omnipotent Deity, it must forthwith become holy, just and righteous.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.I.I.5)
     A reaction: This is the strong (Platonic) answer to the Euthyphro Question (Idea 336). One answer is that God would not command in such a way - but why not? We may say that God and goodness merge into one, but we are interested in ultimate authority.
The requirement that God must be obeyed must precede any authority of God's commands [Cudworth]
     Full Idea: If it were not morally good and just in its own nature before any positive command of God, that God should be obeyed by his creatures, the bare will of God himself could not beget any obligation upon anyone.
     From: Ralph Cudworth (On Eternal and Immutable Morality [1688], Ch.II.3)
     A reaction: This strikes me as a self-evident truth, and a big problem for anyone who wants to make God the source of morality. You don't have to accept anyone's authority just because they are powerful or clever (though they do bestow a certain natural authority!).