17 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 13445 | Descartes showed a one-one order-preserving match between points on a line and the real numbers [Descartes, by Hart,WD] |
| Full Idea: Descartes founded analytic geometry on the assumption that there is a one-one order-preserving correspondence between the points on a line and the real numbers. | |
| From: report of René Descartes (works [1643]) by William D. Hart - The Evolution of Logic 1 |
| 16774 | Descartes thinks distinguishing substances from aggregates is pointless [Descartes, by Pasnau] |
| Full Idea: Descartes thinks it is a pointless relic of scholastic metaphysics to dispute over the boundaries between substances and mere aggregates. | |
| From: report of René Descartes (works [1643]) by Robert Pasnau - Metaphysical Themes 1274-1671 25.6 | |
| A reaction: This is Pasnau's carefully considered conclusion, with which others may not agree. It presumably captures the attitude of modern science generally to such issues. |
| 7400 | Descartes said images can refer to objects without resembling them (as words do) [Descartes, by Tuck] |
| Full Idea: Descartes argued (in 'The World') that just as words refer to objects, but they do not resemble them, in the same way, visual images or other sensory inputs relate to objects without depicting them. | |
| From: report of René Descartes (works [1643]) by Richard Tuck - Hobbes | |
| A reaction: This strikes me as a rather significant and plausible claim, which might contain the germ of the idea of a language of thought. It is also the basis for the recent view that language is the best route to understanding the mind. |
| 4310 | We have inner awareness of our freedom [Descartes] |
| Full Idea: We have inner awareness of our freedom. | |
| From: René Descartes (works [1643]) | |
| A reaction: This begs a few questions. I may be directly aware that I have not been hypnotised, but no one would accept it as proof. |
| 6553 | Descartes discussed the interaction problem, and compared it with gravity [Descartes, by Lycan] |
| Full Idea: Descartes himself was well aware of the interaction problem, and corresponded uncomfortably with Princess Elizabeth on the matter; …he pointed out that gravity is causal despite not being a physical object. | |
| From: report of René Descartes (works [1643]) by William Lycan - Consciousness n1.3 | |
| A reaction: Lycan observes that at least gravity is in space-time, unlike the Cartesian mind. Pierre Gassendi had pointed out the problem to Descartes in the Fifth Objection to the 'Meditations' (see Idea 3400). |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |
| 19676 | Nature is devoid of thought [Descartes, by Meillassoux] |
| Full Idea: It is Descartes who ratifies the idea that nature is devoid of thought. | |
| From: report of René Descartes (works [1643]) by Quentin Meillassoux - After Finitude; the necessity of contingency 5 | |
| A reaction: His dualism is crucial, along with his ontological argument, because they make all mentality supernatural. Remember, for Descartes animals are mindless machines. |
| 6518 | Matter can't just be Descartes's geometry, because a filler of the spaces is needed [Robinson,H on Descartes] |
| Full Idea: Notoriously, the Cartesian idea that matter is purely geometrical will not do, for it leaves no distinction between matter and empty volumes: a filler for these volumes is required. | |
| From: comment on René Descartes (works [1643]) by Howard Robinson - Perception IX.3 | |
| A reaction: Descartes thinks of matter as 'extension'. Descartes's error seems so obvious that it is a puzzle why he made it. He may have confused epistemology and ontology - all we can know of matter is its extension in space. |