Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Lectures on Aesthetics' and 'Philosophy and the Mirror of Nature'

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25 ideas

1. Philosophy / F. Analytic Philosophy / 7. Limitations of Analysis
Analytical philosophy seems to have little interest in how to tell a good analysis from a bad one [Rorty]
     Full Idea: There is nowadays little attempt to bring "analytic philosophy" to self-consciousness by explaining how to tell a successful from an unsuccessful analysis.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 4.1)
2. Reason / C. Styles of Reason / 3. Eristic
Rational certainty may be victory in argument rather than knowledge of facts [Rorty]
     Full Idea: We can think of "rational certainty" as a matter of victory in argument rather than relation to an object known.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 3.4)
3. Truth / A. Truth Problems / 2. Defining Truth
Genuine truth is the resolution of the highest contradiction [Hegel]
     Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art'
     A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'.
3. Truth / A. Truth Problems / 3. Value of Truth
What I hold true must also be part of my feelings and character [Hegel]
     Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy'
     A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us.
3. Truth / A. Truth Problems / 9. Rejecting Truth
Rorty seems to view truth as simply being able to hold one's view against all comers [Rorty, by O'Grady]
     Full Idea: Rorty seems to view truth as simply being able to hold one's view against all comers.
     From: report of Richard Rorty (Philosophy and the Mirror of Nature [1980]) by Paul O'Grady - Relativism Ch.4
     A reaction: This may be a caricature of Rorty, but he certainly seems to be in the business of denying truth as much as possible. This strikes me as the essence of pragmatism, and as a kind of philosophical nihilism.
3. Truth / E. Pragmatic Truth / 1. Pragmatic Truth
For James truth is "what it is better for us to believe" rather than a correct picture of reality [Rorty]
     Full Idea: Truth is, in James' phrase, "what it is better for us to believe", rather than "the accurate representation of reality".
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Intro)
13. Knowledge Criteria / B. Internal Justification / 2. Pragmatic justification
If knowledge is merely justified belief, justification is social [Rorty]
     Full Idea: If we have a Deweyan conception of knowledge, as what we are justified in believing, we will see "justification" as a social phenomenon.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Intro)
     A reaction: I find this observation highly illuminating (though I probably need to study Dewey to understand it). There just is no absolute about whether someone is justified. How justified do you want to be?
13. Knowledge Criteria / C. External Justification / 8. Social Justification
Knowing has no definable essence, but is a social right, found in the context of conversations [Rorty]
     Full Idea: If we see knowing not as having an essence, described by scientists or philosophers, but rather as a right, by current standards, to believe, then we see conversation as the ultimate context within which knowledge is to be understood.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Ch.5), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.5
     A reaction: This teeters towards ridiculous relativism (e.g. what if the conversation is among a group of fools? - Ah, there are no fools! Politically incorrect!). However, knowledge can be social, provided we are healthily elitist. Scientists know more than us.
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
You can't debate about whether to have higher standards for the application of words [Rorty]
     Full Idea: The decision about whether to have higher than usual standards for the application of words like "true" or "good" or "red" is, as far as I can see, not a debatable issue.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.6)
15. Nature of Minds / A. Nature of Mind / 1. Mind / a. Mind
The mind is a property, or it is baffling [Rorty]
     Full Idea: All that is needed for the mind-body problem to be unintelligible is for us to be nominalist, to refuse firmly to hypostasize individual properties.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.3)
     A reaction: Edelman says the mind is a process rather than a property. It might vanish if the clockspeed was turned right down? Nominalism here sounds like behaviourism or instrumentalism. Would Dennett plead guilty?
15. Nature of Minds / A. Nature of Mind / 1. Mind / c. Features of mind
Pain lacks intentionality; beliefs lack qualia [Rorty]
     Full Idea: We can't define the mental as intentional because pains aren't about anything, and we can't define it as phenomenal because beliefs don't feel like anything.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.2)
     A reaction: Nice, but simplistic? There is usually an intentional object for a pain, and the concepts which we use to build beliefs contain the residue of remembered qualia. It seems unlikely that any mind could have one without the other (even a computer).
15. Nature of Minds / B. Features of Minds / 4. Intentionality / b. Intentionality theories
Is intentionality a special sort of function? [Rorty]
     Full Idea: Following Wittgenstein, we shall treat the intentional as merely a subspecies of the functional.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.3)
     A reaction: Intriguing but obscure. Sounds wrong to me. The intentional refers to the content of thoughts, but function concerns their role. They have roles because they have content, so they can't be the same.
19. Language / A. Nature of Meaning / 1. Meaning
Nature has no preferred way of being represented [Rorty]
     Full Idea: Nature has no preferred way of being represented.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.5)
     A reaction: Tree rings accidentally represent the passing of the years. If God went back and started again would she or he opt for a 'preferred way'?
19. Language / A. Nature of Meaning / 7. Meaning Holism / b. Language holism
Can meanings remain the same when beliefs change? [Rorty]
     Full Idea: For cooler heads there must be some middle view between "meanings remain and beliefs change" and "meanings change whenever beliefs do".
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.2)
     A reaction: The second one seems blatanty false. How could we otherwise explain a change in belief? But obviously some changes in belief (e.g. about electrons) produce a change in meaning.
19. Language / B. Reference / 1. Reference theories
A theory of reference seems needed to pick out objects without ghostly inner states [Rorty]
     Full Idea: The need to pick out objects without the help of definitions, essences, and meanings of terms produced, philosophers thought, a need for a "theory of reference".
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.3)
     A reaction: Frege's was very perceptive in noting that meaning and reference are not the same. Whether we need a 'theory' of reference is unclear. It is worth describing how it occurs.
19. Language / C. Assigning Meanings / 6. Truth-Conditions Semantics
Davidson's theory of meaning focuses not on terms, but on relations between sentences [Rorty]
     Full Idea: A theory of meaning, for Davidson, is not an assemblage of "analyses" of the meanings of individual terms, but rather an understanding of the inferential relations between sentences.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.1)
     A reaction: Put that way, the influence of Frege on Davidson is obvious. Purely algebraic expressions can have inferential relations, using variables and formal 'sentences'.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton]
     Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard]
     Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard]
     Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11
     A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity?
21. Aesthetics / B. Nature of Art / 6. Art as Institution
For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge]
     Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1
     A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you?
21. Aesthetics / C. Artistic Issues / 6. Value of Art
The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S]
     Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature.
     From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7
     A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well.
The main purpose of art is to express the unity of human life [Hegel]
     Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty'
     A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity.
Art forms a bridge between the sensuous world and the world of pure thought [Hegel]
     Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking.
     From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics)
     A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify?
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').
24. Political Theory / A. Basis of a State / 1. A People / a. Human distinctiveness
Since Hegel we have tended to see a human as merely animal if it is outside a society [Rorty]
     Full Idea: Only since Hegel have philosophers begun toying with the idea that the individual apart from his society is just one more animal.
     From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 4.3)