18 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 1635 | Mathematics reduces to set theory (which is a bit vague and unobvious), but not to logic proper [Quine] |
| Full Idea: Mathematics reduces only to set theory, and not to logic proper… but set theory cannot claim the same firmness and obviousness as logic. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.69-70) |
| 7627 | You can't reduce epistemology to psychology, because that presupposes epistemology [Maund on Quine] |
| Full Idea: There is something seriously misguided about Quine's project of reducing epistemology to psychology, since psychology, like any of the natural sciences, presupposes an epistemology. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Barry Maund - Perception Ch.1 | |
| A reaction: I wonder if epistemology presupposes psychology? Belief, for example, is a category of folk psychology, which could be challenged. There is a quiet battle going on between philosophy and science. |
| 8871 | We should abandon a search for justification or foundations, and focus on how knowledge is acquired [Quine, by Davidson] |
| Full Idea: Quine is suggesting that philosophy should abandon the attempt to provide a foundation for knowledge, or otherwise justify it, and should instead give an account of how knowledge is acquired. | |
| From: report of Willard Quine (Epistemology Naturalized [1968]) by Donald Davidson - Epistemology Externalized p.193 | |
| A reaction: If you are going to explain how 'knowledge' is acquired, you'd better know what knowledge is. My suspicion is that Quine would be quite happy (in the pragmatist tradition) to just focus on belief, and forget about knowledge entirely. |
| 8826 | If we abandon justification and normativity in epistemology, we must also abandon knowledge [Kim on Quine] |
| Full Idea: Quine asks us to set aside the entire framework of justification-centered epistemology, ..and repudiate normativity. ..But then knowledge itself drops out of epistemology, for our concept of knowledge is inseparably tied to that of justification. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Jaegwon Kim - What is 'naturalized epistemology'? p.305 | |
| A reaction: Presumably this would not bother Quine, who wants to hand so-called 'epistemology' over to the psychologists. A psychological account of belief seems plausible. Presumably false beliefs could only be pragmatically characterised. |
| 8827 | Without normativity, naturalized epistemology isn't even about beliefs [Kim on Quine] |
| Full Idea: If normativity is wholly excluded from naturalized epistemology it cannot even be thought of as being about beliefs. | |
| From: comment on Willard Quine (Epistemology Naturalized [1968]) by Jaegwon Kim - What is 'naturalized epistemology'? p.306 | |
| A reaction: And if it doesn't refer to beliefs, it certainly doesn't refer to knowledge. One might try to subsume normativity under evolutionary pragmatic 'drives', or something. Quine's project would then become wildly speculative, and hence boring. |
| 8899 | Epistemology is a part of psychology, studying how our theories relate to our evidence [Quine] |
| Full Idea: Epistemology falls into place as a chapter of psychology, and hence of natural science. ..We study meagre input and torrential output, to see how evidence relates to theory, and in what ways one's theory of nature transcends any available evidence. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.83) | |
| A reaction: It depends what you are interested in. If you just want to know what makes humans tick, then Quine is your man, but if you want to know things in general, and want to know how to get it right, then the normative side of epistemology is unavoidable. |
| 8898 | Inculcations of meanings of words rests ultimately on sensory evidence [Quine] |
| Full Idea: All inculcation of meanings of words must rest ultimately on sensory evidence. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.75) | |
| A reaction: This betrays Quine's behaviourist tendencies, and rules out introspection, definitions and inferences. Quine's conclusion is fairly total scepticism about meaning, but that is not surprising, given his external and meaningless starting point. |
| 8900 | In observation sentences, we could substitute community acceptance for analyticity [Quine] |
| Full Idea: Perhaps the controversial notion of analyticity can be dispensed with, in our definition of observation sentences, in favour of the straightforward attitude of community-wide acceptance. | |
| From: Willard Quine (Epistemology Naturalized [1968], p.86) | |
| A reaction: That might be a reasonable account of 'bachelors'. If the whole community accepts 'God exists', does that make it analytic? If a whole (small!) community claims to actually observe a ghost or a flying saucer, is that then analytic? |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |