16 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 13591 | Quantified modal logic collapses if essence is withdrawn [Quine] |
| Full Idea: The whole of quantified modal logic collapses if essence is withdrawn. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Quine offers an interesting qualification to this crushing remark in Idea 13590. The point is that objects must retain their identity in modal contexts, as if I say 'John Kennedy might have been Richard Nixon'. What could that mean? |
| 13590 | Essences can make sense in a particular context or enquiry, as the most basic predicates [Quine] |
| Full Idea: The notion of essence makes sense in context. Relative to a particular enquiry, some predicates may play a more basic role than others, or may apply more fixedly; and these may be treated as essential. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Quine has got a bad press on essentialism, and on modal logic, but I take this point seriously. If you give something a fixed identity by means of essence in some context, you can then go ahead and apply possible world reasoning in that context. |
| 8483 | Necessity is relative to context; it is what is assumed in an inquiry [Quine] |
| Full Idea: The very notion of necessity makes sense to me only relative to context. Typically it is applied to what is assumed in an inquiry, as against what has yet to transpire. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Lots of things are assumed by an inquiry without an assumption that they must be true. Quine is the greatest opponent of necessity in all of philosophy. Asserting necessities, though, is too much fun to give up. It would ruin philosophy. |
| 13589 | Possible worlds are a way to dramatise essentialism, and yet they presuppose essentialism [Quine] |
| Full Idea: Talk of possible worlds is a graphic way of waging the essentialist philosophy, but it is only that; it is not an explication. Essence is needed to identify an object from one possible world to another. | |
| From: Willard Quine (Intensions Revisited [1977], p.118) | |
| A reaction: He makes the proposal sound circular, but I take a commitment to essences to be prior to talk of possible worlds. Possible worlds are a tool for clarifying modalities, not for clarifying essential identities. |
| 13588 | A rigid designator (for all possible worlds) picks out an object by its essential traits [Quine] |
| Full Idea: A rigid designator differs from others in that it picks out its object by essential traits. It designates the object in all possible worlds in which it exists. | |
| From: Willard Quine (Intensions Revisited [1977], p.118) | |
| A reaction: This states the point more clearly than Kripke ever does, and I presume it is right. Thus when we say that we wish 'our' Hubert Humphrey had won the election, we can allow that his victory elation would change him a bit. Kripke is right. |
| 13592 | Beliefs can be ascribed to machines [Quine] |
| Full Idea: Beliefs have been ascribed to machines, in support of a mechanistic philosophy, and I share this attitude. | |
| From: Willard Quine (Intensions Revisited [1977], p.123) | |
| A reaction: [He cites Raymond Nelson] One suspects that this is Quine's latent behaviourism speaking. It strikes me as a crass misuse of 'belief' to ascribe it to a simple machine like a thermostat. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7903 | The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna] |
| Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom. | |
| From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88) | |
| A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate'). |