Combining Texts

All the ideas for 'Mahaprajnaparamitashastra', 'Letters to Johann Bernoulli' and 'Literature and Morals'

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6 ideas

7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
A piece of flint contains something resembling perceptions and appetites [Leibniz]
     Full Idea: I don't say that bodies like flint, which are commonly called inanimate, have perceptions and appetition; rather they have something of that sort in them, like worms are in cheese.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.12.17)
     A reaction: Leibniz is caricatured as thinking that stones are full of little active minds, but he nearly always says that what he is proposing is 'like' or 'analogous to' that. His only real point is that nature is active, as seen in the appetites of animals.
Entelechies are analogous to souls, as other minds are analogous to our own minds [Leibniz]
     Full Idea: Just as we somehow conceive other souls and intelligences on analogy with our own souls, I wanted whatever other primitive entelechies there may be remote from our senses to be conceived on analogy with souls. They are not conceived perfectly.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.12.17)
     A reaction: This is the clearest evidence I can find that Leibniz does not think of monads as actually being souls. He is struggling to explain their active character. Garber thinks that Leibniz hasn't arrived at proper monads at this date.
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / c. Possible but inconceivable
What we cannot imagine may still exist [Leibniz]
     Full Idea: It does not follow that what we can't imagine does not exist.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.11.18)
     A reaction: This just establishes the common sense end of the debate - that you cannot just use your imagination as the final authority on what exists, or what is possible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Those who say immorality is not an aesthetic criterion must show that all criteria are aesthetic [Weil]
     Full Idea: Writers and readers who cry out that immorality is not an aesthetic criterion need to prove, which they have never done, that one should apply only aesthetic criteria to literature.
     From: Simone Weil (Literature and Morals [1941], p.146)
     A reaction: I take the first criterion of literature that it not be boring, and I don't think that is an aesthetic matter. A lot must be achieved before a work can even be considered for aesthetic judgment. Being deeply offensive might rule it out.
22. Metaethics / B. Value / 2. Values / e. Death
Death is just the contraction of an animal [Leibniz]
     Full Idea: Death is nothing but the contraction of an animal, just as generation is nothing but its unfolding.
     From: Gottfried Leibniz (Letters to Johann Bernoulli [1699], 1698.11.18)
     A reaction: This is possibly the most bizarre view that I have found in Leibniz. He seemed to thing that if you burnt an animal on a bonfire, some little atom of life would remain among the ashes. I can't see why he would believe such a thing.
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The six perfections are giving, morality, patience, vigour, meditation, and wisdom [Nagarjuna]
     Full Idea: The six perfections are of giving, morality, patience, vigour, meditation, and wisdom.
     From: Nagarjuna (Mahaprajnaparamitashastra [c.120], 88)
     A reaction: What is 'morality', if giving is not part of it? I like patience and vigour being two of the virtues, which immediately implies an Aristotelian mean (which is always what is 'appropriate').